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The old elmar looks so beautiful and has the 15 blade aperture but the elmar- m has improved performance and modern coatings.

Is it total madness to scan ebay only for the elmar 1957-74 ish model?

 

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What kind of rendering do you prefer? 

I’ve had both, and currently only own the Elmar. My opinion below: 

Elmar:
+ Better construction for sure 
+ Longer focus throw (which to me feels just right on a 50)
+ 15 blades & dreamy bokeh (kinda like a painting, not too swirly just the right amount, one of the best amongst old leica lens)
- changing the aperture is annoying since it rotates with the lens
- not as sharp as the elmar f3.5 wide open but sharper than the collapsible 50mm summicron wide open (and definitely less sharp than modern designs); that being said, def sharp enough

Elmar-M:
+ easy to use, just like any other leica lens changing the aperture is very easy
+ modern design (if you are into that) so it’s very sharp similar to the summicron V5 50mm, you know you will get very reliable results every time
- bokeh is not bad, but it’s nothing too exciting
- uglier design / feels cheaper / short focus throw / weird blade number 

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55 minutes ago, shirubadanieru said:

What kind of rendering do you prefer? 

I’ve had both, and currently only own the Elmar. My opinion below: 

Elmar:
+ Better construction for sure 
+ Longer focus throw (which to me feels just right on a 50)
+ 15 blades & dreamy bokeh (kinda like a painting, not too swirly just the right amount, one of the best amongst old leica lens)
- changing the aperture is annoying since it rotates with the lens
- not as sharp as the elmar f3.5 wide open but sharper than the collapsible 50mm summicron wide open (and definitely less sharp than modern designs); that being said, def sharp enough

Elmar-M:
+ easy to use, just like any other leica lens changing the aperture is very easy
+ modern design (if you are into that) so it’s very sharp similar to the summicron V5 50mm, you know you will get very reliable results every time
- bokeh is not bad, but it’s nothing too exciting
- uglier design / feels cheaper / short focus throw / weird blade number 

Thanks,,,i like both classic and modern rendering to be honest.

I have the razor sharp modern zeiss 35mm f1.4 distagon but also a 40 year old 90mm tele-elmarit mandler lens both of which i adore but i lean towards the older version of the elmar 50mm and even more so after your post.

Just need to find a decent one.

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1 hour ago, shirubadanieru said:

- uglier design / feels cheaper / short focus throw / weird blade number

superb design, feels dearer, short focus throw, 5 blades giving a gorgeous bokeh, more contrast and sharpness than the old Elmar, Tessar look at its best, my favorite 50 ever... proof that photography is a matter of taste ;).

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12 minutes ago, steve 1959 said:

Thanks,,,i like both classic and modern rendering to be honest.

I have the razor sharp modern zeiss 35mm f1.4 distagon but also a 40 year old 90mm tele-elmarit mandler lens both of which i adore but i lean towards the older version of the elmar 50mm and even more so after your post.

Just need to find a decent one.

Yeah I love both Elmar the f3.5 red dial and also the f2.8 to a point that I feel I should sell one of them since it doesn’t make too much sense to keep both ahah to be honest, but I’m having trouble picking the one I should part with. Both these lenses provide beautiful rendering and after the Summicron rigid they are my favorite 50mm. The biggest advantage is weight and rendering; I even feel the f2.8 elmar provides better bokeh than the rigid (or any other Summicrons that came after it). If I had to pick between a mint f2.8 and a mint elmar-m f2.8 I’d go with the old version every single time. I should really emphasize how annoying it is to change aperture though ahah so if you do this a lot just have that in mind. 

I just shot a couple of rolls recently with the f2.8 let me share here with you some shots wide open so that you can have a good picture (please know that the files uploaded here seem much softer than what they really are so just click on them to see the proper file, which is still compressed but better than when posted here). 

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Shot wide open on ultramax 400

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Same as  above ; hope these are useful

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Forgot to say that the Elmar flares a lot. Used to be a good lens in the sixties though. Couple of Elmar-M pics below. 

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Works fine on closeups too. Elmar-M + Leica macro adapter.

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I purchased M version while they were affordable, including on e-bay. I used it on M4-2 with BW film only.

It was giving results in the same classic league of collapsible Cron, maybe slightly more contrast.

I didn't went for old version, because old Leitz lens might be problematic due to its age.

I sold it mostly because it was nowhere near to be compact lens if ready to shoot and with filter and its original hood.

It was too long for my taste for such slow lens. 

Recently I was thinking about CV Heliar 50 3.5 (current version), but it is monster lens for such small aperture.

I'm just too spoiled with tiny and fast Jupiter-3. :)  But it is not in punching sharp lens category. As Elmar-M and CV Heliar 50 3.5.

Edited by Ko.Fe.
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Flare wise I’d say that both Elmars (3.5 and 2.8) flare way less than Summicrons of similar age, but of course lose to the more modern coatings. That being said, even the modern summicron 50mm is not known to be that resistant to flare and when it does flare it just looks ugly whereas the elmars and older lens when they flare sometimes it gives it a lovely and unique flare :)

As an example, not the 2.8 sorry but 3.5 (which has the same design just uses different glass) shot against the sun without a hood (the summicron 50mm v5 in this situation would most likely give me an ugly flare shape) 

 

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Edited by shirubadanieru
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I was tempted to sell my Elmar-m before but lucky i didnt go through with it. Just something about the rendering which is very special unlike all lenses ive used previously; i like it much more than my cron v5. I understand why the op is in search for one.

Good luck. All the best!

 

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I think the old Elmars are terrific lenses. The 3.5 is great in film and digital. I liked my 2.8 better on digital than film (probably because my Summar is so great on both). 
The newer M is very contrasty. 

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It was a borrowed M2 with 50 2.8 Elmar in 1967 that sold me on Leica. The mechanical precision of both the body and lens was unlike any camera I had tried. I still enjoy the combination. When I use the Elmar on M10 the results are special. I also have the Elmar-M, which gives great images - but I prefer using the old Elmar. (Still, it's a Summarit 2.5 that is used most.)

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13 hours ago, lct said:

superb design, feels dearer, short focus throw, 5 blades giving a gorgeous bokeh, more contrast and sharpness than the old Elmar, Tessar look at its best, my favorite 50 ever... proof that photography is a matter of taste ;).

Ha!  Horses for courses.

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