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If you could choose only 1 lens for the M8?


rick123

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I have a Summilux-M 50mm f/1.4 lens. Do you think this is a great all-around lens for the M8? If not, what would your favorite lens be? Thanks!

 

The ones I already own...

 

Accept that you need to use your existing lenses in a different way, and enjoy yourself.

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Lux 35 asph, nice slightly wide standard angle of view with enough speed to do it all.

I'm glad I don't have to make a choice, just love all of my lenses.

Also there is an eagerness about how they'll work on the M8.

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I have a Summilux-M 50mm f/1.4 lens. Do you think this is a great all-around lens for the M8? If not, what would your favorite lens be? Thanks!

If you like the way this lens renders, then take a print and trim off 12.5% from each edge and you'll have the M8 field. We'll all have to wait to see what the sensor does to the "look" and contrast of our favorites. Tossed into the equations will be your tendency to crop and what you feel is the comfortable distance from your subjects.

Bob

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Choice # 1 would be a 35mm Summicron. Any version would do, but I'd use both my v1 and the ASPH which I have, till I could see which is best suited to how the M8 sensor records images with each.

 

Choice # 2 would be the 40mm Summicron.

 

Each of the above would approximate the 50 mm FOV, which is what I use for most of my images on film.

 

For wide angle work my choice would be the 24mm ASPH. For semi-zoom and zoom lenses it would be the Tri-Elmar and the 28-90 that's mounted on my D2. Sure wish it was detachable.

 

More than you asked but all of the above are wonderful lenses by any objective measure, including the most subjective and important of all. The eyes.

 

Best,

 

Jerry

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I'll most likely be trading my 35 Summicron for a 28 Summicron. Perhaps the rumoured new 28/2.8 Elmarit, with the flexibility of being able to change ISO sensitivity so easily I may be willing to give up a stop to save some money on the lens. I'll have to think about it once everything is officially announced.

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well depends on what u photograph mainly and wat is your style..

 

two options:

add to your 50 the fast 28, and then u hae sligly wide and slightly long.

or fast 35 as only one lens which is ok - since as i understand u do love 50 on film. 35 on digital supposed to be corresponding to 50 on film

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What about the Vario Summicron on the Digilux 2 ? Someone will surely come up with an adaptor in due course.

 

You do know that this is not a mountable lens?

The D2 sensor is housed in the lens structure....so it would require significant modifications, and would probably still not work. as it's quite a specialised lense for the D2/LC1

 

But I do agree, that if it had been possible, I'd switch from my D2 to the M8

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I have a Summilux-M 50mm f/1.4 lens. Do you think this is a great all-around lens for the M8?

From my experience with the R-D1, i don't think so.

It will become a short tele (66.5 mm FoV) on the M8, not a standard lens any more IMHO.

 

If not, what would your favorite lens be?

A 50mm FoV lens. Preferably not the most contrasty ones due to the relatively low dynamic range of digital cameras. So i could choose the same lens as Jerry's i.e. a pre-asph Summicron 35mm or my favourite Summicron-C 40mm.

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Which lens would you choose for use on a full frame camera? Choose one with the corresponding coverage for the M8. The forthcoming 28 f2.8 ASPH on the M8 might be a very small, handy package, but the extra stop of the 28 f2.0 would seem preferable to me unless the noise level of the M8 is awfully good.

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