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After a wonderful decade with the Digilux 2, I've decided to get an M10 and (at least to start) one lens, maybe the 35 Summicron. I love Leica Glow, which the Diglux certainly has, and would like that from the new lens. I understand Walter Mandler's designs for earlier 35 'Crons had it. Does the current lens? If not, where can I find manufacture dates for earlier versions, which I think included 3 and 4. Or, would any versions of the 35 Summilux (or even some 28mm) be a better choice?

Thank you.

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6 minutes ago, jrethorst said:

After a wonderful decade with the Digilux 2, I've decided to get an M10 and (at least to start) one lens, maybe the 35 Summicron. I love Leica Glow, which the Diglux certainly has, and would like that from the new lens. I understand Walter Mandler's designs for earlier 35 'Crons had it. Does the current lens? If not, where can I find manufacture dates for earlier versions, which I think included 3 and 4. Or, would any versions of the 35 Summilux (or even some 28mm) be a better choice?

Thank you.

https://www.l-camera-forum.com/leica-wiki.en/index.php/Main_Page

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The so-called 'glow' is highly dependent upon the lens, for example early 35mm Summilux @ƒ1.4 and certain characteristics of scene. There is no lens other than the Thambar that guarantees whacked-out renditions.

 

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The so-called glow must be clarified or entirely debunked depending upon the aspirant photographer. Starting with those who wish to purchase a Leica glow, there is no lens to guarantee such, so give it up.

I can come back with more information but to begin I ask those who look at classic (old) Leica images also recognize that they were made upon film which is not largely available today. It was slow, inclined to halation, hue-blindness and so many miniature (35mm) photos were necessarily made at slow shutter speeds that promoted 'glow'.

More? Just ask.

Edited by pico
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If glow means halos around highlights the Digilux 2 has never done that if memory serves. Do you mean that you're after a lens with the same IQ as that of the Digilux 2? If so you must like contrasty pics with saturated colors i guess. Lenses like current Summicron 28/2 asph, 35/2 asph or 50/2, Elmarit 28/2.8 asph or Summarit 35/2.4, 35/2.5, 50/2.4 or 50/2.5 will give you that. Among previous lenses, Elmarit 28/2.8 v4, Summicron 35/2 v4 or 50/2 v4 can fit the bill too. Same for current Summilux lenses but they are more expensive obviously.

Edited by lct
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Glow is result of weak optical performance at wide aperture. Get ELC Lux. 

Summarit 50 1.5 has it as well but less. It is much more reasonably priced lens comparing to ELC Lux.

This is why I had it. Nice lens, but it was bit too heavy for me on M3. It should glow even more on digital :)

Edited by Ko.Fe.
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14 hours ago, Ko.Fe. said:

Glow is result of weak optical performance at wide aperture. Get ELC Lux. 

Summarit 50 1.5 has it as well but less. It is much more reasonably priced lens comparing to ELC Lux.

This is why I had it. Nice lens, but it was bit too heavy for me on M3. It should glow even more on digital :)

Please.

what is an ELC Lux.

 

 

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2 hours ago, lucerne said:

Please.

what is an ELC Lux.

 

 

Summilux made in Canada (Ernst Leitz Canada)

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What is Leica Glow? Never heard of it and what’s more: I don’t think I ever saw a glow in Leica photo’s other than something in the situation that would be recorded by any other brand. 

Edited by otto.f
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7 minutes ago, otto.f said:

What is Leica Glow? Never heard of it and what’s more: I don’t think I ever saw a glow in Leica photo’s other than something in the situation that would be recorded by any other brand. 

It a form of confirmation bias.

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6 minutes ago, otto.f said:

What is Leica Glow? Never heard of it and what’s more: I don’t think I ever saw a glow in Leica photo’s other than something in the situation that would be recorded by any other brand. 

To each his/her own definition. Mine is halos around highlights (Summilux 35/1.4 v2).

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Or may it be

divine messengers

 

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