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Sunset. Imagine the sound of a big ship diesel engine with about 800 rpm.... 

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MP; 3,8/24; Ferrania P30 @40; Yellow, Rodinal

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Wood Trail Art, taken with ILFORD Ortho Plus ISO 80 B&W film. Mamiya 645 AF, 120mm, Del Mar, CA. 

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Edited by SHenry
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Lake Michigan, Chicago | M6 | C-Biogon | HP5+

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From a hike with my Mamiya 645 pro. Shot two rolls of T-Max 400 which I found in the freezer. Printed 8 out of 30 frames which is rare. (film scanned and printed with inkjet)

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Edited by tom.w.bn
correction
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On 5/1/2020 at 6:51 PM, S/W said:

Beach

(Coney Island - New York Easter 2019)

Leica M7 * Zeiss c Biogon 2.8/35 ZM * Kodak Portra 400 @200 * Nikon Coolscan V ED

 

Love this pastel tones of Portra!

23 hours ago, Ernest said:

Newton Pink Yellow
MA APO 50 E100

Another nice experiment! Will take some time for my eyes to recover from it :)

20 hours ago, leicamour said:

Shadow walking.

Leica M5 - 50summicron - Ilford HP5/1660

Cool picture!

10 hours ago, stray cat said:

trentham falls 2012

hasselblad, 60mm, fp4+

This picture shows the skilled photographer! Great!

4 hours ago, Fedro said:

Stone town, Zanzibar. Fish Market. M6

Love the reportage style in this picture!

6 minutes ago, tom.w.bn said:

From a hike with my Mamiya 645 pro. Shot two rolls of T-Max 400 which I found in the freezer. Printed 8 out of 30 frames which is rare. (film scanned and digitally printed)

A very nice series! I can absolutely understand, why you printed these. My goal for this year is also to print more, be it in my own darkroom or through professional labs. Just this week I got another Whitewall print and I can say that it is such a pleasure to open up the parcel and get the first impression while unboxing until the moment the frame sits on the wall.

Please excuse the iPhone shot, I just wanted to give you an idea:

 

 

 

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I first thought this picture is for the bin, but somehow I came to like it despite my own jacket accidentally bombing the photo:

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Ricoh GR1 - Kodak Portra 160

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1 hour ago, Sparkassenkunde said:

Love this pastel tones of Portra!

Another nice experiment! Will take some time for my eyes to recover from it :)

Cool picture!

This picture shows the skilled photographer! Great!

Love the reportage style in this picture!

A very nice series! I can absolutely understand, why you printed these. My goal for this year is also to print more, be it in my own darkroom or through professional labs. Just this week I got another Whitewall print and I can say that it is such a pleasure to open up the parcel and get the first impression while unboxing until the moment the frame sits on the wall.

Please excuse the iPhone shot, I just wanted to give you an idea:

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thank you!

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5 hours ago, Kl@usW. said:

thank you Rog for the entertainment again--including the "steady the gaze" bar in the middle... Had to look up what Newton had to do with the pink... cultural gaps everywhere... 🤔

rich tonality, classic MF-composition, what more could I wish for ?   to be there myself and to breathe the air and hear the water perhaps... 

Yes, Newton's color wheel based on his prism experiments (1672), then there's the significant Bauhaus developments by Itten and Albers concerning color interaction. Johannes Itten, The Art of Color, and Josef Albers, The Interaction of Color.

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21 minutes ago, Ernest said:

Yes, Newton's color wheel based on his prism experiments (1672), then there's the significant Bauhaus developments by Itten and Albers concerning color interaction. Johannes Itten, The Art of Color, and Josef Albers, The Interaction of Color.

Ehem ... Aren’t you forgetting Goethe’s Farbenlehre?

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Beautifully executed Phil. Just wow, so much to like. The gradation in the rocks, the angel hair-like waterfall, which could just as well be a shaft of light. The slightly off-kilter composition which works so well because of how the bright rocks stretch out to the right. Marvellous.

14 hours ago, stray cat said:

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trentham falls 2012

hasselblad, 60mm, fp4+

Sad. But a beautiful photo.

9 hours ago, stray cat said:

Needless to say, this is all high density housing now:

the last rider, 1975

canon, fujichrome

Very good. Though whenever, these days, I see markets like this I get an uneasy feeling.

8 hours ago, Fedro said:

Stone town, Zanzibar. Fish Market. M6

The vignetting works very well here, as does the toning. 

6 hours ago, Kl@usW. said:

Sunset. Imagine the sound of a big ship diesel engine with about 800 rpm.... 

MP; 3,8/24; Ferrania P30 @40; Yellow, Rodinal

I like this composition. Makes me wonder what the person who did it meant for it to mean.

5 hours ago, SHenry said:

Wood Trail Art, taken with ILFORD Ortho Plus ISO 80 B&W film. Mamiya 645 AF, 120mm, Del Mar, CA. 

Is that a secret message, hidden in the morse code there? :D 

3 hours ago, johnwolf said:

Lake Michigan, Chicago | M6 | C-Biogon | HP5+

Well done Tom. They look great.

3 hours ago, tom.w.bn said:

From a hike with my Mamiya 645 pro. Shot two rolls of T-Max 400 which I found in the freezer. Printed 8 out of 30 frames which is rare. (film scanned and printed with inkjet)

I'm very happy that I'm not the only one who gets in the way of my own pictures :D I like it James.

3 hours ago, Sparkassenkunde said:

I first thought this picture is for the bin, but somehow I came to like it despite my own jacket accidentally bombing the photo:

Ricoh GR1 - Kodak Portra 160

 

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13 hours ago, stray cat said:

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trentham falls 2012

hasselblad, 60mm, fp4+

Captivating reversal of traditional perspective; in painting, darker, more distinct colors create the illusion of foreground dominance, whereas colors made lighter by atmospheric perspective give the sense of background distance. In your landscape "S" composition, the very light rocks in the foreground create the traditional S leading the eye winding right, then left across the water to focus on the bright patch of waterfall splash, continuing then up the diaphanous falls, dramatically accentuated by the very dark (basalt?) cliff and cave. This is one of those timeless images I would expect to find in Dr. Walther Heering's The Golden Book of the Rolleiflex (1936), since the Hasselblad had not been invented, yet.

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47 minutes ago, christoph_d said:

Ehem ... Aren’t you forgetting Goethe’s Farbenlehre?

Well, yes, you're right. I skipped over Goethe's contrarian Theory of Colors (1809) because Newton's color wheel (1704) and Newton's basic theory he published in Opticks (1672) really prevailed.  Goethe's approach to the psychology of color, however, speaks to the emotional, sensory response to color that has informed the practice of advertising art design, expressionist art, and photographers. Color theory is quite a vast tract of real estate we often take for granted. I have found Itten and Albers to be useful theorists.

http://www.openculture.com/2017/12/the-vibrant-color-wheels-designed-by-goethe-newton-other-theorists-of-color-1665-1810.html

Edited by Ernest
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vor einer Stunde schrieb Ernest:

Yes, Newton's color wheel based on his prism experiments (1672), then there's the significant Bauhaus developments by Itten and Albers concerning color interaction. Johannes Itten, The Art of Color, and Josef Albers, The Interaction of Color.

Yes, that  was what came to my mind and was what I expected--but then, checking for a reference to something unknown to me,  I found this: https://www.google.de/search?ei=j-etXqTQJ83SsAfzj5yQDA&q=cam+newton+pink+suit&oq=newton+pink+&gs_lcp=CgZwc3ktYWIQARgAMgYIABAHEB4yBggAEAcQHjIGCAAQBxAeMgYIABAHEB4yBggAEAcQHjIGCAAQBxAeMgYIABAHEB4yBggAEAcQHjIGCAAQBxAeMgYIABAHEB46BAgAEB46AggAOgYIABAWEB5Qw2lYhIIBYKOoAWgAcAB4AIABaogBzAKSAQMzLjGYAQCgAQGqAQdnd3Mtd2l6&sclient=psy-ab....😂😂

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M-A APO 50 Fuji Natura & ADOX Color Implosion

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Threshing day, interior western Himalayas.         [Tri-X]

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I'm enjoying the page of optical illusions that Klaus linked to a few posts ago. Here's one for Klaus or whoever else would like to offer an opinion: what is going on here? This is the straight scan of a transparency:

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sandringham, 2014

canon F1N, 300mm, ektachrome

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