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Found 4 results

  1. From the album: My Leica M-A

    I was standing on a bridge in Venice, Italy just enjoying the beautiful afternoon light when two couples on a boat below me started to embrace and kiss. I always had my camera pre-set to "proper aperture" and pre-set the distance for zone focus, the rest just fall in place.

    © @ E Kindangen

  2. From the album: My Leica M-A

    © E Kindangen

  3. Shot film in the 80s and 90s (Olympus and Nikon) then digital only for past 20 years (including SL 601 since it came out) Loaded my Nikon F5 last year and loved shooting film again. Now considering an M. Have read and watched all I can, so understand the differences between the 3 currently available film M cameras but still undecided. Donโ€™t mind black or chrome (and not chasing a BP finish). Have always had a light meter in my camera (apart from shooting my Dadโ€™s old Ilford as a kid) but am attracted to the simplicity of the M-A. Areas I could use advice on include the following please: - quality control issues, not sure if M6 scratching film issue has gone away. - viewfinder, which is best? (My eyesight is ok but am in mid 50s). - reliability over the long term. Anyone else been in my situation? How did you choose? Thanks for your help everyone.
  4. There are currently five analog M bodies in regular production: MP black paint, MP silver, M-A black, M-A silver, and M6 reissue. Which is your favourite? Or, rather, if you had to delete one from the lineup, which model would it be? Iโ€™ve handled and used all of them except the black M-A. I think the black paint MP is the most stunning. That said, I believe the M6 reissue holds its own against the MP and M-A and is quickly becoming my go-to analog camera.
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