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40 minutes ago, dimm said:

M6 | 50mm F/2.5 Summarit | Kodak porta 800 (EI 1600)

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The tonal range of your palette here, very forceful, and the composition implies what is unseen beyond the photograph. Excellent. Your street photography, Dmitry, is very energetic, as well. One of my cherished books is Andrey Tarkovsky's Instant Light: Tarkovsky Polaroids, a collection of Polaroids and poem/reflections; the first photograph in this small book is accompanied by Tarkovsky's point that "the image is not a certain meaning expressed by the director, but the entire world reflected as in a drop of water."

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Summilux ASPH

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Well, the ugly cars in the background are distracting. But when watching my today's photos I was surprised by the kind of threedimensional appearance of the car. Looks like almost jumping off the screen.

It should be prohibited by law to park ugly cars next to a Volkswagen Käfer / Beetle. I think, my parents had a similar version decades ago...

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25 minutes ago, Ernest said:

The tonal range of your palette here, very forceful, and the composition implies what is unseen beyond the photograph. Excellent. Your street photography, Dmitry, is very energetic, as well. One of my cherished books is Andrey Tarkovsky's Instant Light: Tarkovsky Polaroids, a collection of Polaroids and poem/reflections; the first photograph in this small book is accompanied by Tarkovsky's point that "the image is not a certain meaning expressed by the director, but the entire world reflected as in a drop of water."

Thank you, Ernest. They're were my first rolls of color film. Usually I shoot B&W

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Advertisement (gone after registration)

Lander Diptych
M-A APO 50 ADOX Color Implosion
Collage of stucco, glass, and steel.

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Edited by Ernest
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17 hours ago, JMF said:

Any other shots from the Sheraton vintage vue ?

Best, JM, Rio de Janeiro

 

18 hours ago, Ouroboros said:

You do pretty well with that CV50mm f1.1.  Nice!

 Thanks!! 

Yes, here is one look to the right from the balcony. Cheers!

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To the front.

cvf1.1,240

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Up stage right

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Noctilux-M 1:1/50

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M6 | 50mm F/2.5 Summarit | Kodak porta 800

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Remembering roots

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M10-P, Summilux-M 1:1.4/50 ASPH

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M-A APO 50 ADOX Color Implosion

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M240 + Summicron 50mm 2

Claus

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"You say it best, when you say nothing at all" -- Alison Krauss

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M10-P, Summilux-M 1:1.4/50 ASPH

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Cruise in

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M10-P, Summilux-M 1:1.4/50 ASPH

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Leica M10 + 50mm Lux

Portland, Oregon

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1 hour ago, JRabe said:

Leica M10 + 50mm Lux

Portland, Oregon

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Truly an angel to hang perilously for the focus. Hope she was appropriately rewarded. 😁

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