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I like film...(open thread)

Doc Henry

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gbealnz

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Living in a somewhat foggy area sometimes has advantages.

M3 with 50mm and FP4+

 

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Michael Hiles
Michael Hiles

Bonjour Henri,   I still prefer black and white film (I use almost no colour). The advantages of digital don’t mean much to me. Seeing instant results is not so useful, since what comes out of a cam

Cyril Jayant
Cyril Jayant

This photo is from a series from some of my crazy, extreme photo adventures I  had photographing Mountains "Alpinists " and rock climbers. This is Alpes mountain range which is called   "Le Massive du

helged
helged

On a week-long stay at the Faroe Islands, I took the ferry from Torshavn (the 'capital') to the southernmost island, Suduroy, and looked up potential shooting locations on the island. This image was t

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iiif + canon 50mm LTM + LOMO 800ASA

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iiif + canon 50mm LTM + LOMO 800ASA

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iiif + canon 50mm LTM + LOMO 800ASA

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iiif + canon 50mm LTM + LOMO 800ASA

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S/W

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Leica M6TTL * Summicron 2.0/28 Asph II * Kodak Color Gold 200 * Capture One 20

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Old Gas Station

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Leica M6TTL * Apo Summicron 2.0/50 Asph * Kodak Color Gold 200 * Capture One 20

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Police

(Harbour Frankfurt/Main /Germany)

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Leica M6TTL * Summicron 2.0/28 Asph II * Kodak Color Gold 200 * Capture One 20

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philipus

philipus

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Very nice series, a true colour explosion. Is Lomo 800 in actual fact Cinestill 800 or some other cine film without remjet? The halos and palette are just so very similar.

10 hours ago, frame-it said:

iiif + canon 50mm LTM + LOMO 800ASA

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If you hadn't written M3 I would have taken this for 120 film. Really pretty tones.

13 hours ago, gbealnz said:

Living in a somewhat foggy area sometimes has advantages.

M3 with 50mm and FP4+

 

Almost like an apparition surrounded by crystal aliens. Really good shot Steve.

14 hours ago, Ouroboros said:

Mariko getting steamed in Hull.

Leica MP

50mm elmar-m f2.8

T-Max 100

 

 

Haha what a find to come across such a scene!

15 hours ago, J.Haarmann said:

 

Saint Peter Port - Guernsey/ CI

1997

 

 

Leica R6 - Elmarit-R 2,8/60 - Kodak E100G

Very nice Gold 200 colours S/W, esp the reds .Yummy!

9 minutes ago, S/W said:

Leica M6TTL * Summicron 2.0/28 Asph II * Kodak Color Gold 200 * Capture One 20

 

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philipus

philipus

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I missed this one. Wow, such a cool palette. I really like how the vintage feel jars with the modern building behind. Where is this? I could probably spend a whole day and a whole night shooting at such a location.

6 minutes ago, S/W said:

Old Gas Station

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Leica M6TTL * Apo Summicron 2.0/50 Asph * Kodak Color Gold 200 * Capture One 20

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philipus

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Here are two photos, at the beginning and at the end of the blue hour. The building is the Tessin Palace which was completed in 1701 as mini-palatial home to the Tessin family. These days it is the residence of the governor of Stockholm. If you turn around 180 degrees from this view you will see the previous scene with the statue. Both were shot with the 40mm Distagon and on Ektar.

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vor 3 Minuten schrieb philipus:

I missed this one. Wow, such a cool palette. I really like how the vintage feel jars with the modern building behind. Where is this? I could probably spend a whole day and a whole night shooting at such a location.

Thanks 😀 You can find this old Station in Lindleystraße 18-21, 60314 Frankfurt am Main (Germany)

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Welcome, dear visitor! As registered member you'd see an image here…

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Leica M6TTL * Leica Apo Summicron 2.0/50 Asph * Kodak Color Gold 200 * Capture One 20

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1 hour ago, philipus said:

Very nice series, a true colour explosion. Is Lomo 800 in actual fact Cinestill 800 or some other cine film without remjet? The halos and palette are just so very similar.

thanks...am not sure, the color will change based on exposure..quite a nice vibrant film and perfect for available light night shots in high density cities

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Ernest

Ernest

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Interrogation Architecture
M-A APO 50 ASPH
An study in ambiguity of space and color field disorientation.

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Suede

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Milking.   [Tri-X]

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Ernest

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19 hours ago, Kl@usW. said:

The picture breathes a bit of Gibson´s  surrealistic period, but the colors, the Thambar glow  and the approach make it something different in its own right. I really like it. 

 

Thanks for your input! My thoughts about this diptych, so seduced by the colors, are critical of the content sacrificed for the form. It's the same thinking that applies to some of Gibson's diptychs where two images are married by the mirror of compositions, repetition of forms, light and dark, that sort of thing, and not so much by content that propels the viewer to make connections between two images. 

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