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8 hours ago, stray cat said:

Ah dammit! Not that I saw that it was posted in the M9 section (I didn't - I don't think I'd ever visited there before just now, following your post) but because I like to eat hats. Is that so strange?

No, seriously, the skin gives it away. Game set and match right there. It's an old comparison now, it's a different digital camera, and I'm sure we've all see it, but this still holds true: http://www.summilux.net/forums/viewtopic.php?f=10&t=51356

 

Some interesting pictures there, Phil 😉

Given that my knowledge of French just about allows me order a cup of coffee and ask where the railway station Gare du Nord is situated, unfortunately I’m not able to do much other than look at the pictures. If there’s a conclusion in the text I’m afraid it’s beyond me.

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This is a great intellectual debate with winners and LOSERS to come. Some reputations will hang on the result, yet sitting on the fence is also the Leica forum way by waiting to say 'I thought that all along', but it can't trump 'I told you so'. I'm biting my nails.

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11 hours ago, Steve Ricoh said:

Some interesting pictures there, Phil 😉

Given that my knowledge of French just about allows me order a cup of coffee and ask where the railway station Gare du Nord is situated, unfortunately I’m not able to do much other than look at the pictures. If there’s a conclusion in the text I’m afraid it’s beyond me.

Well, google translate helps a lot here 🤫. His summary is basically that he prefers the rendering of film for this kind of shot as he finds, by comparison, the MM files to be too "harsh" (especially in that last example). But he'd like to have an MM because he liked its immediacy and some other things (though he preferred the feel of the analogue Leica).

Looking at his examples, and at the examples posted in the OP, I think you can see that there is a softness to the skin in the analogue pictures that the digital pictures don't quite deliver. The digital pictures are sharper but the transitions, especially with skin, are noticeably harsher. Well, that's to my eyes anyway.

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11 hours ago, 250swb said:

This is a great intellectual debate with winners and LOSERS to come. Some reputations will hang on the result, yet sitting on the fence is also the Leica forum way by waiting to say 'I thought that all along', but it can't trump 'I told you so'. I'm biting my nails.

I thought it was that one all along. 😀 Actually, I stayed out of it because I assumed it was a trick and the crappy looking one would turn out to be the film photo. Then I thought it might be a double bluff and then I thought do I really care? ...

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My interest of photography is far beyond that, so I don't care either.

At first, I didn't know what the OP wanted us to see-and-bet between analog/film choice.

Seeing those "digital look" on my screen of the two choices make me wonder "why ?".

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4 hours ago, stray cat said:

Well, google translate helps a lot here 🤫. His summary is basically that he prefers the rendering of film for this kind of shot as he finds, by comparison, the MM files to be too "harsh" (especially in that last example). But he'd like to have an MM because he liked its immediacy and some other things (though he preferred the feel of the analogue Leica).

Looking at his examples, and at the examples posted in the OP, I think you can see that there is a softness to the skin in the analogue pictures that the digital pictures don't quite deliver. The digital pictures are sharper but the transitions, especially with skin, are noticeably harsher. Well, that's to my eyes anyway.

Phil, if I had started using Google Translate on the article (as I sometimes do for short phrases) I’d still be at it. 😟

I posted this the other day https://emulsive.org/articles/thoughts/why-shoot-film-its-about-where-things-break-down and as title alludes the choice of film v digital v painting is where things break down and how, and if the operator wishes to exercise control. It’s caused me to rethink my own decision making. However there are two poles in the A v D discussion in my mind: how pleasing the rendition, and the speed, or turnaround, from triggering the exposure to seeing the result. Benefit of digital I guess is it’s a fast learning curve for self improvement, not least for composition; review, modify experiment with no further outlay beyond the capital expenditure, and if you purchase wisely by buying yesterdays technology the cost can be greatly reduced.

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2 hours ago, wattsy said:

I thought it was that one all along. 😀 Actually, I stayed out of it because I assumed it was a trick and the crappy looking one would turn out to be the film photo. Then I thought it might be a double bluff and then I thought do I really care? ...

Which crappy looking one? You're far too polite sometimes. :D

Edited by Ouroboros
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On 3/27/2020 at 11:33 AM, stray cat said:

Ah dammit! Not that I saw that it was posted in the M9 section (I didn't - I don't think I'd ever visited there before just now, following your post) but because I like to eat hats. Is that so strange?

No, seriously, the skin gives it away. Game set and match right there. It's an old comparison now, it's a different digital camera, and I'm sure we've all see it, but this still holds true: http://www.summilux.net/forums/viewtopic.php?f=10&t=51356

 

The problem with this comparison is that the film appears to be Tri-X and the tonal rendering of the MM follows Delta...

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Top has too much noise for digital under this light.

Bottom looks like typical M9 sensor under uneven light. And it looks like oof.

Edit: I wrote this before reading answer. I have M-E 220 and developed, scanned many films.

 

Edited by Ko.Fe.
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