Leica M Film Photos -- Feel Free to Share Yours

[Ouroboros]

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Ford Anglia, Byker.

 

Leica MP

35mm summicron asph

Ilford XP2

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[harmen]

From a first visit to Tokyo, with M6TTL, Portra 800 and 160, with 28 lux and 50 lux

 

 

 

 

[RayD28]

 

From a first visit to Tokyo, with M6TTL, Portra 800 and 160, with 28 lux and 50 lux

 

 

 

 

All good shots and really like what you did with the 28mm.  Colors and light in the third shot give it energy.  

[RayD28]

Ford Anglia, Byker.

 

Leica MP

35mm summicron asph

Ilford XP2

 

Gotta love those side mirrors.  

[Ouroboros]

Gotta love those side mirrors.

 

The Anglia was an unexpected find in Byker!

[Guest JMF]

Last month in the Atacama desert, Chile

 

Valle de la Luna by JM__, on Flickr

 

Ilford 50 Pan F - 35 Summilux AA - M2 BP 1963

[M.RB]

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Amazing looking end of the world type place JM, a real ‘river of sand’ in this particular shot.

[Boojay]

Wales, Mawddach Estuary, Pont Abermawr  (for trains)   M7 50 Sum Portra 400 Lab Dev/Scan

 

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[Boojay]

Attingham Park National Trust Property M7 50 Summ Kodak Portra 400 

 

Attingham River Wander (Film) by Jayne Booton, on Flickr

[Abram]

Trying out a Dual Range 50 Summicron that I picked up. It has some haze in the front element but it didn't look too bad and it was cosmetically super clean (as well as CLA'd by Don Goldberg in 2016, I already talked to him about the haze and he recalled the lens and didn't think it would negatively impact performance).

 

Here's a couple samples with it on my M4 and Fuji Superia 200. Scanned on my Nikon Coolscan 4000ED

 

FUJI_S200_6_18_60.jpg by Abram Goglanian, on Flickr

 

FUJI_S200_6_18_147.jpg by Abram Goglanian, on Flickr

[RayD28]

 

Trying out a Dual Range 50 Summicron that I picked up. It has some haze in the front element but it didn't look too bad and it was cosmetically super clean (as well as CLA'd by Don Goldberg in 2016, I already talked to him about the haze and he recalled the lens and didn't think it would negatively impact performance).

 

Here's a couple samples with it on my M4 and Fuji Superia 200. Scanned on my Nikon Coolscan 4000ED

 

 

 

 

Looks sharp.  Did you do any cropping?  

[T00m]

Leica M2, Summicron 50, Tri-X

 

 

[wattsy]

Some recent scans (though some of the photos date back to the spring). All 28 Summaron-M and Porta 400.

 

 

 

 

 

 

 

 

 

 

[Abram]

Looks sharp.  Did you do any cropping?  

 Nope those are full frame scans. I was however using the goggles so I could focus a bit closer.

[T00m]

 

Somewhere in the Pacific M6, Summicron 35 Asph, Velvia 50

Edited June 26, 2018 by T00m

[odeon]

Leica M-A

50'APO

Cinestill 50D in C41

Dilek Peninsula, Turkey

 

[semi-ambivalent]

Went to a small concert in the foothills on Saturday to see my wife's fitness instructor's band.  We might have been the oldest people there but everyone was chill and all the performers inside and out were quite good if you like e.g., punkish rock with saxophone (they were very good). Sarah was performing in the Saloon. A hundred years ago this might have been a bunkhouse for the ranch hands when the high pasture was free of snow but now it has a bar of sorts so it's the Saloon.

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It's very small and I did not intend to shoot anything inside but... The wall was behind me so I just reached over my head and braced the camera against it. 21SEM wide open at 1/2s.

 

M3, 2:50 and 3.4:21, Tri-X@250 in Rodinal

 

Someone sitting on the floor in front of me took a snapshot with their phone. It was gorgeous: full color, contrast balanced, and perfectly exposed. But earlier, outside in the dusk, two people said they loved my camera so I have that going for me, which is nice.

 

 

[RayD28]

Went to a small concert in the foothills on Saturday to see my wife's fitness instructor's band.  We might have been the oldest people there but everyone was chill and all the performers inside and out were quite good if you like e.g., punkish rock with saxophone (they were very good). Sarah was performing in the Saloon. A hundred years ago this might have been a bunkhouse for the ranch hands when the high pasture was free of snow but now it has a bar of sorts so it's the Saloon.

The_Saloon_800.jpg

 

It's very small and I did not intend to shoot anything inside but... The wall was behind me so I just reached over my head and braced the camera against it. 21SEM wide open at 1/2s.

Sarah_at_The Saloon_800.jpg

 

M3, 2:50 and 3.4:21, Tri-X@250 in Rodinal

 

Someone sitting on the floor in front of me took a snapshot with their phone. It was gorgeous: full color, contrast balanced, and perfectly exposed. But earlier, outside in the dusk, two people said they loved my camera so I have that going for me, which is nice.

 

 

 

Fantastic shot inside the Saloon.  Since your back was to the wall it must have been a very small room.  Great idea to brace the camera against the wall and above your head to get the shot.  Regarding the Phone picture you describe, I bet it didn't have the mojo you got in this shot.  Starting with the bartender at the left, the audience in silhouette forms a curve leading to the base of the well-lit band where my eye wants to stay.  I look around the photo for more details but that curve and lighting keeps leading me back to the band.  The beam near the stage creates a frame within a frame, too.  Lots going on here that I bet is not in the Phone photo even if it has color, balanced contrast, and perfect exposure.  I believe your photo is a perfect example of less is more.  Well done, SA.  

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Hallo,

Look here: Leica M

[Ko.Fe.]

M4-2 and Cron 50 v4 ELC with Kodak Ektachrome E-100G in E-6 kit at home:

 

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[semi-ambivalent]

...Well done, SA.  

Thank you, you're too kind. The print has more detail in the shadows but only because I'm PP ignorant and likely to stay that way.

 

Yes, the Saloon was very small, even when seen through a 21. But the vibe was tremendous, like what I think it was like in Laurel Canyon before The Big Labels screwed things down. Some of these people might go on to become the Graham Nashes or Joni Mitchells or Exene Cervenkas of their era. And half the bottles on the bar were Patron...

 

s-a