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Italian butte (near Civita di Bagnoreggio).

100/2.8 at f/8, TL.

 

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SL2-S + Elmarit-R 180mm v2

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On 7/10/2021 at 10:44 AM, Leiniko said:

Hoverfly - floating in the air and climbing:

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Summicron-R 2/50 with Elpro 1

 

 

Female Episyrphus balteatus (probably!)

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Summicron-R 2/50 with Elpro 2

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SL2s and 100mm APO Macro testing.

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Hi, my dear Basima, keeping an eye on the street ... (SONY A7R2 - LEITZ Macro-Elmarit 2,8/60 f 2,8 ; crop):

 

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My animals don't move... Jade Zicada

M10-D, Makro Elmarit-R 2.8/60, Adapter 14198, Adapter R-M

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Gedenklicht für Philip Guston (Memorial light for Philip Guston) / Summicron R35

 

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Leica Apo-Telyt-R modul 280/2.8 & Panasonic DC-S1

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Château de Peyrepertuse. 

 

Edited by teiki arii
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I thik otto.f means that your pictures have a low contrast and a color cast. That could be your esthetic
but is a little bit unusal. perhaps you can enlighten us. That would be nice.

Am 11.7.2021 um 11:35 schrieb otto.f:

Interesting way of using fog for esthetic purpose, I’m curious how this would look like in print

 

Am 11.7.2021 um 13:26 schrieb frame-it:

where is the Fog?

Edited by TeleElmar135mm
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76 for 4 ...

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Lumix MDC-L1, Elmar-R 4/180

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6 hours ago, TeleElmar135mm said:

I thik otto.f means that your pictures have a low contrast and a color cast. That could be your esthetic
but is a little bit unusal. perhaps you can enlighten us. That would be nice.

 

aha yes, i reduced the contrast on the flower, because the background was blurred into oblivion anyways :) i though it looked more elegant for the flower to stand out in a "softer" way, rather than the usual look one gets with extreme blurred backgrounds

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Hi,  ... (SONY A7R2 - LEITZ Macro-Elmarit 2,8/60 f 2,8 ; crop):

 

 

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vor 9 Stunden schrieb frame-it:

aha yes, i reduced the contrast on the flower, because the background was blurred into oblivion anyways :) i though it looked more elegant for the flower to stand out in a "softer" way, rather than the usual look one gets with extreme blurred backgrounds

Thanks for your nice answer. It has something more from a painting for met than a photoraphy. It's an other way seeing our world.

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I like the transition from great sharpness (not the razor sharpness from modern sense - constructions) to unsharpness. Fro the SL my favourite R- Lenses are the Apo 100mm (and the Apo 3,4/180mm). "Crying" for colours in the Lockdown this spring in our garden - it was "soul food" for my eyes.

Here I used the 100mm/full open/1:2/handheld.

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Leica Elmarit-R 180/2.8 (II) & Panasonic DC-S1

 

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Ermitage de Galamus.

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90/2.8 last version, at f/5.6-8. TL

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.

 

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