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Notre-Dame and quai de Seine

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Shearing shed.  New Zealand.

 

Leica MP

35mm summicron asph

EVS 100

 

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MP, 28 2.0, FP4

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I have Summicron 50 IV ELC. It is OK on M-E, not so OK on BW film, but I like how it does it on color film and with M4-2.

It is my official ELC kit. :)

 

 

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Tamsui, Taiwan cafe, M6, 15mm f/4.5 Super-Wide Heliar ASPH (Version 1) on TMY-2

 

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China Town, London

M7. Summicron 50. 

Cinestill 50D (Kodak Vision 3 50D)

 

Workflow:

Scanned with Reflecta RPS 10m @2900 dpi using Vuescan

Negative scanned as 64 bit RGBi file (image remains as a negative but retains Infra Red dust and scratch removal info)

Imported to Lighroom.  Selected 'Edit a copy in Photoshop' (CS5)

In Photoshop, Colorperfect (CFC Systems) plugin applied using Kodak Vision 3 50D setting.  This turns the image into a positive.

Saved back to Lightroom

 

Colour adjustments, sharpness, noise reduction etc. applied in Lightroom

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Edited by Aliturk
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China Town, London

M7. Summicron 50. 

Cinestill 50D (Kodak Vision 3 50D)

 

Workflow:

Scanned with Reflecta RPS 10m @2900 dpi using Vuescan

Negative scanned as 64 bit RGBi file (image remains as a negative but retains Infra Red dust and scratch removal info)

Imported to Lighroom.  Selected 'Edit a copy in Photoshop' (CS5)

In Photoshop, Colorperfect (CFC Systems) plugin applied using Kodak Vision 3 50D setting.  This turns the image into a positive.

Saved back to Lightroom

 

Colour adjustments, sharpness, noise reduction etc. applied in Lightroom

Very well scanned indeed, thanks for the information!

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Wash before siesta.  Hotel cat, Dalyan, Turkey. Taken in the shade.

M7 Summicron 50. Cinestill 50D

 

 

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Kodak ColorPlus 200, EI200. Scanned with Plustek 8200i

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M4-2 with Summarit-M 35 2.5 and FP4+ (in Rodinal).

 

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Edited by Ko.Fe.
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Puppy treat.  Dalyan, Turkey.  Cinestill 50D.  Summicron 50

 

Workflow:

Scanned with Reflecta RPS 10m @2900 dpi using Vuescan

Negative scanned as 64 bit RGBi file (image remains as a negative but retains Infra Red dust and scratch removal info)

Imported to Lighroom.  Selected 'Edit a copy in Photoshop' (CS5)

In Photoshop, Colorperfect (CFC Systems) plugin applied using Kodak Vision 3 50D setting.  This turns the image into a positive.

Saved back to Lightroom

 

Colour adjustments, sharpness, noise reduction etc. applied in Lightroom

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Simply register for free here – We are always happy to welcome new members!

Edited by Aliturk
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Always like your posts Kostya.

My fav b&w film...looks a bit more grainy than usual...?

 

PS...i don't mind "Prussian" lenses either...as an aside. Or blown highlights..

 

Nice pic

...

Thank you, Dave.

It is exposure, developing, scanning combination.

To me it is hard to guess exposure to the sun. I'm not using light meter then outdoors.

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Here I cheated a bit


just to see how well Kodachrome color "decolored"


seen in monochrome


 


North Thailand, boy and girls


selling Kratongs for 5 Baht, some years ago


 


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original kodachrome 64 cropped and "scanned with Monochrom"


 


(M6, Summicron 35mm on original)

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Say hello to my cat Lonzo :)

M2, 50lux ASPH. Tri-X 400. Developed in DD-X (1+4)

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Same as above,

just a tad nearer :)

 


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kodachrome 64, M6 on bellow + Visoflex III

 

then scanned with Monochrom + red filter

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