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I like film...(open thread)

Doc Henry

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Leica M5 + 50mm Summilux f1.4 ASPH + Kodak Portra 800

 

Suntory Girl

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Michael Hiles
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Bonjour Henri,   I still prefer black and white film (I use almost no colour). The advantages of digital don’t mean much to me. Seeing instant results is not so useful, since what comes out of a cam

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This photo is from a series from some of my crazy, extreme photo adventures I  had photographing Mountains "Alpinists " and rock climbers. This is Alpes mountain range which is called   "Le Massive du

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On a week-long stay at the Faroe Islands, I took the ferry from Torshavn (the 'capital') to the southernmost island, Suduroy, and looked up potential shooting locations on the island. This image was t

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Leica M5 + 50mm Summilux f1.4 ASPH + Kodak Portra 800

 

The View from Outside

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Leica M5 + 50mm Summilux f1.4 ASPH + Kodak Portra 800

 

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Leica M5 + 50mm Summilux f1.4 ASPH + Kodak Portra 800

 

City Nights, Lots of Lights

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Ernest

Ernest

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TM

M-A APO-Summicron-M 50mm LHSA
ADOX Color Implosion

Grab shot in traffic.

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stray cat

stray cat

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On the excellentDiptychs, Triptychs and Polytychs (Open Thread)

I mentioned I'd found an old camera and, on developing the roll of film within it, found there was a photograph of me on it from the 1970s and one from just a few years ago. Well, it turns out a couple of details were askew - the photo I thought my wife had taken of me a few years ago I'd actually taken of her. Still, I think it makes for quite an interesting diptych, which I'll post here as the images were not made on a Leica camera:

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Time Machine Diptych c 1978 - 2008

Kodak Autographic, Ilford HP4

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Wayne

Wayne

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First attempt at dyptich.

Ihagee Exa, Westar 50/2.8, PanF

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Wayne

Wayne

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Second attempt. Same camera, lens, filter

Sorry about Newton rings; I am getting pretty excited about this. :)

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Keith (M)

Keith (M)

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Two more from my recent roll of HP5Plus (MP, 50mm Summilux-M ASPH).

Bilingual Menu

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Man & Machine

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Xelor

Xelor

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So i went back to a few locations where i used the portra 800, to test out the response of another film, this time Lomo 800..[so i can compare the films at the same locations]

quite nice and responsive to low light/available light

Leica M5 + 50mm Summilux f1.4 ASPH + LOMO 800

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Leica M5 + 50mm Summilux f1.4 ASPH + LOMO 800

 

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Leica M5 + 50mm Summilux f1.4 ASPH + LOMO 800

 

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Leica M5 + 50mm Summilux f1.4 ASPH + LOMO 800

 

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Leica M5 + 50mm Summilux f1.4 ASPH + LOMO 800

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Steve Ricoh

Steve Ricoh

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10 hours ago, stray cat said:

On the excellentDiptychs, Triptychs and Polytychs (Open Thread)

I mentioned I'd found an old camera and, on developing the roll of film within it, found there was a photograph of me on it from the 1970s and one from just a few years ago. Well, it turns out a couple of details were askew - the photo I thought my wife had taken of me a few years ago I'd actually taken of her. Still, I think it makes for quite an interesting diptych, which I'll post here as the images were not made on a Leica camera:

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Time Machine Diptych c 1978 - 2008

Kodak Autographic, Ilford HP4

Photographs freeze time; there’s no present, only the past. This is true in both digital and film, but perhaps film does it better since it’s capable of simultaneously showing a previous period in time, and the passage of time with the weird degradation of the latent image.

Don’t you just love the low cloud strata in Phil’s pictures?

Edited by Steve Ricoh
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edwardkaraa

edwardkaraa

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M7 ZM 35/1.4 Provia 100F by edward karaa, on Flickr

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Guest

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Leica R6 - zone plate - Fuji slidefilm expired 2011

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