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CCD vs CMOS: Can you tell which is which?{merged}


dfarkas

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My goal was to see if there was a "CCD Look" that was unattainable, even with processing. This has been the assertion from those favoring CCD sensors. So, I wanted to see how close I could come to matching the corrected output from an M9.

 

I see very little value in comparing uncorrected images. I don't even look at default out-of-camera images in LR. I apply my presets for different cameras with adjustments dialed in for tone, color and sharpening on import. This leaves me with very little correction to achieve the final look that I find pleasing and allows for easier selection of images as well.

 

As soon as you touch a slider image clarity suffers. Some of my favorite M9 shots are straight out of the camera. No 240 shot can be edited to match one like that. That's why both the 28 cron and 50 lux are such different lenses on the 240.

 

I think anyone who prefers 240 output should own one. But the sensor technologies are very different.

 

I'm not that interested in editing contests, though I respect that others may be, in fact the less editing the better, for me.

 

I think it's pretty clear the 240 files take more tweaking, at least for my friends who have them.

 

But needless to say, wonderful images can be made with either. :)

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After amassing enough votes, I will post a follow-up, revealing the answers and how everyone did.

 

Can you distinguish between different users? Some might be guessing, and some might really see it.

If you just take the average result than...

...and maybe you should have added an option "I cannot tell"

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As soon as you touch a slider image clarity suffers. Some of my favorite M9 shots are straight out of the camera. No 240 shot can be edited to match one like that. That's why both the 28 cron and 50 lux are such different lenses on the 240.

 

I think anyone who prefers 240 output should own one. But the sensor technologies are very different.

 

I'm not that interested in editing contests, though I respect that others may be, in fact the less editing the better, for me.

 

I think it's pretty clear the 240 files take more tweaking, at least for my friends who have them.

 

But needless to say, wonderful images can be made with either. :)

 

Totally wrong. The M240 files do not need more "tweaking" any more than the M9 files need more "tweaking" to look like the M240.

 

The error is in the premise that the M9 files look better. They do not. But, the M240 files can look like the M9 files with more PP where the M9 files can never look like the M240 files.

 

The M240 files have too much dynamic range and much better color depth at high ISO for the M9 to ever look like the M240, no matter how much you PP.

 

You can dumb down an M240 file to look like an M9 file, but you can't up-res, up-dynamic range or up the color depth of an M9 file to look like the M240.

 

I am sorry, but this is just the fact of the march of technology and some here want to believe that their choice of an older and inferior technology is better. You don't have to justify your CCD, just enjoy it.

 

But, can we get over this whole deal about the "look" of the CCD is somehow better than the newer M240? It is just not a premise that has been shown to be true... unless better means noisy high ISO with low color depth, lower resolution, and low dynamic range.

 

Rick

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As soon as you touch a slider image clarity suffers. Some of my favorite M9 shots are straight out of the camera. No 240 shot can be edited to match one like that. That's why both the 28 cron and 50 lux are such different lenses on the 240.

 

I think anyone who prefers 240 output should own one. But the sensor technologies are very different.

 

I'm not that interested in editing contests, though I respect that others may be, in fact the less editing the better, for me.

 

I think it's pretty clear the 240 files take more tweaking, at least for my friends who have them.

 

But needless to say, wonderful images can be made with either. :)

 

I agree with the last point 100% But my experience has differed. The M240 files are often fine without adjustment. But then we have to define adjustment, don't we? If you have a default for your camera in LR or ACR it is going to make adjustments if you define adjustments as anything that moves a slider off center. My personal definition of "adjustment" is whether and how much I need to tinker with the defaults after the image opens up. And there I have to say three things: (1) many M240 images require nothing but the default; (2) most of my M240 mages require no changes at all regarding color; and (3) when you do need to make adjustments the M240 is more forgiving. As only one example, opening up shadows and/or bringing out highlight detail is far easier on the M240. Does this make the M240 "better"? No. Just different. Nor are we talking about CCD as "better", obviously. I think both sets of David's images show that we are not talking about "better".

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The only prominent difference (in my eyes) is that noise signature is better in M9 *but* the noise appears at lower ISO than M240.

 

Therefore for the *same* ISO, M240 is better but behaves differently (worse) when pushed compared to M9. But it is not an advantage for M9 since noise appears early.

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Thanks for the images David, very nice, however I prefer and opted for the M240 as after all it was bought for it's versatility such as being able to use my R lenses etc.

 

Otherwise well done.

 

Ken.

 

LOL :D. Cool remark in a heated debate among hairspliiters, pixel-peepers, CCD-jihadists and CMOS blue helmets :)

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Hi David,

really nice work.

It's very interesting and I thank you very much for doing this.

However I think that without a direct comparison (in this Part2) It's very difficult to tell which is which mostly because your M240 shots are post-processed to look exactly as M9 shots and without reference It's really tough cause the difference is really minimal and I think on Part1 It shows only on pure Reds Greens and Blues.

 

FWIW I like both cameras and I think both are able to produce marvellous images.

 

Emanuele

 

I think all of these are the M240, there were a lot I did stop half way down. This could be different processing. Oops stuck my neck out again :eek:

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LOL :D. Cool remark in a heated debate among hairspliiters, pixel-peepers, CCD-jihadists and CMOS blue helmets :)

 

Thanks Otto.

 

Frankly I couldn't care less about the CCD and the CMOS debate both will capture beautiful images in the right hands.

 

Ken.

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I think all of these are the M240, there were a lot I did stop half way down. This could be different processing. Oops stuck my neck out again :eek:

 

Harder to tell with just one image of each scene.

 

Two of the images had a unique M9 image size ratio, the rest had the M240 ratio. But- this parameter could easily be modified in post-processing.

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Harder to tell with just one image of each scene.

 

Two of the images had a unique M9 image size ratio, the rest had the M240 ratio. But- this parameter could easily be modified in post-processing.

 

If you have to look at the image size or ratio you've answered the test.

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If you have to look at the image size or ratio you've answered the test.

 

I agree. That's really stepping outside of David's challenge to us.

 

 

No- looking at the differences in frequency content between the M9 and M240 answers the question of whether there is a difference in the CCD vs CMOS look. In this case, an M9 vs M240 look. Some users state the M9 images have more "pop" to them, and the M9 files show more frequency content. But without two images to compare, it is impossible to determine what is different about the image content from the two cameras. This is why I posted the my guesses for the first set, and not the second set. I could be totally off-base, I'll know when the answers are provided.

 

Besides, David could easily have changed the image dimensions to throw this measurement off.

 

5) M9- Two Guys.

6) M9- Sign

 

A good test would be the one linked to earlier, where the scene is static and the cameras are held in position.

 

http://www.l-camera-forum.com/leica-forum/leica-m9-forum/326647-m240-vs-m9.html

 

The M9 image in the linked to image above is slightly smaller than the M240 image, but required more space on disk to store. This usually means more frequency content. The image is decimated in size, which averages out noise. So something else is going on.

 

From threads on this forum:

 

1) From Elmars test with the M240 and M9 with lens detection turned off on both cameras, the M240 showed more vignetting. In general, CMOS sensors have steeper dropoff with illumination angle. This means the coefficients used to restore the image are larger compared with the CCD. This might affect frequency content.

 

2) The M240 shows higher levels of IR contamination.

 

3) The M240 high-ISO images show more banding than the M9 and M8 pushed to the same ISO levels.

 

Several users of both M9 and M240 have stated that more post-processing is required for the M240 images. My personal belief: put an IR cut filter on the M240, should save a lot of trouble.

 

The IR contamination could also be responsible for the difference in frequency content. It would be like getting a weak out-of-focus image under the visible image. That would be like blurring the image. That would reduce "pop".

 

I would prefer an explanation to the differences rather than pretending that there are none.

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