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Leica M10 Monochrom Images

Likaleica

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Posted by jaapv,

How to upload images: Prepare the image as follows: 1.   The image should be sRGB and 8-bits 2.   Reduce the size to 2048 pixels on the longest side. (smaller sizes can be set, but are not recommended) 3.   Sharpen properly for screen. 4.   Save as JPG to your desktop, reducing JPG quality to produce 2000 kB (5000 kB for sponsoring members). 5.   In Lightroom these parameters should be set in the Export dialog. 6.   In the Forum posting or editing box, click “choose Fil
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japo

japo

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No milk today...

m10m 28lux

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Likaleica
Likaleica

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Mefty
Mefty

Great Camera 

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eawriter
eawriter

After dozens of posts in the M246 thread, this is my first in this thread, because, after resisting for a year, I sold the M246 and bought the M10M.  We (finally) had a rainstorm in the San Franc

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Gerbs

Gerbs

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Ash Point in February

M10M, 1/50mm Leitz Noctilux Canada, v2 (1982)

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Gerbs

Gerbs

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Februberry

M10M, 1/50mm Leitz Noctilux Canada, v2 (1982) with Kipon 10mm macro extender

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JohnV

JohnV

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Leica iiig

50mm Summilux ASPH 1.4 | ISO 400 @f1.2 | 1/30sec

 

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JohnV

JohnV

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Riverside Park, Victoria, TX.

35mm Summicron-M ASPH | ISO 400 @f8 | 1/90sec

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Keith (M)

Keith (M)

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Allotment recycle system.  50mm Noctilux f1 v4, M10M.

 

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strohscw

strohscw

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Painted House,  M10M Summilux 28mm + Yellow Filter

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Astropap

Astropap

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Tried to recreate a shot of this clam on the beach that I took with the Q2M in macro mode, same day, different time of day.  I got this with the Voigt 50mm at f/3.4:

 

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Keith (M)

Keith (M)

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Another freezing cold day, so time to gather up some reading material and relax on the sofa.  

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M10M, 50mm Noctilux f1.

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Keith (M)

Keith (M)

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Marching across the countryside.  50mm Noctilux f1 v4 on M10M.

 

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tightsqueez

tightsqueez

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On 2/7/2021 at 1:34 PM, Keith (M) said:

I cannot help but feel that the M10M and 50mm Noctilux f1 v4 make ideal partners (but I could be prejudiced!).

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I totally agree. 
 

Since the re-release of the 50 1.2 I have been seduced back to the Noctilux lure (I’ve owned the f/1.0, f/0.95 but not f/1.2). 
 

After an exhausting in-depth comparison between all three models, I have returned to the f/1.0 version. I think it’s THE quintessential Noctilux lens! With the M10M being my main camera, I think the subdued hues and tones translate into beautiful tonal gradations showcased by the M10M. 
 

What’s funny is that a girlfriend from the past once commented on how beautiful the f/1.0 rendition was compared to the f/0.95 version. I conducted another f/1.2, f/1.0, f/0.95 comparison with members of my family and it was quite clear from the beginning which lens “looked” the best; the f/1.0! Even my five year old son repeatedly picked the 1.0. No one picked the f1.2! Not one! 
 

So, I chose the people’s lens, since that’s who I shoot for in the first place. 

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digger1914

digger1914

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Waiting patiently.  M10M, 50 APO & Orange filter

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Keith (M)

Keith (M)

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Country stile close-up.

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M10M, 50mm Noctilux f1 v4.

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shlomo the not so wise

shlomo the not so wise

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APO-50 mm

frozen rain drops on a car

 

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Sjz

Sjz

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Wrong Side of the Glass

Apo-Summicron-M 1:2/50 ASPH.

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mkur

mkur

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Corner house in Chodecz, Kuyavia, Poland, Summilux 35 FLE

 

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t00l1024

t00l1024

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M10M + APO 50

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t00l1024

t00l1024

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More drama. M10M + APO 50 (plus orange filter)

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ralf3

ralf3

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vor 7 Minuten schrieb t00l1024:

More drama. M10M + APO 50 (plus orange filter)

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That's what I remember from black and white film days: orange filter makes the sky really dark. In digital days the simulated orange filter in post processing (with color sensor) has almost no effect.

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