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35/2 Summicron Mk4 and M8 with 093 infra-red pass filter.

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35/1.4 Summilux pre-asph v2 with M10.

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1 hour ago, pippy said:

My apologies, Pete......[blush]......

P.

No problem, Phillip.  I prefer the thread not to escalate into discussion since that's not what viewers came here for and there's plenty of discussion in other threads. 🙂

Pete.

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3 hours ago, farnz said:

No problem, Phillip.  I prefer the thread not to escalate into discussion since that's not what viewers came here for and there's plenty of discussion in other threads. 🙂

Pete.

Acknowledged, Sir.☺️

ボケ味 -- Cat’s-eye bokeh 

1969 Summicron-M 35mm F2 Mk1, M10M

 

Edited by Erato
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M -4/25 VM Snapshot M39 

Vienna Streets 

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Elmar 9cm 4 on Sony A7

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Elmar 9cm 4 on Sony A7

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Elmarit-R 24 2.8 on Sony A7

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Backlight in the winter forest

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M-P + ltm 4/105 Seastal Ojasi

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1:2.5/5cm Hektor, M10 Monochrom

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more hectoring:

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dans Paris by JM__, on Flickr

35 Summilux v2 1966 - M2 - Provia 100

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Bokeh world by JM__, on Flickr

1964 35 Summicron 8 elements on M9M

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Canon 50 1.2 LTM- on m10- wide open

 

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2.8/90 Elmarit first Version on M10, f2.8

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f 5.6

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7 hours ago, jaques said:

Canon 50 1.2 LTM- on m10- wide open

 

 

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I see your Canon specular highlights and raise you my 50mm Noctilux f1 v4 ones. ;)  (M240)

 

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M10 + converted 1946 Wollensak Velostigmat 2" f/2.8, wide open

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