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4 hours ago, Alberti said:

I tried my hand on analog film, but while using my Elmar 24mm lens to get sharpness everywhere , somehow I have the impression everything turned out the wrong way

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Maybe rotating 90 degrees clockwise might help, allthough that doesn't help with what seem to be quite heavy scratches on the negative 😧

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Two more from saturday

Building blocks as seen from Herman and Nadia's balcony, every square meter seems used

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The Handelsbeurs (Trade fair building) from the outside

Both M246M + M-Summaron 35/2.8

 

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And two from sunday in the railway station

The balcony

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Under the historic canopy

Both M246M + OM Zuiko 21/3.5

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Not only John and Karin were intrigued by Antigoon's hand climbing out of the water, but also analogM took a shot at it

 

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Sony A7ii + M-Elmar 90/4 (LTM)

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As we walked to the cafe on the Grote Markt for a beer, I saw some exhibits that turned out great, like this squirrel and the cat doing the afternoon exercises. This is with a single coated lens from 1959 - and without any edits in LR. To me it is awesome.

M10-R, Canon F1.4 LTM

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I totally missed those artefacts Albert, probably too impressed by looking at all the kaviar at Grobet a few minutes before 😆

 

If I remember correctly we were all standing close together here sunday morning and I heard lots of clicks when the tram departed from its end stop at the harbour house, it would be interesting to see all the different versions here in this thread.

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M246M + Voigtländer Super Wide Heliar 15/4.5 III

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Another one from the railway station, the railway entry tunnel on the south side

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The lowest level platforms with the tunnel entry to the north, which was dug under the historic front building

Both M246M + OM Zuiko 21/3.5

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vor 7 Stunden schrieb pegelli:

........ it would be interesting to see all the different versions here in this thread.

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M246M + Voigtländer Super Wide Heliar 15/4.5 III

Next time I promise to use a wider lens then 90mm 🙂

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AnalogM in action

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"My" view of the hand of Antigoon.

From Wikipedia: (for those that did not know 🙂 )
Druon Antigoon was a mythical giant who lived in Antwerp. Guarding a bridge on the river Schelde, he exacted a toll from those crossing the river. For those who refused, he severed one of their hands and threw it into the river. Eventually, Antigoon was slain by Brabo, who cut off the giant's own hand and flung it into the river.

This legend is the origin of the name Antwerp: Antwerpen, from the dutch hand werpen—akin to Old English hand and wearpan (= to throw), that has changed to today's warp.

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Two modern sculptures in one view

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@satijntje:  Your photo of analogM reminded me of this one

Karin (mrs Satijntje) and analogM in action

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Sony A7ii + M-Elmar 90/4 (LTM)

Edited by pegelli
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This is probably close to "the making of" Two modern sculptures in one view from satijntje above

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Sony A7ii + M-Elmar 50/2.8 

The gentleman on the left is Jean Cosyn, a member of the BELGIAN LEICA MEET facebook group who knew John from different "LEICA internet interactions". He joined us from Brussels for part of the tour on sunday after he found out John was visiting Antwerp with a group of other LEICA photographers. He is a nice person with a broad knowledge of LEICA stuff and fitted right in to our small group.

Edited by pegelli
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9/11 all over again?  (no worries, it flew behind the building)

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Sony A7ii + M-Elmar 50/2.8
 

A diiferent version of Two modern sculptures in one view

M246M + Voigtländer Super Wide Heliar 15/4.5 II

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Finally was able to get the processed & scanned color negative films but I'm disappointed with the scan quality. Far too low resolution and presence of a color cast. A lot of pp has to be done. One from the first day near the MAS, converted to monochrome in Photolemur.

 

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Edited by rjans
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A color one from the AgfaVista 200 ISO roll with some pp for color correction and sharpness. 

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Great to see the first analog results in here Roger, pity about the colour cast but the B&W conversion of the first works very well, but the second really needs to be in colour I think.

My experience with scanning at Grobet is also not great, indeed very low resolution and wonky colours. Scanning the negatives myself later on my Epson V700 gave much better results, allthough I still find scanning colour negatives is very difficult and getting the colours right takes a lot of work. Finally investing in "Negative Lab Pro" (a Lightroom plugin) gave the best results.

My B&W film is now full and taken out of the camera, next step is development and scanning, I hope to make time for that the coming days.

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