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Nifty Fifty: Please share some 50 mm pictures!


goldchen96

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M10 + 50mm Summicron v. 5

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Crete, Greece.

M9P, 50 mm Summilux Black Chrome Edition.

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Edited by Shlomo
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MP240 50 APO

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Here are a few shots taking with my M10-R and APO Summicron 50mm f2. Processed in Capture One Pro 21.

Check out the edge-to-edge detail in the brick wall behind my 2021 BMW M550i even though the depth of field is focused on the car about 10 feet in front of the wall. The performance of the APO Summicron 50mm on the M10-R is quite remarkable.

One rowboat shot is uncrossed and the other cropped so that you appreciate the details in the FF version.

Due to the size limitation of attachments on this forum, I don't think that you can fully appreciate the details in the images as when I view them full size on my 27" iMac. I made a 16" x 20" print of the BMW shot on my Epson P900 printer, sharpened slightly for printing. The detail in the print is amazing.

Regards,
Bud James

Please check out my fine art and travel photography at www.budjames.photography or on Instagram at www.instagram.com/budjamesphoto

 

 

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Summicron-M 1:2/50 Type 4

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M10R+50APO

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M10-P & 50mm Summicron v5.
My favourite lens, I think I could happily shoot this combination for a very long time to come. 

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Super hero girl

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M10 with 50mm Summilux pre-ASPH (E46)

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Autumn in South East England.

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Leica R5 with Summilux-R 50 (1st version from 1971) on Kodak Ektar 100.  Mini-lab process, Nikon CS5000ED, Capture One.

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De Haan, Belgian coast, M10 M with 50mm Apo Summicron

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M10-P & 50mm Summicron v5

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White Cliffs of Dover at the edge of Lighthouse Down, just north of St Margaret's Bay, Kent.

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Summicron-R 1:2/50mm (type II) on Leica SL.

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Ancient wreck, Sandwich Bay, Kent UK.

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M Monochrom, Summilux-M 50mm f/1.4 ASPH, B+W orange filter type 040.

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Washed up on Sandwich Bay, Kent.

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Leica SL with Contax Carl Zeiss Planar 50/1.4 via Kipon adapter (a stunning lens, an economic alternative to the Leica Summilux-M 50).

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Sometimes the older the lens, the more interesting the result.  A 1951 5cm (50mm) lens wide open to show off its "swirl".

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Summitar f=5cm 1:2 on Leica SL.

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M6, Summicron-M 50 v5, Fujichrome Provia

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Remarkable pre-WWII 50mm lens, shot wide open to show its very interesting treatment of the out-of-focus areas.

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Carl Zeiss Jena Sonnar 1:1,5 f=5cm, uncoated lens from 1937, on Leica SL, processed in Capture One.

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A more commonly-available 50mm lens in M42 mount, adapted to Leica SL.

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Rollei Planar 1,8/50 (Singapore), shot wide-open on SL.  Often compared with Carl Zeiss Planar 1,7/50 (Japan), a different formula.  I prefer the way the Rollei draws.

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