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If it were a better camera than my M3, I might consider it. But I doubt that it really is...

 

...Mike

 

No doubt. Even a MP is a dumbed down product. "Mechanical perfection"? No way. For having seen open M3 and M2 leicas, I can safely say the MP is inferior. But there is something to be said about buying a brand new Leica film camera and keeping it 'til you die (as opposed to digital cameras that basically start Vanishing from your hands the second you open the box).

This brings a new question: who actually buys brand new Digital leicas? And why? That's an unwise move, IMO.

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No doubt. Even a MP is a dumbed down product. "Mechanical perfection"? No way. For having seen open M3 and M2 leicas, I can safely say the MP is inferior. But there is something to be said about buying a brand new Leica film camera and keeping it 'til you die (as opposed to digital cameras that basically start Vanishing from your hands the second you open the box).

This brings a new question: who actually buys brand new Digital leicas? And why? That's an unwise move, IMO.

 

It's a nice thing to buy a new digital M , so I did a few times,as I did with the M6's + M8,9 ,M. I liked it every time I bought one and still do. Some people just can't(/will not) wait a year or so until you can buy a used one. I hope it will become better in future and people start selling their M-P's after a month or so .;)

 

I must say, it was easier to buy a used M6 than a used M8 the moment I decided to get one.

 

I will definite will buy a used M-A if I can get it for a nice price.

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I'm considering it. It appeals to the non-rational side of the brain: no meter, no distractions, the most streamlined essence of a camera that is already extraordinarily simple.

 

Not for me. No meter = big distraction. Reaching for an external meter would be a constant distraction.

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:D In truth, the main (only) attraction of the M-A to me is that, without a meter, you get cleaner unbroken framelines. Taking the battery out of a metered M6 or MP isn't as nice IMO. This was what I liked about the MP Classic that I often wish I hadn't sold.

 

....and the one stage shutter release.

Other than that, I'm very contented with my MPs.

Pete

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Just bought a nice condition M3; it's sitting in my bag with a 50 Apo attached. I don't think I will shoot a lot of film with it, in this era of digital convenience, but it is so nice to use, rewind the film, press the button... ok, just a toy to make me happy.... and the lens is being used 99% of the time on the M9, but what the heck, I can have a few toys.

 

No, I don't think I am going to buy the M-A, unless, of course, they offer it with the same viewfinder as in the M3. Big, bright, .91x, single frame lines for a 50mm lens. I could be tempted, then.

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I don't really see the point in it. It looks almost the same as the MP and is only 100€ cheaper. If you don't want a meter get a M2,3,4 with CLA. Or take out the battery out of your MP. It's still fully mechanical. Also what's with those screws? But one improvement is the metal ISO dial, if it really is metal. It should never have been plastic in the first place.

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Shoot long enough without the meter and you won't need it. You'll probably be able to master this faster than you think. ;)

 

No thanks. When your pictures matter, shooting without a meter is just bad practice. My first camera, a Pentax SLR from the 1960's, had no meter and I shot with it for a number of years before I got a camera with a meter. My Fuji 6x7, Pentax 6x7 and Minolta twin lens also had no meter and I used each of them quite a lot.

Edited by zlatkob
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I really don't like joining the unthinking bashers of anything new from Solms, but this one has me flummoxed.

 

The only advantage of this over my M3 appears to be a greater selection of frame lines, but to do this by using a 0.72 viewfinder compared to the M3 at 0.91 is to me too great a price to pay.

 

Before I bought the M 240, I had an MP and M3 hung round my neck at the same time, and frankly, I found the M3 a much nicer camera.

 

What I do hope though is that they bring out a new Leicameter to go with it. Mine chews up batteries and is pretty aged. A new meter to go on the M3? Now that is something I would buy. :)

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Not for me. No meter = big distraction. Reaching for an external meter would be a constant distraction.

 

Learn to meter in your head. it's easy. Once you get it, you'll never lose it.

 

Remember, metering for film is very different than metering for digital. Film has latitude, usually lots of it, which means you can be 2/3 stops off and still get a very presentable negative. Film has an exposure curve that makes it much more difficult to blow out the highlights even if you overexpose.

 

If you really 'need' a meter, then buy the VC Meter made by Cosina. Clips right on, easy to use. Just because its not made by Leica doesn't mean you can't use it on an M-A.

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Learn to meter in your head. it's easy. Once you get it, you'll never lose it.

 

Remember, metering for film is very different than metering for digital. Film has latitude, usually lots of it, which means you can be 2/3 stops off and still get a very presentable negative. Film has an exposure curve that makes it much more difficult to blow out the highlights even if you overexpose.

 

If you really 'need' a meter, then buy the VC Meter made by Cosina. Clips right on, easy to use. Just because its not made by Leica doesn't mean you can't use it on an M-A.

 

The light meter in your head is notoriously unreliable because your eyes/brain adjust to the light. Go from outdoors to indoors and after some time the indoor setting appears much brighter than when your first entered.

 

With practice, some settings and lighting scenarios become familiar, and it becomes easy to create a presentable negative, but why bother? With practice, one can probably learn to do construction without a level or a plumb or any measurements, but why bother?

 

Today's digital has lots of latitude too. Being 2/3 stops off results in very presentable digital photos too. So the metering of film vs. digital is not so different.

 

Getting an external clip-on meter completely defeats the supposed advantage of having meterless camera.

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For me the perfect analog camera would be a M7-P a la carte. A kind of mix between the M7 and the MP. For some occasion, I would love to have the aperture priority and metering accuracy of the M7. But I would also have the ability to shoot manually at any speed without battery like the MP. I would like to select the exposure time turning a speed dial that would be like the M7 (bigger and better located than the speed dial of the MP). Obviously such a camera would need a new hybrid shutter.

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+1 Nicolas. I would like an aperture priority film camera with the rewind knob of the MP (I think it makes the whole camera look elegant - or rather the offset angled crank looks silly).

 

I also want a finder as clear and contrasty as that of the M (or even that of the Zeiss Ikon). Seems having the electronic viewfinder lines and not the third window to light up the lines makes a huge difference.

 

If I want a completely manual camera then the M3 with its 0.91x viewfinder is the one I want ... oh, I already have it, so I wont be buying this M-P.

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