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SL2S + A.Schacht Ulm Edixa-Travegon 35mm

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SL2S + A.Schacht Ulm Edixa-Travegon 35mm

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SL2S + Asahi Super-Takumar 200mm

Holidays Over, Back Into The Matrix..

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Calm Before the Storm

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Storm Brewing

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Tree

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Leica SL2-S; Vario-Elmarit-SL 2.8-4.0/24-90 ASPH.

 

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APO SL50  Isla Mujeres beach performer.  Colors out of camera.  Mild denoise in lightroom and bumped shadows, but it did not truly require it.  The more I push this sensor the more I enjoy it. 

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Edited by tangosix
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SL2S + A.Schacht Ulm Edixa-Travegon 35mm

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Leica SL2-S; Vario-Elmarit-SL 2.8-4.0/24-90 ASPH.

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50 Summilux-SL

 

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Chicago Skyline

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Leica SL2-S * Leica Super-Elmar M 3.4/21 Asph * ISO 100 * f/4.5 * 1/250 sec * CaptureOne

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SL2-S ~  APO 75mm/2 SL

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SL2-S Reporter ~ APO 75mm.2 SL

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Acquiring two new cameras in the same month presents an unlikely challenge. I have mainly shot the SL2 however going back over the SL2S files it has taken a few months to realise the small but very appreciative differences to each camera. Perhaps I am a bit precious with the SL2S because its Reporter colour makes it look very special. The SL2S however has very beautiful files and works well at night or any time really. The SL2 also has great files which allow for high resolution and the ability to crop a bit further than I would normally. It works a treat on the Apo SL 35 and VE 90-280 lenses. Taking time to get to know one camera to optimise settings for shooting styles may take a longer when alternating between cameras however I am just about at that point now. My SL 601 sits in the drawer now but I have that camera to thank for a good starting point for appreciating these two cameras. I have no regrets buying into the SL models and hardly ever think of the M10 or M 11 systems.    

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