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CCL, 18-55mm

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21 hours ago, tritentrue said:

Two with a Canon EF 135mm f2, which has stolen my 55-135mm's job.  No aperture ring, but f/2 is where I'd shoot it all the time anyway . . . 

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Love these results. Makes me think it’s time to adapt some of my EF glass. I reckon my 24/1.4 L would be great on it.

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A few recent ones, all with 23mm Summicron . . . 

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I'm on Grandma duty while Mom and Dad are away in Paris.. plus dogs and kitten to take care of - CL 23 TL

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Kitten named Miss Mitzi Poppleoff, she's very cute and enjoyed the painting.

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Pond Life (CL + 11-23)

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7 hours ago, Boojay said:

I'm on Grandma duty while Mom and Dad are away in Paris.. plus dogs and kitten to take care of - CL 23 TL

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Kitten named Miss Mitzi Poppleoff, she's very cute and enjoyed the painting.

Gotta Love it.

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16 hours ago, Le Chef said:

Pond Life (CL + 11-23)

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Love this but would edit out the fence post at bottom right, so the eye flows into the picture more naturally.  Just my 2c!

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7 minutes ago, rob_w said:

Love this but would edit out the fence post at bottom right, so the eye flows into the picture more naturally.  Just my 2c!

Agree. I tried cropping and to make that work you lose the tree on the left. My “brushing” technique is poor so I actually made that corner more distracting as a consequence. More practice in LightRoom is required! Actually I also need to improve my composing and framing as well.

Edited by Le Chef
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Our first dafodil

CL 105 micro Nikkor

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A few from a Friday stroll . . . 

Subway wall, 23mm Summicron-TL:

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60mm TL:

 

Canon EF 135mm f/2:

 

Canon EF 135mm f/2:

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Graupel (/ˈɡraʊpəl/; German: [ˈɡʁaʊpl̩]), also called soft hail, hominy snow, or snow pellets, is precipitation that forms when supercooled water droplets are collected and freeze on falling snowflakes, forming 2–5 mm (0.08–0.20 in) balls of crisp, opaque rime. Graupel is distinct from hail and ice pellets.   18-56

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On 4/14/2022 at 9:44 AM, Le Chef said:

Agree. I tried cropping and to make that work you lose the tree on the left. My “brushing” technique is poor so I actually made that corner more distracting as a consequence. More practice in LightRoom is required! Actually I also need to improve my composing and framing as well.

Actually, I wish I could see more of that part (that it would be easy to remove in PS). It would have given more a sense of perspective; and, it would avoid a “dead” space. But of course; it’s all a matter of personal taste. I always believed how the photographer see an image, this is how we should accept the image.

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Bluebird, so frustrating the closest I can get is 50 ft or so even with a 400 the bird is small. I keep trying.

CL 400 Telyt

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Snapped this one on a walk this morning along the Oregon coast. CL with Summicron-TL 23mm. I'm loving this camera.

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A second chance for this lens, after some updated firmware . . . CL with Sigma 100-400mm DG DN . . . 

Hopefully more time to spend with it tomorrow . . . 

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On 4/14/2022 at 3:38 PM, rob_w said:

Love this but would edit out the fence post at bottom right, so the eye flows into the picture more naturally.  Just my 2c!

Or i would keep it and try to save some space around the fence by removing the opcodes through DNG Cleaner, which un-crops WA pics usually. Hope it makes sense.

Edited by lct
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Like Rob, @tritentrueand others, I like to adapt my Canon lenses to the CL - an old favourite the 200mm 2.8 is an interesting one to me.

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CL with Sigma 100-400mm on a very gloomy afternoon . . . 

A competent lens left in the dust by the cheaper, lighter, optically superior Canon RF 100-400mm . . . 

A bit more light would've helped it today, though . . . 

Egret:

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Brown-Throated Sunbird (shot at auto ISO 10,000 and rescued by Topaz):

 

Yellow-Vented Bulbul (auto ISO 3200, another Topaz reclamation):

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