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21mm lens question.


Robinyuill

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Hi there. I'm contemplating a 21mm lens for my M8. I have seen a 21 f2.8 M elmarit pre asp or a 21 f3.4 Super angulon. I know that the S angulon fits but you can't meter with it. They are both about the same price, £800. I like the older lens but thats maybe just sentiment. Any one offer any advice? On another matter I have had my M8 away to Leica for a new sensor since August. Anyone know how long they are taking for repairs. The dealer says Leica was backed up due to Photokina event. Regards to all. Robin.

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If you can overlook the speed, I would (did) buy the 21mm Zeiss Biogon F:/4.5. Combined with the Zeiss CSC filter it is a really great lens. The filter takes care of your IR and IR correction related problems. Unlike many or most things I buy, I have no regrets on the flawless Biogon. regards, ron

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Robin--

Check Erwin Puts' reviews of the two lenses.

 

I think it's generally agreed that the Super-Angulon isn't as crisp as people prefer today.

 

The 21/2.8 pre-aspheric is very good across the whole field except in the corners--and with the M8, the corners are cut off by the cropped sensor, so that flaw is meaningless.

 

I don't know why the two should be the same price, since the later lens

1) is better optically; and

2) meters fine on the M8.

 

Perhaps the Super-Angulon has a mystique since it's a Schneider design?

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Yes, Super Angulon HAS a mystique of its own... :), and I can understand that the 2 above lenses can have a similar quotation (it can depend on conditions... a FINE SA 3,4, with hood and perfect glass, is a "nice to have"), but agree that the Elmarit is to be preferred as a user item. Imho, the old Super Angulon f4 is even nicer... and it has by far the worst performances of all... :o

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IF - you may ever move to an uncropped sensor and shoot color, be aware that the Super-Angulons (f/4 or f/3.4) are not supported by either coding or menu choice, and show some strong red/purple-edge color problems on the M9 (same for the Zeiss ZM 21 f/4.5). The Elmarit pre-ASPH does much better since Leica still supports it both with coding and in the lens-select menu. For B&W only the SAs work OK, and the M9 metering with a 3.4 was surprisingly not as far off as I expected (just dial in about one stop minus compensation).

 

(I don't know how the SAs do on M8s, but with no way to code for UV/IR filter use (meaning either purple grays or green corners), I suspect they may be "B&W only" lenses on that body as well.)

 

Add to that the metering and the extra half-stop in speed, and the Elmarit is much more practical - especially at the same price.

 

I do appreciate the romance - and size - of the SA, though. If I shot film, my ideal would be a chrome M4 + chrome 21 f/3.4, 35 f/2, 90 f/2.8. But for digital, the SA is simply not a friendly lens.

 

(EDIT: image made with 21 f/3.4 SA on M9. White line defines M8 crop, but that may not be representative how the SA performs color-wise on the M8 - different sensor and different firmware corrections than the M9).

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Robin the Zeiss Biogon f2.8 is a far superior lens than either the older Elmarit or the SA. It is very close in price to what you are looking to spend. I purchased this lens from a long standing member of the Forum & I can't say enough good things about it. I know several other Forum members that use this lens & the results are head & shoulders above the SA & the older elmarit. Well worth the higher price. I use mine with my M8, M2 & M3. It is superb, particularly wide open.

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I have a like new boxed Zeiss Biogon M 21 mm 2.8 - a real "wow" lens that has been coded and adjusted for M8 by DAG with hood and a 28 Voigtlander finder that I'm thinking about trading for a good 28 Elmarit version IV. You wouldn't happen to have a 28 you want to trade, would you?

 

Tom

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The 21mm/2.8 Biogon is an amazing lens. I've taken so many beautiful shots with mine - and I'm never even remotely concerned about sharpness or flare.

 

Sadly, it has to go (just listed on flea-bay) because it's just been sitting around since I got my 28mm Zeiss and 15mm CV lenses. Interestingly, the 28mm is as sharp but doesn't have the lovely bitey contrast of the 21mm.

 

By comparison, the older Leica & Schneider optics are overpriced, more prone to flare and not as sharp. IMHO, of course.

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Have you done any post processing on this picture? If not, what setting did you set in the lens choice meny?

 

I tried a Super-Angulon on my M9, but I got much heavier vignetting than you have in your picture.

 

 

IF - you may ever move to an uncropped sensor and shoot color, be aware that the Super-Angulons (f/4 or f/3.4) are not supported by either coding or menu choice, and show some strong red/purple-edge color problems on the M9 (same for the Zeiss ZM 21 f/4.5). The Elmarit pre-ASPH does much better since Leica still supports it both with coding and in the lens-select menu. For B&W only the SAs work OK, and the M9 metering with a 3.4 was surprisingly not as far off as I expected (just dial in about one stop minus compensation).

 

(I don't know how the SAs do on M8s, but with no way to code for UV/IR filter use (meaning either purple grays or green corners), I suspect they may be "B&W only" lenses on that body as well.)

 

Add to that the metering and the extra half-stop in speed, and the Elmarit is much more practical - especially at the same price.

 

I do appreciate the romance - and size - of the SA, though. If I shot film, my ideal would be a chrome M4 + chrome 21 f/3.4, 35 f/2, 90 f/2.8. But for digital, the SA is simply not a friendly lens.

 

(EDIT: image made with 21 f/3.4 SA on M9. White line defines M8 crop, but that may not be representative how the SA performs color-wise on the M8 - different sensor and different firmware corrections than the M9).

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Yet another vote for the Zeiss ZM 21/2.8, it is superb.

 

But I must take issue with the naysayers of the 21/3.4 Super Angulon. I code mine as the 18/3.8 Super Elmar and it seems fine on my M8.2 for color, for B&W it is simply amazing.

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  • 2 months later...
If you can overlook the speed, I would (did) buy the 21mm Zeiss Biogon F:/4.5. Combined with the Zeiss CSC filter it is a really great lens. The filter takes care of your IR and IR correction related problems. Unlike many or most things I buy, I have no regrets on the flawless Biogon. regards, ron

 

 

I really appreciate this info as I'm getting a Zeiss Biogon 4.5/21mm and was contemplating CornerFix. But I take it from what you've said that one simple filter could take care of the red shift i.e. that I won't require CornerFix. Is that right? Thanking you in advance,

 

Neil in Canada

 

I'm new to the forum and am having difficulty using it. If you want you could reply to my email address: njbphotomusic@gmail.com

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As a low-cost option you could consider the Kobalux 21/2.8 (also sold under the names of Avenon and Pasoptik). It's an excellent performer, superb build and has the added benefit of being excellent for infrared work.

 

Pete.

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