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Frame Work Corner No. 2
M-A APO 50 E100 & Portra 400

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Frond Link
M3 APO 50 Fuji Natura

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Disaster Coordinate
M-A APO 50 Fuji Natura

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Am 6.7.2020 um 18:48 schrieb Ernest:

Grid Work Echo
M-A APO 50 Fuji Natura
Another version, Bauhaus collage without grid. Inspired by Lyonel Feininger's "Gelmeroda" series.

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Beautiful, Rog. The tiles transport a tranquil movement, a rhythm within the frame.

Am 6.7.2020 um 21:50 schrieb Suede:

Bits and bobs seen on the pottery wall.   [Tri-X]

Pritam, a well balanced composition--I love the mundane content, reminds us to find the beauty in the things  around. 

vor 21 Stunden schrieb Wayne:

Back at it with old Soviet stuff.

Kiev III, Soviet copy of Contax 50/2 Sonnar, long expired Svema 32 (Even used the selenium meter on the camera. They must have used more powerful stuff) :) 

Wayne, I love the  " in focus-out of focus" balance in this picture. Did you use the "Sonnar" wide open ? Very nice grey tones too.     And does the selenium meter glow in the dark ? 🎆

vor 3 Stunden schrieb Arrow:

"A garden gnome fondler´s purgatory"

Blessed are the poor in spirit: for theirs is the kingdom of heaven. (Matthew 5:3 KJV)

Non lens based photography. Leica MP and laser pointer. T-Max 400.

I like it, opens a whole new chapter in this thread...  And will you tell us--in due time--how you achieved this ?   My guess is: a pinhole body cap with the pointer suspended over the camera lying on the back--then pushed a bit to get it into a random swing... 

Edited by Kl@usW.
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Arches - Canon A1, Canon 50/2 FD, Polypan F 50

 

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I'm knocked out by the architecture/design direction of this page of images - from Steve's Mill and then ancient standing stone construction, through Jean-Marc's examinations of, firstly, a religious icon and then gregarious Gehry architecture, Rog's constructions and even found nature/manmade juxtaposition, Pritam's higgledy-piggledy street with strange romantic goings-on, Arrow's inventive and intriguing experimantation, Antonio's very Robert Adams/New Topographics-ish Arches, to Fotoklaus's Lee Friedlander-esque wide angle studies. What a feast!

Edited by stray cat
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3 hours ago, Kl@usW. said:

Wayne, I love the  " in focus-out of focus" balance in this picture. Did you use the "Sonnar" wide open ? Very nice grey tones too.     And does the selenium meter glow in the dark ? 🎆

 

Thanks, Klaus. I do believe the lens was wide open when I took this one. As you can see, the film was not corrupted by the meter; it should be safe for use in future. :)

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Leica M4-2, Elmar-M 2,8-50, Tmax 400

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Edited by Fotoklaus
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42 minutes ago, stray cat said:

I'm knocked out by the architecture/design direction of this page of images - from Steve's Mill and then ancient standing stone construction, through Jean-Marc's examinations of, firstly, a religious icon and then gregarious Gehry architecture, Rog's constructions and even found nature/manmade juxtaposition, Pritam's higgledy-piggledy street with strange romantic goings-on, Arrow's inventive and intriguing experimantation, Antonio's very Robert Adams/New Topographics-ish Arches, to Fotoklaus's Lee Friedlander-esque wide angle studies. What a feast!

Thanks for your comment, Phil. I'm adding another one to ensure the page is really loaded with architecture. I suspect it's at tipping point, as my photo suggests, and might get uploaded to go on to 3509. Let's see if it tips the scales...

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Okay, I'll try a specially designed one. If its weight is on the spot, we might have this one hanging between the two pages.   [Tri-X]

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Rolleicord Vb, Tmax 400

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