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Playing with a new to me 35 summicron v1

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m2, summicron 35 v1, rollei retro 400 (from a lab), printed on mgfb classic and scanned

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Same as above 😊

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A couple more bits from my first roll with my first film M.    M6 TTL - 35:1.4 v2 - Tri X 

 

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Edited by grahamc
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On 9/2/2021 at 8:57 AM, Steven said:

One thing I love about the scans of that lab is that the get the entire image (see the black frames) while most other labs crop in a bit. 

I like that, too, but the frame does not appear square.  Like it has some distortion.  Is that an artifact of their scanner or something else?

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Leica MP | Summicron50 Rigid | Kodak Ultramax400
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Just want to share: Bekam (Blood Cupping with Buffalo's horn)

Leica MP | Summicron50 Rigid | Kodak Ultramax400

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MP / 50 cron asph / Portra 400
 

 

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M6 TTL, 35mm summarit

Ultramax 400

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Fun with the APO Summicron-M 75mm ASPH, wide open.
I love this lens. 

Portra 400 developed in CineStill CS41.

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Edited by Vlad Soare
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Same lens, also wide open, but this time used right. :)

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More fun with the lens wide open, but this time it's the Summilux-M 35mm ASPH.

Devil's Bridge, Bulgaria. I bet nobody has ever though about photographing it like this. :D

https://en.wikipedia.org/wiki/Dyavolski_most

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Edited by Vlad Soare
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Wide vs. long 
Summilux-M 35mm ASPH vs. APO Summicron-M 75mm ASPH.

I find each one special in its own right, but the 75mm really amazes me.

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Edited by Vlad Soare
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Summilux-M 35mm ASPH
Portra 400 developed in CineStill CS41

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I was shooting straight into the sun. I could barely keep my eyes open. And yet there's absolutely no flare, not even the slightest trace of it. I'm amazed. This lens is really stunning.  
Summilux-M 35mm ASPH

Portra 400 developed in CineStill CS41

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Edited by Vlad Soare
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