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Leica M Film Photos -- Feel Free to Share Yours

RayD28

By RayD28
in Leica M-A / M7 / MP and Film M

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Posted by jaapv,

How to upload images: Prepare the image as follows: 1.   The image should be sRGB and 8-bits 2.   Reduce the size to 2480 pixels on the longest side. (smaller sizes can be set, but are not recommended) 3.   Sharpen properly for screen. 4.   Save as JPG to your desktop, reducing JPG quality to produce 1000 kB (2000 kB for sponsoring members). 5.   In Lightroom these parameters should be set in the Export dialog. 6.   In the Forum posting or editing box, click “c
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grahamc

grahamc

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More Bondi Beach, outside one of our local cafes .  35:1.4 v2 & Tri-X .  

 

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jakontil
jakontil

M2-R + 50 apo Kentmere 400  ILfotec HC 

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jakontil
jakontil

MP | 50 lux asph | kodak portra 400 | home souped

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jakontil
jakontil

M6 | 50 noctilux | cinestill 800t home souped

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Sailronin

Sailronin

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Man with fur hood, Seattle

Leica MP w/35mm Summicron on Ilford FP4+ souped in HC110

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Sailronin

Sailronin

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Leaf on deck. First roll with new MP on Ilford FP4+ souped in HC110B 6min at 20C, scanned on Epson V500

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Aryel

Aryel

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M3, Summitar 50 (1941), trix (rodinal 1:50) printed on mgfb classic (top) and warmtone (below)


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Sailronin

Sailronin

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 A rainy day so I'm scanning old negatives, this one from 2019.

Leica MP w/35mm Summicron on Ilford FP4+ souped in HC110B, 6 minutes at 20C scanned on Epson V500

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jakontil

jakontil

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Mp + 28 summaron

fujipro 400h

home souped

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grahamc

grahamc

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35:1.4 v2 & Tri-X 

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Ernest

Ernest

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On 10/23/2021 at 4:46 PM, RayD28 said:

Wonderful shot, Ernest.  How did you meter the light? 

Thanks for your comment and interest. I use a Zone VI Pentax Spot Meter to overexpose Portra 800 about one stop, paying attention to color and its emotional context. I don't expose for details in shadows and rather let them go dark. This is a pedestrian storefront shot, but the play of reflections and saturated colors, particularly the red door, worked an ironic counterpoint for "time in jeopardy" during a pandemic. Red, as usual, is a cautionary signal. The store next door out of frame is like many stores out of business. And this store is all about merchandising time.

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Ernest

Ernest

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Ease One Diptych
MDa Summaron-M 28 Portra 800

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cobbu2

cobbu2

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Showing the Summitar Swirl

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M4-2, 50/2 Summitar (late coated version) + Adapter, Gold 400

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a.noctilux

a.noctilux

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Paris 1989-1990, Japan exhibition

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..

 

Leica M5, Summicron 50mm "III", Kodachrome 64

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a.noctilux

a.noctilux

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next

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my first and second Yabusame

(I didn't know what it was about, discovered the traditional Japan in this occasion)

some said that M5 is not the best for such pics, but not so bad in use

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Sailronin

Sailronin

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My first roll of HP5+ and 7Artisans 75mm f1.25 lens.  Film exposed at box speed of ISO 400 and souped in HC110B for 5 minutes at 20C then scanned on Epson V500.

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Sailronin

Sailronin

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HP5+ souped in HC110B for 5 min at 20C then scanned on Epson V500.

Leica MP with 75mm 7Artisans lens

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Sailronin

Sailronin

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Farah in the garden.

HP5+ souped in HC110B for 5 minutes at 20C and scanned on Epson V500

Leica MP with 7Artisans 75mm.  This is from the first roll with that combination and I'm not totally loving it so far... I don't mind the lens being a bit soft for portraits but the film/dev combination is resulting in very blocked highlights.

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Shanil

Shanil

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Posted

Cinestill 800T 

M6 TTL, Color Skopar 35mm

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Shanil

Shanil

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Cinestill 800T 

M6 TTL, Color Skopar 35mm

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Sailronin

Sailronin

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Pears and bananas.

Leica MP w/90mm Summicron on Ilford HP5+ stand developed in Rodinal 1:100 for 60 minutes.

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otto.f

otto.f

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Posted (edited)
4 hours ago, Sailronin said:

Pears and bananas.

Very nice example of how 35mm B&W  film photography has its own image language. This atmosphere here is difficult to attain in digital, probably most caused by Rodinal. 

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grahamc

grahamc

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Old versus new .  Tri X & 28mm Rokkor 

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