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Advice re: 50 Elmar M


james.liam

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Have been resisting the acquisition syndrome with great discipline since buying a 50 APO about 18 months ago--even sold off a load of dormant SLR gear to finance the extravagance.

 

Behold and Lo, a late-version 50 Elmar M, 6-bit coding and all, was dangled in front of me. I'm wondering if there's much it can add to what my svelte and powerful APO is already capable of. 

 

 

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I'm wondering if there's much it can add to what my svelte and powerful APO is already capable of. 

 

Having owned one of the last versions I would doubt it. But a Summilux aspheric would give you an extra stop .....  :D

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Have been resisting the acquisition syndrome with great discipline since buying a 50 APO about 18 months ago--even sold off a load of dormant SLR gear to finance the extravagance.

 

Behold and Lo, a late-version 50 Elmar M, 6-bit coding and all, was dangled in front of me. I'm wondering if there's much it can add to what my svelte and powerful APO is already capable of. 

 

It's a lovely lens, in rendering and in use. But I wouldn't get one if I already had a 50 APO.

 

My other 50 is the 1.4 asph, and to me those two lenses are sufficiently different to justify having both.

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Matter of tastes obviously. I use more my 50/2.8 v2 (i have three of them...) than my 50/2 apo personally. Depends on what you're after. It you prefer transparency the 50/2 apo is definitely the way to go. If you prefer character the 50/2.8 may be either the lens of your life or a nice paper weight depending upon your tastes and preferences only. BTW if you want to ensure that the 50/2.8 v2 has been originally coded you may wish to check that its box looks like this if any:

 

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50mm F2.8 Elmar-M is one hell of a fun lens...for those who like such..a gadget..

It looks so cool retracted and tiny..or in the ready for business position..

And the pics..well..sublime...!

And where can you find a mint example Leica lens so cheap..

Its a no brainer..just get it..!

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