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Posted by jaapv,

How to upload images: Prepare the image as follows: 1.   The image should be sRGB and 8-bits 2.   Reduce the size to 2480 pixels on the longest side. (smaller sizes can be set, but are not recommended) 3.   Sharpen properly for screen. 4.   Save as JPG to your desktop, reducing JPG quality to produce 2000 kB (5000 kB for sponsoring members). 5.   In Lightroom these parameters should be set in the Export dialog. 6.   In the Forum posting or editing box, click “c
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Muscardino

Muscardino

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Spring is coming

Spanish Basque Country

S 007 w 120 mm CS

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helged
helged

Light from below at 60 deg N. From the Hardanger Fjord, Western Norway. S3 with S70.

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helged
helged

Arctic Ocean next: Midnight at mid summer at the northernmost tip of Norway. S006 + S35mm.

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helged
helged

Christmas and snow and Norway used to be rather synonymous. But this year adds to a slowly changing trend with winter arriving later and spring coming earlier. Here from the inner part of the Hardange

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Guest

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On 3/22/2024 at 1:05 PM, irenedp said:

I had pending a comparison between the phase one files and the S3. The first one corresponds to the Phase with the 80 mm (about 48 mm in ff), and it is a panorama of 3 rows of three images taken with tripod at 1/400th and f9. The second, much wider, is from the S3 (with the 30 mm). The color is more pleasing, but the image lacks focus and has a bit of shake (was taken at f 5.6 and 1/90th). The third image, same lens, but more comparable (1/250th and f 8, has excellent definition, so I would say that with the proper technique the S3 can hold its ground very well. Neither of the images has final edition, only verticals and a few basic adjustments. 

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Wouldn’t that scene not be a candidate for b/w conversion? It might end up in Hilla Becher territory, atmosphere wise. 

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irenedp

irenedp

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4 hours ago, HandofSand said:

Wouldn’t that scene not be a candidate for b/w conversion? It might end up in Hilla Becher territory, atmosphere wise. 

yes, because of the nature of the building and the quality of the skies, it actually might work with the Becher aesthetics. I still find that the approach would work with some images better than with others. Color is a layer of information that sometimes is very relevant. 

Nevertheless my intention for this series as it evolves is to shoot some of these images with a Cambo technical camera and the digital back. This image, because of the three by three matrix, had difficulties in stitching which would have been a non issue with a technical camera. That should allow me, at least theoretically, to repeat the images using b&w film, like for instance an Ilford Hp5. 

 

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ZHNL

ZHNL

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100 Cron S and 006

 

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ZHNL

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100cron Stitched with 006

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ZHNL

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100cron Stitched with 006
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ZHNL

ZHNL

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100cron 006

All image have to be either manual focused or barrel position focus. I simply can't rely on AF for S system. 

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ZHNL

ZHNL

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45S 006

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ZHNL

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Same setup as above 45S

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ZHNL

ZHNL

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45S. 

I haven't taken photos for last few months. Had a family walk around Berkeley during past weekend. I got some nice light during the day. I took SL2 and OTUS 55, 006 with 45 and 100S. Again, only want to edit file from S because it is part of experience, part of my feel about the light and time . I remember what I saw (through the optical viewfinder). For SL2 during shooting, I feel like look a picture during shooting that camera generated for me if that makes sense to anyone. This has been my experience for past 10 years or so when I took multiple system on any trip with S. I can't explain but that is really how I feel and that is really why I am still with S system with so many flaws with the system. It is all about trade offs in life. S always took my best family photos as well, nothing close. 

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irenedp

irenedp

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On 3/26/2024 at 6:19 AM, irenedp said:

yes, because of the nature of the building and the quality of the skies, it actually might work with the Becher aesthetics. I still find that the approach would work with some images better than with others. Color is a layer of information that sometimes is very relevant. 

Nevertheless my intention for this series as it evolves is to shoot some of these images with a Cambo technical camera and the digital back. This image, because of the three by three matrix, had difficulties in stitching which would have been a non issue with a technical camera. That should allow me, at least theoretically, to repeat the images using b&w film, like for instance an Ilford Hp5. 

 

Speaking of the Bechers, here's one from yesterday. Apologies because it was not taken with the S. Part of a series I'm working on

 

 

 

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Guest

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8 hours ago, ZHNL said:

45S. 

I haven't taken photos for last few months. Had a family walk around Berkeley during past weekend. I got some nice light during the day. I took SL2 and OTUS 55, 006 with 45 and 100S. Again, only want to edit file from S because it is part of experience, part of my feel about the light and time . I remember what I saw (through the optical viewfinder). For SL2 during shooting, I feel like look a picture during shooting that camera generated for me if that makes sense to anyone. This has been my experience for past 10 years or so when I took multiple system on any trip with S. I can't explain but that is really how I feel and that is really why I am still with S system with so many flaws with the system. It is all about trade offs in life. S always took my best family photos as well, nothing close. 

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I live in Berkeley, and our hills are exceptionally green right now, so your timing was great. Re comparing the S with the SL system, I agree with you, those 006 files are special. But you also have two very unique lenses (45 and 100), that adds to the feel you describe I’m sure. 

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Sailronin

Sailronin

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Tacoma Narrows Bridge looking east.

Leica S (006) w/ 35mm Summarit-S converted in SilverEfx Pro.

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Milan_S

Milan_S

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U L T I M A T E | F L O
📸 #milanswolfs
💄 FLO
💡 Hobolite
Leica S3 Summarit-S 35mm f2.5

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Edited by Milan_S
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Einst_Stein

Einst_Stein

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Monterey Bay, California

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enrico58

enrico58

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Hello,

S-E typ006 Apo-Macro-Summarit-S 120mm CS

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irenedp

irenedp

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This week, on vacation (S3, 70 mm). For personal stuff, I usually take the M9, but late last week I was working with the Ph One and the S3 was the backup camera. Really pleased with the definition and the color.

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Edited by irenedp
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Einst_Stein

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Einst_Stein

Einst_Stein

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17 miles, Monterey, California

 

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