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Farah at her desk.

Leica MP with 50mm Summicron DR (1960) on Rollei RPX 100 dev in Rodinal 1:25 for 8 minutes at 20C

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1:2.8/35mm Summaron with M10 Monochrom

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M3 50mm Rigid Summicron Kodachrome 1975

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Crossing

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M-P w/Summilux-M 35 AA.

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Lumix S5 + Summicron 35mm V1

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On a hazy day with a hazy Summar

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S1R + Summar LTM f=5cm 1:2

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Test shot 50mm Summicron DR on Sony A7riv 65 max.  File size out of the camera is 123 mb and 1960 Summicron holds up well.

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Edited by Sailronin
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Early birds win

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M-P w/Summarit-M 75/2.5

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M10 + Elmarit-M 2,8/50mm + helicoid

Claus

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Steinheil Quinon 1:2/50mm LTM on M10 Monochrom at f/4:

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at f/2:

 

Edited by UliWer
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The LTM Quinon is rangefinder coupled down to 1m but can be focussed until 0.6m. It resembles the new 35mm  Apo-Summicron: at about 1m you feel a little resistance to indicate that you loose rangefinder coupling, than you have a red scale to focus closely:

approx 60cm at f/8:

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approx. 1m at f/2:

 

 

 

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40 Summicron - Leica M-A - Kodak Color 200

 

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Port Vella, Barcelona

M10P Summaron 35 f/3.5 with goggles

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On 12/2/2021 at 3:57 PM, UliWer said:

The LTM Quinon is rangefinder coupled down to 1m but can be focussed until 0.6m. It resembles the new 35mm  Apo-Summicron: at about 1m you feel a little resistance to indicate that you loose rangefinder coupling, than you have a red scale to focus closely:

Actually, this feature was also present on a few other lenses (eg, the Quinon-contemporary Nikkors 50/2 and 50/1.4 in LTM).

So ingenious I do not understand why it wasn't adopted more broadly. Cost perhaps? Plus ça change...

Here are a couple from another Sonnar of the same era:
M10P ASC + 1950 KMZ Zorki ZK 50/1.5 LTM, both wide open @ ISO 6400. Note: for those who might remember some of my earlier posts in this thread, these are from the "real thing" (insofar as this applies to a lens assembled with CZJ Sonnar spoils of war), not the "Zorkiter".

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Summaron 1:3.5 3,5cm wide open, M9
Just before dusk with a dull grey flat sky.
 

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Summaron 1:3.5 3,5cm wide open, M9
Grabbed in a hurry because I wanted to have the rope-dancer standing on
the rope instead of hanging under. He is supposed to be a Christmas elf
(this was explained in a loud speaker as I was walking by) on his way to
get Santa who was waiting in a tree on the other side of the river.
For those who wonder, yes, some of our buses have awful blue light
inside at night.

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M10P ASC + 1956 Fujinon 50/1.2 (Nikon-S mount with Amedeo adapter) @ f/2 or f/2.8

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Edited by Ecar
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M10P ASC + 1959 Zunow 45/1.8 (Neoca converted to M)

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