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2 hours ago, otto.f said:

And it turns out that this is perfectly doable. It’s a great scan, it’s a sharp image and I like the grain. Good to see because I have this film in my recently acquired R7, thanks. I don’t know what you saw in reality but I like these colors, they are not freaky, which can happen today with brands as Lomography. 

Thank you. I've shot 800T in daylight before, and found it to be a surprisingly flexible film, as long as you're prepared to dial out the strong red/orange cast. Obviously, not something you want to do too much, because it's an eye-wateringly expensive film!

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nice photography exhibition on at Bondi at the moment.

M6 TTL & 35:2 v4 on Cinestill 50D 

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Leica M-A - 40 Summicron  -  Kodak Color 200

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Leica M-A - 40 Summicron  -  Kodak Color 200

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Masks for all...

Leica MP w/50mm Summicron DR on Ilford HP5+ dev in HC110B for 5 min at 20 c and scanned with Plustek 8200

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5 minutes ago, rtai said:

 I was reluctant to go digital but happy I got the M10M. Lightroom was a mystery to me being a technophobe but then I found real value in it because it saved some hard to print negatives. Here’s one I shot in haste resulting in 2 stops underexposure due to back lighting an embarrassing novice error now saved by Lightroom. I am sure this can be improved but my Lr skill level is low.

Leica M7 35mm Summicron V3 TMY

Somewhere off the Mekong River far from Phnom Penh

 

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Such a good photo 

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Acros 100 - Leica M-A - 35 Summilux pre asph v2

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Acros 100 - Leica M-A - 35 Summilux pre asph v2

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Leica M-A - 35 Summilux pre asph v2 - Ektachrome 100

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Leica M7, Voigtländer Color-Skopar 21mm/4 VM, Fuji Neopan 1600@400, D-76, Nikon 9000

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6am, people sleeping on the beach. Portra 160 + 28 Lux. 

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Portra 160 + Elmarit 28 Asph 

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Cinestill 50D + 35 8e 

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Steel rim wide open + Portra 400

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Portra 160 + Steel Rim closed down. 

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Ektar + 35 8e 

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Cinestill 50D, while driving on the highway. 

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m3, 90mm Thambar ltm, hp5+ ISO 800 in dd-x

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