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What do we photograph on the streets?

colint544

By colint544
in Street Photography

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Posted by jaapv,

This thread is suffering from overposting by a few members; I have hidden some posts. It is a an unwritten convention that we leave space for other participants. The reason is twofold: Overposting drowns out the other posts and, as important, if one floods a thread, the viewers lose interest and won't even look at those posts any more. It is equivalent to hogging a conversation. So: Please don't make endless posts with a large number of images, they are deadly boring, and don't po
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Guest 10511

Guest 10511

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M2, Summaron 2,8cm, Ilford XP2

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colint544
colint544

I wander around my home city of Glasgow a fair bit. I always have either my Leica M Monochrom mk1, or an analogue M loaded with black and white film with me. I think that finding interesting photograp

colint544
colint544

A couple more. Cheers, guys.

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colint544
colint544

Glasgow - Leica M Monochrom mk1, 50mm Summilux ASPH

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colint544

colint544

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Glasgow, UK - M Monochrom mk1, 28mm Summicron ASPH mk1

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Frank Sellitto

Frank Sellitto

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M7,, 35mm summilux pre-asph v.ii, fuji 400 x-tra

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Edited by Frank Sellitto
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JohnnySeven

JohnnySeven

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Dominique1952

Dominique1952

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Lenin's birthday

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Leica Q
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Dominique1952

Dominique1952

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A peaceful place

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Leica Q
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Likaleica

Likaleica

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Inside and outside the Art Institute of Chicago.

Found the similarities interesting between 19th and 21st centuries

 

 

 

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schattenundlicht

schattenundlicht

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Main entrance, Mayor's office, Mayence, Germany.

 

 

 

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[ M9 ; Apo 90 Asph ]

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Guest

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(mono1+nokton50/1.5)

 

lambda.

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Likaleica

Likaleica

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Altercation over gun rights, Chicago.  

 

 

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Likaleica

Likaleica

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Along Michigan Avenue, Chicago

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Ernest

Ernest

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attachicon.gifschattenboxen.jpg

(mono1+nokton50/1.5)

 

lambda.

The conundrum of ongoing chaos, the narrative interrupted in a noir proscenium. Lambda’s theatre. Words don’t work here, but the picture speaks. There is the poetry of conflict in this rooftop shadow play. Here, the puzzle of a visual vertigo. The guard rail, the sky, the truncated shadows on the wall help elucidate the men’s action. Still, the vein of ambiguity. The vignette within the dark vignette, or is it the dark vignette within the vignette? What is revealing about the play of these shadows? The cinéma vérité of the slipping horizon. Dark textures, textures of the dark. Documentation. Is it a sky or a backdrop? The way you prospect the visual experience with an ice pick for subtext. Passports stamped at the border; no speaking, only blinking. Gerhard Richter says about his work that “the paintings do what they want. I planned something totally different.“

 

Photography is another way of thinking. It doesn’t have to do with words, even though there are photographs with words that curiously have less to do with the words and more to do with irony. However, in Lambda’s theatre, a fair question might be at what point in the photograph do you meet yourself? What is at risk?

 

 

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Likaleica

Likaleica

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Cloud Gate, Millennium Park, Chicago.  Artist Anish Kapoor.

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jwang149

jwang149

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m6 ttl voigtlander 40mm 1.4 

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