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Lenses tested on M10-R. Lens corrections only. Otherwise SOOC. I feel like something is wrong with the Sonnar (the purple fringing is everywhere).

The Voigtlander looks sharper in the center than the Summilux. That surprised me. The summilux doesn't suffer from astigmatism the same way the Voigtlander and Sonnar do.

Anyone else have a Sonnar that can confirm the fringing here is normal?

 

Zeiss C-Sonnar T* 50MM F1.5 ZM

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Leica Summilux ASPH F1.4

 

Cosina Voigtlander Nokton 50MM F1.5 ASPH II MC

 

Zeiss C-Sonnar T* 50MM F1.5 Z

 

Leica Summilux ASPH F1.4

 

Cosina Voigtlander Nokton 50MM F1.5 ASPH II MC

 

 

 

Edited by pziddy
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The „test“ subject - even if it is not the habitual brickwall or „bokeh“ situation - is quite relavatory. It not only shows the chromatical aberrations of the Sonnar but also some very strong examples of coma if you look for the lights at the lower left parts of the second series.

Though you cannot expect a lens design which is now almost 80 years old and was not made better when it was simplified for the „modern“ version of the Sonnar to equal the results of lenses with aspherical elements 

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The Sonnar is a character lens, most of which comes from chromatic aberrations. Not being one to do night shots with the one I had, I suspect that is displaying the normal amount. 

This was I think the only time I used mine at f1.5 to take a photo of point light - theres a lot of fringing even on film. To be honest, it's not a lens to use if you are worried about aberrations. I didn't sell mine for that reason, but for too much contrast. But I have a Jupiter 3 soon to be sent off for refurbishing by Skyllaney, and that should be exactly what my doctor ordered.

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Sensor bloom from the spectral highlights?  It only occurs on those spectral highlights that are very bright and overblown.  Why isn't it as visible in the other lenses?  At a guess because the lenses have different transmissibility and the transmissibility of the Sonnar might be the highest because has the fewest lens elements that attenuate the light.  Just a theory.

Pete.

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Never noticed disturbing CA out of my Sonnar 50/1.5 so far, at least compared to my worse Summilux 50/1.4 pre-asph from this viewpoint. What i see in the Zeiss pic above looks more like coma but it's hard to tell w/o the raw file.

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On my Leica M9,

Most of the character of the C-Sonnar and other Sonnar formula lenses comes from the spherical aberration inherent in the design.

C-Sonnar wide-open, L37 UV filter, manually selected as a 50/1.4 Summilux.

 

50/1.5 Nokton-M V2 wide-open, UV/IR cut filter, manually selected as a 50/1.4 Asph Summilux. Makes it easier to use Lightroom to separate images taken on the SD Card.

 

Two shots from walking around on a cold, very windy, day.

Edited by BrianS
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This is with my uncoated 1934 5cm F1.5 Sonnar, converted to LTM.

Wide-Open on the M9, Multi-coated UV filter.

Manassas Christmastime by fiftyonepointsix, on Flickr

This is one of the first Sonnars that can easily be converted. This lens has a nice bloom on it, acts like a lens coating.

Edited by BrianS
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1939 5cm F1.5 Sonnar "T", Wide-Open on film.

Another night shot. 

The Blue Lights in both your shots and mine seem to be casting more veiling flare, possibly as the lens coatings are not as effective in this portion of the spectrum. I don't think it is CA, as the white incandescent lights would show the effect.

I've never seen any of my Sonnar formula lenses show CA to the degree that would be required to explain your images. . 

Edited by BrianS
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