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9 minutes ago, Sparkassenkunde said:

I am absolutely comfortable to "read" this picture from right to left ;) It is fascinating - once more - how much detail these large negatives are able to reproduce. I guess in the original version you are able to count every single bolt that holds together the construction of this iconic bridge. The difference in color on the Brooklyn side compared to the Manhattan side, which is getting the first rays of a new mornings sun is very nice. It's a pity that I didn't have the chance to see these bridges in such a light during our stay in April. Will have to come back, though :)

 

Thanks, James.  I actually tried to flip the image horizontally in honor of you but it looks really bassackwards :)

I am more than happy to parade you around all these spots in this special light.  The big problem I face with friends who visit NYC from afar is that they are sleepy heads and have trouble seeing the upside of waking up super early :)

4 minutes ago, Sparkassenkunde said:

I know this plays in a different league - but I like it :)

 

Ricoh GR 1 - Tri-X

 

1 minute ago, Sparkassenkunde said:

And the other bridge:

 

Minilux - Tri-X

 

Can't get enough of these bridges - and their awesomeness, which you've captured very well!

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19 hours ago, atournas said:

Impressive tonality!

Thanks. But I do have to give credit to my lighting and scenery designer - she lives up there in those clouds somewhere, or so I'm told. ;)

OTOH I do think I've finally figured out TMax in HC-110 with the Sekors - generous exposure and more minimalist development.

I'm using agitation to adjust for scene contrast. The aspens backlit image was agitated once every 120 seconds. Here's another, different roll, later the same day, after the sun had gone behind the mountains and the scene contrast was quite low - grays on grays. In this case I agitated once every 30 seconds (Kodak box technique).

Milepost 200, Lost Shoe and Mount Royal, Frisco, CO. 50mm Sekor.

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Alternative shot, same roll:

Milepost 200, Seven Aspens and Mount Royal, near Frisco. 50mm Sekor

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Edited by adan
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Berlin Halensee Leica m7 C40 Fuji C200

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vor einer Stunde schrieb atournas:

I have to say that such a music teacher is for sure a great inspiration for every....music-lover!

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🕵️‍♂️

IIIg, 28 summaron, Portra 400

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😎

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20 minutes ago, A miller said:

🕵️‍♂️

IIIg, 28 summaron, Portra 400

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Just when I think it's getting better, it gets better. Each one tops the last! From the shadow evidence, you are not running around wearing a Speedo with the fedora, thinking you might blend in with the crowd, unassuming IIIg in hand, no bigger than your fist, reviving the mercurial spirit of Cartier-Bresson, bobbing and weaving, stealing snaps of the unassuming, but NOT in his Speedo and beret because that would be an unpardonable Fashionista Sin, akin to a fedora and a lime green Speedo. In court, the judge will render his verdict, absolving you of all faux pas, since you had the light on your side. My, what light! Now, back to E.H. Gombrich and Shadows: The Depiction of Cast Shadows in Western Art.

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3 minutes ago, Ernest said:

Just when I think it's getting better, it gets better. Each one tops the last! From the shadow evidence, you are not running around wearing a Speedo with the fedora, thinking you might blend in with the crowd, unassuming IIIg in hand, no bigger than your fist, reviving the mercurial spirit of Cartier-Bresson, bobbing and weaving, stealing snaps of the unassuming, but NOT in his Speedo and beret because that would be an unpardonable Fashionista Sin, akin to a fedora and a lime green Speedo. In court, the judge will render his verdict, absolving you of all faux pas, since you had the light on your side. My, what light! Now, back to E.H. Gombrich and Shadows: The Depiction of Cast Shadows in Western Art.

LOL love it, Rog.  It was fun although I don't know that my time was really spent accomplishing anything.  I might as well have been building model airplanes with all that time.  Fun doing it but then what?  LOL

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Just now, A miller said:

LOL love it, Rog.  It was fun although I don't know that my time was really spent accomplishing anything.  I might as well have been building model airplanes with all that time.  Fun doing it but then what?  LOL

You don't want to miss the marketing opportunity you've created for yourself: the life-sized cardboard Shadow of FedoraMan. Stand him against any wall or in any window. Your protector! And, don't forget to return those calls from DC about launching that new series starring Brad Pitt: FedoraMan! It fits. No, I would not say that your time has been misspent! Rascal.

]

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more trains

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and closer bout Ektar

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Edited by Calin
incomplet
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Eclipse
M-A APO 50 E100

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1 hour ago, Ernest said:

Eclipse
M-A APO 50 E100

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Black and white in color, not black and white in black and white. Wait. There's the Kodak Color Separation Guide. Back to color field basics, again. Up against the wall with this study. An aside, I snapped the red from a LACMA elevator girder, so why isn't this art? The eclipse of reason or just the umbra of reality?

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First Thing
M-A APO 50 E100
Trying to get into that "blur" market that Philip has cornered.

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