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Ok here are a few shots with a 35mm summicron Ver 1. The two chinese women were shot with a Ricoh GXR with the M module. The one of the bust was Wide open on a Sony A7s. It's a great lens I picked mine up used in 1972.

 

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My lens is the goggle version, it looks odd but I like odd things.  For colour photography, it has the warm colour palette, and for black and white, it is where it shines.  The difference compared to the modern lenses, is not a lot but it is is different.  I can’t describe it on words, maybe others can chime in. 

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I've had both lenses for many years, but I still prefer the steelrim. It is nr.1777XXXX, without goggles. I like it because it draws a bit painterly and it has a wonderful "bad wheather" bokeh.

 

gelatin silver print (summilux 35mm f1.4 steel rim) leica m2

Amsterdam, 2024

53844786443_70388fff65_c.jpg

 

 

Edited by Erik van Straten
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On 10/4/2022 at 3:32 PM, shirubadanieru said:

Both are the best 35mm leica has made from my pov. 8e can focus to 0.7m, and has a nice glow wide open. Lux is softer at 1.4, but the glow it provides, especially in b&w, is amazing. 8e is overpriced for what it is, summilux still attainable. If i had to pick one, lux. But if i could I’d own both. From f2.8 they’re the same.

I've owned the pre-ASPH for 2 years. My German-made lens (not that it matters) is a mint-ish 1991 that happens to focus down to 0.7m. It's relatively sharper wide open than other examples I've seen and I imagine that's due to newer coatings on my lens. I paid slightly over $3,000.

8E prices have softened. The copy I purchased locally 2 days ago in the Bay Area (also made in Germany) was made in 1969 (the last year of production) and I paid only slightly more than my pre-A at $3,500.

I'm still getting to know the 8E; I plan on using it mostly on my M10M while I use the pre-A for color. The 8E is sharper wide open than the pre-A and is lower in contrast. The latter definitely has more glow wide open. Both are lovely.

Erik

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Edited by egrossman
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On 7/18/2024 at 10:51 PM, Erik van Straten said:

I've had both lenses for many years, but I still prefer the steelrim. It is nr.1777XXXX, without goggles. I like it because it draws a bit painterly and it has a wonderful "bad wheather" bokeh.

Well, well, there's a bit more magic going on than just the lens 😉

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19 minutes ago, Giacomo Busoni said:

the bokeh is amazing. Would love to see a side by side with you Summilux 35/1.4 v2 at comparable F2 aperture... 

Too painful to do it well sorry but i'm not alone to own both lenses here.

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Hello,

at first, sorry for my bumpy English

I also own both and like them both. I compared the two at the beginning, the 35 Summilux pre is of course very special at open aperture, some people love it for that. At f2.0 it already delivers good image quality. The vignette is already noticeably reduced. 
The 35 mm Summicron is not as good as the Lux at f2.0, the vignette is pronounced. The bokeh of the Summilux is nice, but I still prefer that of the Summicron. 
From aperture 2.8 - 4 I would say the lenses are very similar. After that, the imaging performance improves in favour of the Summicron. Perhaps it is the often quoted microcontrast that makes the Summicron look sharper in the details, over the entire image field. 
What the Summicron does not master so well is direct backlighting.
Here I see a slight advantage over the Summilux. It often produces this beautiful flare. The Summicron is not so predictable in backlighting. 
Haptically, both lenses are great. The Summicron has the advantage of being able to use a protective filter without a lens hood. I prefer this solution. 
If I didn't have one and wanted to choose one, I would go for the Summilux or the new Steelrim based on my current knowledge. 
I think the current prices for the 8-Elements lenses are excessive. 
I am happy to own both lenses. Differences can definitely be recognised.

Greetings Axel

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