adan Posted March 27, 2009 Share #1 Posted March 27, 2009 Advertisement (gone after registration) Some shots practicing my studio lighting and other skills. Leica M8, 50, 75, 90 lenses. Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/80590-m8-in-the-studio/?do=findComment&comment=853851'>More sharing options...
Advertisement Posted March 27, 2009 Posted March 27, 2009 Hi adan, Take a look here M8 in the studio. I'm sure you'll find what you were looking for!
adan Posted March 27, 2009 Author Share #2 Posted March 27, 2009 next - which came first? Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/80590-m8-in-the-studio/?do=findComment&comment=853852'>More sharing options...
adan Posted March 27, 2009 Author Share #3 Posted March 27, 2009 Next: Garlic Bread Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/80590-m8-in-the-studio/?do=findComment&comment=853854'>More sharing options...
adan Posted March 27, 2009 Author Share #4 Posted March 27, 2009 Charting a course for Health Care in Colorado (and before you ask - because the M8 is the only camera I have, and it works.) 8^) Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/80590-m8-in-the-studio/?do=findComment&comment=853855'>More sharing options...
adan Posted March 27, 2009 Author Share #5 Posted March 27, 2009 Fine tools Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/80590-m8-in-the-studio/?do=findComment&comment=853857'>More sharing options...
Michael Hiles Posted March 27, 2009 Share #6 Posted March 27, 2009 Beautifully handled pictures. Your lighting is really well done. And why not a Leica for these pictures?There is nothing much I cannot do with my film Leicas, lenses from 35mm to 135mm, plus visoflex and bellows. Same argument for an M8. Your pictures were made through your mind's eye, the camera only saved the image you created. Link to post Share on other sites More sharing options...
maurometallo Posted March 27, 2009 Share #7 Posted March 27, 2009 Advertisement (gone after registration) Outstanding. Link to post Share on other sites More sharing options...
Max Alfy Posted March 27, 2009 Share #8 Posted March 27, 2009 Very nice series, there are indeed many "other" skills involved here. Max Link to post Share on other sites More sharing options...
stuny Posted March 27, 2009 Share #9 Posted March 27, 2009 Adan - All are lovely, bit I like best, first #1 and then #2 for their drama and simplicity. Link to post Share on other sites More sharing options...
cocker Posted March 27, 2009 Share #10 Posted March 27, 2009 Excellent Link to post Share on other sites More sharing options...
malcolm Posted March 27, 2009 Share #11 Posted March 27, 2009 Terrific stuff, Andy. Link to post Share on other sites More sharing options...
biglouis Posted March 29, 2009 Share #12 Posted March 29, 2009 Andy Terrific captures. Very sharp. The lighting of the first one is excellent. For the uninitiated, can you tell up what you lighting set-up is? Did you use flash for any of these shots? LouisB Link to post Share on other sites More sharing options...
vdb Posted March 29, 2009 Share #13 Posted March 29, 2009 Excellent Andy, I agree with the others. Link to post Share on other sites More sharing options...
SOOHN Posted March 29, 2009 Share #14 Posted March 29, 2009 M8 for studio? There is no sync contact that's not very well for studio. You'll need adapter:mad: Link to post Share on other sites More sharing options...
adan Posted March 29, 2009 Author Share #15 Posted March 29, 2009 Renniman: True. I have an adapter than slides into the hot shoe and has a PC sync contact. Got it years ago to use on a Nikon 8008, which also lacked a built-in sync socket. A 10-ft (3 meter) sync cord is gaffer taped to the adapter so it never comes loose and gives me lots of room to move around. LouisB: I used one Vivitar 2800 shoe-mount flash mounted in a 12 x 16 inch softbox on a stand, usually about 2 feet from the subject center, at full power**, for all the shots. I know the 2800 is voltage safe for practically any camera. The flash is mounted via a ball-head clamp for adjusting angle. Exposure is generally f/11-16, which is good - I need the DoF. No flash meter - I just chimp a few test shots for each setup to zero in the exposure via the LCD and histogram. The softbox was the backdrop for the glassware shot, directly overhead for the chicken/egg shot, and rear/side for the other shots. I used miscellaneous bits of white board or aluminum foil as fill reflectors opposite the main light. **actually, for the glassware, the flash was a bit hot even at f/16. I dialed back the flash intensity (and evened out the coverage) by putting a layer of paper towel over the flash head to absorb some photons. Link to post Share on other sites More sharing options...
Fotobug Posted April 6, 2009 Share #16 Posted April 6, 2009 Ditto the kudos. Love the food shot (though I just had breakfast) and the drafting/cartographic instruments. Link to post Share on other sites More sharing options...
Michael Hiles Posted April 6, 2009 Share #17 Posted April 6, 2009 I used one Vivitar 2800 shoe-mount flash mounted in a 12 x 16 inch softbox on a stand, usually about 2 feet from the subject center, at full power**, for all the shots. I know the 2800 is voltage safe for practically any camera. The flash is mounted via a ball-head clamp for adjusting angle. Exposure is generally f/11-16, which is good - I need the DoF. No flash meter - I just chimp a few test shots for each setup to zero in the exposure via the LCD and histogram. The softbox was the backdrop for the glassware shot, directly overhead for the chicken/egg shot, and rear/side for the other shots. I used miscellaneous bits of white board or aluminum foil as fill reflectors opposite the main light. Adan, Thanks for the explanations. Would an umbrella have produced roughly the same soft effect as the softbox? Link to post Share on other sites More sharing options...
adan Posted April 6, 2009 Author Share #18 Posted April 6, 2009 Michael - not for the backlit glass lab equipment - it required a "lightbox"-like seamless translucent surface. A sheet of frosted plexiglass - or a translucent white shower-curtain liner with no texture, stretched tight - would have worked, though. For the other shots, a reversed umbrella, with the light passing through it, might work OK, although some of the reflections, like in the chicken's back, the olives, or the plastic magnetic compass, would probably be a bit different, showing the umbrella's round shape and ribs. An umbrella in the normal orientation would have been a problem - the shaft of the umbrella, and the flash gun mounted on it, would have intruded into the pictures, or I'd have had to move the umbrella further away, cutting the light available for exposure, and making it more of a point light source compared to the softbox's big, close, window-like surface. Softboxes have the advantage that the illuminating surface is the closest thing to the subject - the flashgun and all the hardware are BEHIND the lit surface. Generally, with umbrellas, the flash and stand are between the subject and the umbrella, which limits how close the "lit" surface can get, and means the hardware may show up in the reflections. It's possible to reverse an umbrella so you use the light passing through it - like a round softbox - but the umbrella material often is more opaque than the softbox's white membrane and cuts down on the light reaching the subject. Link to post Share on other sites More sharing options...
Michael Hiles Posted April 7, 2009 Share #19 Posted April 7, 2009 Thanks Adan. This is very helpful. My umbrella is white silk (or something like silk) and is not opaque, so I will try it and see what happens. Your shower curtain technique is very creative. Link to post Share on other sites More sharing options...
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