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Despite having an M240 with 35FLE, 50FLE and the 50APO (which gives me most joy)

I still delight in looking at my Digilux 2 photos like this one

 

 

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19 hours ago, dugby said:

Despite having an M240 with 35FLE, 50FLE and the 50APO (which gives me most joy)

I still delight in looking at my Digilux 2 photos like this one

 

 

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Yeah... it was the camera that (finally) made digital work for me...

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I like the Leica glow by summilux 35 pre asph. But my lens made in Germany it’s titanium 35 pre asph. 

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On 8/20/2019 at 11:16 PM, pico said:

The so-called glow must be clarified or entirely debunked depending upon the aspirant photographer. Starting with those who wish to purchase a Leica glow, there is no lens to guarantee such, so give it up.

Err, no, the single coated (SC) version of the Voigtlander 35mm Nokton gives 'Leica glow'. I think some replies are being dogmatic to the point disappearing up a dark passage but the Japanese know what 'glow' is even though there may be an alternative but less artistic technical translation for it. 'Leica glow' is the opposite of taking photographs with a furrowed brow and holding a spreadsheet, it's about enjoying the happy accidents of light passing through glass.

P.S. I would recommend the 35mm Nokton SC be used with the Visoflex because it has some wicked focus shift.

Edited by 250swb
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Get any modern 35mm and put vaseline on the front element. Tons of glow and "character". Alternatively if you don't want to use vaseline, just knock the lens properly into a hard surface a couple of times, so that the lens becomes completely decentered. That will make it ooze of character.

Edited by indergaard
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Glow can be added with a Photoshop filter. 

Regards,,

Bud James

Please check out my fine art and travel photography at www.budjames.photography or on Instagram at www.instagram.com/budjamesphoto.

Edited by budjames
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On 8/27/2019 at 12:11 PM, indergaard said:

Get any modern 35mm and put vaseline on the front element. Tons of glow and "character". Alternatively if you don't want to use vaseline, just knock the lens properly into a hard surface a couple of times, so that the lens becomes completely decentered. That will make it ooze of character.

Wouldn't that Vaseline cause an effect similar to soft focus? Glow and soft focus are two different things, glow in particular being prominent in highlights, not all over.

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On 8/26/2019 at 2:52 PM, oudjunk said:

I like the Leica glow by summilux 35 pre asph. But my lens made in Germany it’s titanium 35 pre asph. 

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What do you see as 'glow'?

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On ‎8‎/‎27‎/‎2019 at 2:55 PM, 250swb said:

Err, no, the single coated (SC) version of the Voigtlander 35mm Nokton gives 'Leica glow'. I think some replies are being dogmatic to the point disappearing up a dark passage but the Japanese know what 'glow' is even though there may be an alternative but less artistic technical translation for it. 'Leica glow' is the opposite of taking photographs with a furrowed brow and holding a spreadsheet, it's about enjoying the happy accidents of light passing through glass.

P.S. I would recommend the 35mm Nokton SC be used with the Visoflex because it has some wicked focus shift.

you previously defined Leica 'glow' as:

"I think it is essentially about the well controlled micro contrast of Leica lenses. Compared to say a Zeiss lens (and assuming that both are as sharp as each other) a Leica lens will show smoother transitions of tone at the micro level (the tiny details). The Zeiss on the other hand will show knock your socks off definition of tone, a real punchy hyper real look that also makes the lens look sharper. Anybody who has used a Contax G2 and a Leica M at the same time may recognise the effect.

So when the lens is open wide and it inherently gets a bit softer this smoother micro contrast causes a melding of tone which causes the glow. This smoother tonal information has always been a feature of Leica lenses and they haven't been tempted to go for the higher contrast Zeiss type look, until that is, they introduced the Summarit range which I think has lost the glow."

I'm assuming that "well controlled micro contrast" means lower micro contrast.

i.e. here https://lenspire.zeiss.com/photo/en/article/micro-contrast-and-the-zeiss-pop-by-lloyd-chambers/

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13 hours ago, jrethorst said:

Please tell me more.

I ditched Photoshop about 2 years ago when I cancelled my Creative Cloud subscription. I switched to Capture One Pro about 3 years ago and then discovered Affinity Photo for my occasional pixel mashing needs.

That said, Affinity Photo, Photoshop, On1 Photo RAW and most other current have a filter that can apply a glow to any image. I have found if you duplicate your final image, apply the glow filter and then lower the opacity of the glow layer, you can get some interesting effects. It works with color and b&w images.

My most often used Leica lenses are the Summilux 35 and APO Summicron 50. The Lux 35 produces a pleasing glow when shot wide open, particularly with dark backgrounds.

Regards,

Bud James

Please check out my fine art and travel photography at www.budjames.photography or on Instagram at www.instagram.com/budjamesphoto.

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17 hours ago, budjames said:

> That said, Affinity Photo, Photoshop, On1 Photo RAW and most other current have a filter that can apply a glow to any image. I have found if you duplicate your final image, apply the glow filter and then lower the opacity of the glow layer, you can get some interesting effects. It works with color and b&w images.

I got Photoshop CS6 some time ago, but haven't learned it yet (that's my project for this winter). I see a Filter Gallery menu, with Neon Glow and Diffuse Glow. Is one of those what you mean or something else?

 

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I had to stop using my 35mm f1.4 Summilux both German and Canadian versions at f1.4 as the Newspaper Editor said " those Photos are not sharp enough " and compared them with the Company NIKON photos !  I did not know about a 'Glow' -- all I could see was results at f1.4 not sharp enough for LEICA !! 

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6 minutes ago, elmarman said:

I had to stop using my 35mm f1.4 Summilux both German and Canadian versions at f1.4 as the Newspaper Editor said " those Photos are not sharp enough "

The Summilux is just fine. The editor should prove that sharpness matters with  the poor reproduction of the paper. The editor is the dull one.

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