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jaapv

By jaapv
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How to upload images: Prepare the image as follows: 1.   The image should be sRGB and 8-bits 2.   Reduce the size to 2480 pixels on the longest side. (smaller sizes can be set, but are not recommended) 3.   Sharpen properly for screen. 4.   Save as JPG to your desktop, reducing JPG quality to produce 2000 kB (5000 kB for sponsoring members). 5.   In Lightroom these parameters should be set in the Export dialog. 6.   In the Forum posting or editing box, click “c
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dkCambridgeshire

dkCambridgeshire

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33 minutes ago, bags27 said:

That chart is helpful, Dunk: thanks. I have 2 sets of the Marumi, which I think are the best substitute, but every time I see a shot with an Elpro, I (think I can) notice the difference. 

The 'Raynox' section on the Extreme Macro website might interest anyone contemplating use of supplementary achromatic close-up lenses with any Leica / Leitz lenses. 

http://extreme-macro.co.uk/raynox-adapter-techniques/

dunk 

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helged
helged

Atl puffin. SL + 280-R APO f4. Handheld, f 4.5, 1/1000 s, ISO 1600.

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jip
jip

Leica R8 Vario-Elmar-R 1:4/80-200 Kodak Portra 160  

wildlightphoto
wildlightphoto

280/4 APO        

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a.noctilux

a.noctilux

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Leica R6, Summicron-R 35mm, Kodachrome 25

( scan Nikon Coolscan V ED with setting "Kodachrome" at best )

Jaipur, 1992

 

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a.noctilux

a.noctilux

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Jaipur market, 1992

same as above R6 on Kodachrome 25

in slide mode, we can see clearly better the shop keeper, inside

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a.noctilux

a.noctilux

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Jaipur 1992

Leica R6 and PC Nikkor 28mm (custom adapted to R mount) on Kodachrome

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a.noctilux

a.noctilux

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For fun,

I've done some 100% crops of the above picture 'Post Office', then inside with bike in the shade

 

 

 

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a.noctilux

a.noctilux

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Now, we can see things in details, almost as when the slide

is projected on giant screen with grains and subtle hues not viewable otherwise

 

😵 we may cry : what for ?

 

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teiki arii

teiki arii

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Leica Apo-Summicron-R  Asph 90/2 W.O.

 

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bags27

bags27

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On 8/5/2019 at 5:56 AM, a.noctilux said:

 

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Jaipur 1992

Leica R6 and PC Nikkor 28mm (custom adapted to R mount) on Kodachrome

So lovely. I really miss those days aesthetically....

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a.noctilux

a.noctilux

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"Those were the days" (we can sing out loud) 🎰

Ken,

I discovered when I want to scan that those slides do have something magical.

But scanning them is a kind of discredit them as I can not reproduce them as I see them projected on wide screen.

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bags27

bags27

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12 minutes ago, a.noctilux said:

"Those were the days" (we can sing out loud) 🎰

Ken,

I discovered when I want to scan that those slides do have something magical.

But scanning them is a kind of discredit them as I can not reproduce them as I see them projected on wide screen.

very true. The film was produced with the idea that they would be projected large and infused with light. 

And we could sing this as well: 

 

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a.noctilux

a.noctilux

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This post is to "replace" the post #546 image.

I worked on this Kodachrome a bit to show "the shop keeper", may it be a bit too light, this time,

coloring is not quite the same, but that proves the Kodachrome slide scanning work is not so easy

( for me it's pleasure even if results are not "perfect")

 

 

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jankap

jankap

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The MR Telyt R 500 mm at short distance. Camera APS-C on tripod.

First the lens only (no extender, no booster) at 1/30 sec, ISO 100.

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jankap

jankap

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The lens with the Metabones lensbooster at 1/60 sec, ISO 160

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jankap

jankap

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The lens with the APO-Extender R 2x  at 1/8 sec, ISO 125.

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The brightness of the white area of the dogs nose was brought into line for the 3 pictures. Further no changes or crops. But the distance from which the pictures were taken, varies.

Edited by jankap
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fernando_b

fernando_b

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90/2.8 2nd version + NON APO Extender! I expected more chromatic aberration... I was surprised by it, apart the grey-rendition of the blue sky.

 

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farnz

farnz

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1 hour ago, fernando_b said:

I was surprised by it, apart the grey-rendition of the blue sky.

I suspect that the colour of the sky and water were affected by the warm light reflecting off the buildings.  If you were using a digital camera and AWB then AWB will automatically compensate.  I assume that the boat was white but there's a colour cast on that too.

Pete.

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