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Summicron 50 APO Disapointing?


~lumiere

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I thought this forum was mostly for people that 1. Had a Leica, 2. Quite liked it.

Seems a simply entry criteria to me ....

 

Not quite. Having a Leica is not one of the prerequisites (if that's the word I mean).

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Well, you can join and use the forum without posting any pictures at all, even though that may spoil the fun for some.

 

Once you do post some pictures, this part of the forum rules applies: "Prerequisite for placing a photo is that it has been made with Leica equipment and/or has a strong relationship to a Leica subject."

 

Ownership of the camera or lens is not relevant. What constitutes a "strong relationship to a Leica subject" might be subject to lengthy debates, but on a pragmatic level it is usually readily apparent.

 

So, on the whole, ownership of anything made or sold by Leica is not a requirement at all, even if a welcome addition. It also helps if you like Leica cameras and lenses.

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My only problem with this lens is f/2 if they do the same thing with a Noctilux I sell my car and buy it at once, for the moment I keep my Summilux

 

I wonder why today a good photo must be sharp

Edited by erick
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[quote name='erick;291005

 

I wonder why today a good photo must be sharp

 

I have always been of the belief that a "good" photo (or any photo at all) should have at least something in focus' date=' preferably that [i']something[/i] should make sense in the context of the subject/composition/narrative.

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I have always been of the belief that a "good" photo (or any photo at all) should have at least something in focus, preferably that something should make sense in the context of the subject/composition/narrative.

but sharp today means something else than "in-focus"

 

if you look at the photos that have made ​​history nearly none are really sharp

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No, most are really sharp, eg the nat geo picture of the afghan girl, Ansel Adams, etc.

But many are not - D-Day landings for example - and as ever it depends on what you mean by 'sharp', how you view images and so o. I'm always wary of absolutes because there are always exceptions;).I've just bought a copy of "The decisive moment":eek: and the images are 'in focus' and 'sharp' (enough), but whether they are as bitingly crisp as could be achieved today is another question. Does it matter? IMO not in the slightest.

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If Capa or Adams could have had a sharp modern camera they would have jumped at it. They were using the best at the time.
sharpness at that time and now are different

look at the pictures of Sally Mann today ... they are not what you call sharp

and why they should be ?

 

4

 

Capa ? you mean that one ?

7386661.jpg

Edited by erick
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Yes, many classic (old) pictures are not sharp, even out of focus, but their takers would mostly have loved them to be better technically.

 

On the question of what is sharp, I completely decline to answer this as its a facetious discussion. Basically if the subject is in focus with lack of motion blur that is good enough. 6mp vs 50mp is only relevant for printing, cropping or some types of editing

 

Of course out of focus and motion blur can be used as artistic techniques, however this applies to a tiny number of photos

 

Rgds

Edited by colonel
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Yes, many classic (old) pictures are not sharp, even out of focus, but their takers would mostly have loved them to be better technically.
better is different than sharper, better (for me) is always more soul Edited by erick
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Because they can buy sharpness but they cannot buy talent.

 

So in their uneducated minds, they substitute talent for sharpness and there they are, happy to be "good photographers".

 

I'd rather call them efficient button pushers & producers of sharp files.

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Because they can buy sharpness but they cannot buy talent.

 

 

 

So in their uneducated minds, they substitute talent for sharpness and there they are, happy to be "good photographers".

 

 

 

I'd rather call them efficient button pushers & producers of sharp files.

 

 

Come come

 

Gas does exist but all things being equal we would prefer better technical standards. We can all depreciate from these in PP if we want to.

 

I do like imperfection. I am shooting much more film at the moment. But when I want digital I want the best, I mean that is half of why I bought into leica , for the lenses .....

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better technical standards.
better has definitively nothing to do with sharpness, anyone with a tripod and good gear can take a sharp photo after one week learning photography

 

I agree totally with NB23

 

if I want sharp photos I sell my Leica gear and I buy a Nikon 810 + Zeiss Otus lenses

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better has definitively nothing to do with sharpness, anyone with a tripod and good gear can take a sharp photo after one week learning photography

 

I agree totally with NB23

 

if I want sharp photos I sell my Leica gear and I buy a Nikon 810 + Zeiss Otus lenses

 

 

Would you ?

The weight, presence and size of that stuff is a no go for me

The Pentax 645d is cheap these days but the attraction for me is zero

 

I wanted the quality from a small and unobtrusive kit AND I love the RF and manual focus. I always pick up the M, rather then the A7, when given a choice

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