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A 35mm Noctilux would be nice to have but would probably cost as much or more than a 50/0.95 ASPH Noctilux. 

 

I am content with my 50/1.0 Noctilux which is a good thing since Oskar (my Australian Cattle Dog) is not currently unearthing grapefruit size gold nuggets in my yard.  He is still the apple of my eye,  though.  :D

Edited by Herr Barnack
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My 35 summilux is awesome. I also love my 50/.95 noctilux. A 35 noctilux would be very tempting. I am curious about that price. I bet it would surpass the 50/.95.

 

The 75 and 90 don’t excite me but I would definitely welcome more lenses.

Edited by 6bit
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..... and 90mm Noctilux.

 

I had the Canon 85/1.2 which was difficult enough to focus to put it mildly. To work well such a lens would need to be focussed using a highly blown up area of the frame, whilst still being able to see the whole frame. I can't see it being a viable M lens regardless. Given its potential size, the need for a long throw focus ring to ensure high accuracy in focussing and even if these were viable, its cost, I can't see it being popular if made. Just my thoughts.

Edited by pgk
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-DoF

-Bokeh

-Character

 

I predict, perhaps too early, that there will be a resurgence in in specialized soft, contrast reducing, bokeh enhancing filters to defeat the hard edge of digital images. Give it a few years. We were already using such filters in the early days of digital video.

 

I'm not addressing things like Hasselblad's Softar filters or the other crap. Look to Tiffen's and Harrison's and other filters for motion picture work, especially digital video. Tiffen is deeply committed to subtle gradation of filters, many different types. Other's have some remarkable black-dot filters going back to the thirties. I have a ton of them - from when they were 'going out of style', and now reviving. Photoshop simply cannot do what they do.

 

And earlier Leica, and other lenses shot with early films... but you've already read my takes on that and members here have generally disapproved, discarded the virtues of early film which are destroyed in digital.

Edited by pico
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I had the Canon 85/1.2 which was difficult enough to focus to put it mildly. To work well such a lens would need to be focussed using a highly blown up area of the frame,[...]

 

Really? Same lens on an M4.

 

dawn_mirror-l.jpg

Edited by pico
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Having tried the Noctilux 50mm, which was almost bigger than me, and hating it I would despair at Leica spending millions to produce more of the same.

 

Leica does small and perfect far better than big, ugly, heavy, and crap. Unless you are in a studio the Noctilux is a waste of time. My view, and YVMV.

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