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M8 PHOTOGRAPHS, POST THEM HERE

wilfredo

By wilfredo
in Leica M8 / Leica M8.2

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Posted by jaapv,

How to upload images: Prepare the image as follows: 1.   The image should be sRGB and 8-bits 2.   Reduce the size to 2048 pixels on the longest side. (smaller sizes can be set, but are not recommended) 3.   Sharpen properly for screen. 4.   Save as JPG to your desktop, reducing JPG quality to produce 2000 kB (5000 kB for sponsoring members). 5.   In Lightroom these parameters should be set in the Export dialog. 6.   In the Forum posting or editing box, click “c
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Tom Johnston

Tom Johnston

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moving these to this thread.

Stacks, from the Olympic Peninsula (CV 25/4);

Chelsea, NYC (CV 25/4);

Black Building White Writing (CV 28/3.5)

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andyturk
andyturk

Burning Man, 2007

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peepingpok
peepingpok

Walking with Maasais Leica M8 + Voigtlander Ultron VM 28mm f2 asph + IR cut filter

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hambourine
hambourine

It was circa 2015 and my good friend Danny Burrows was on the phone. He'd seen a secondhand Leica M8 on sale at the Classic Camera store in London. I headed down to the store to look at it. The privat

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Tom Johnston

Tom Johnston

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two more recent images

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DwF

DwF

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Tom,

 

Nice seeing Washington's northern coastline. It's so tough to get there that these big rocks don't get the attention that rocks in Oregon receive so regularly....not that that is a bad thing :)

 

David

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Tom Johnston

Tom Johnston

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spring tulips

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Tom Johnston

Tom Johnston

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UrbanImage: Petaluma, Ca. Elmarit 28 (version 4).

 

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Sailronin

Sailronin

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Tom,

Interesting wall, lots of variation in color (in a monochrome sort of way) with the paint, brick and run off stain; while the pipe breaks up the brickwork pattern.

Nice shot.

Have you ever seen any of Lewis Baltz's work from the '70s? He did a lot of walls and suburban shots around Southern California.

 

Dave

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Tom Johnston

Tom Johnston

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Dave, yes, I followed his work and always liked it. In my series I'm looking at these as flat, painterly abstractions, and in this case as you noted, the monochrome in color. I was tempted to desaturate this one but so far have left the blue band of sky in, just because it is so flat.

Tom

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WestMichigan

WestMichigan

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Hi Tom,

I'm of the mind that the 'blue sky' at the top of the frame mirrors the dark area at the bottom in both in rough shape and visual weight and therefore is appropriate to be left in. Oddly, I don't find that leaving a stretch of sky in the image mucks up the flatness of the image much at all. Interesting to contemplate why that is (at least to me!). ::rolleyes:

BTW: nice image.

 

Richard in Michigan

 

Dave, yes, I followed his work and always liked it. In my series I'm looking at these as flat, painterly abstractions, and in this case as you noted, the monochrome in color. I was tempted to desaturate this one but so far have left the blue band of sky in, just because it is so flat.

Tom

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platel

platel

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I bought my second hand Leica M8 one week ago. This is one of the first "serious" pictures I have taken with it.

 

Voigtländer Ultron 28mm f/2 (here at f/11, light is coming from a single Elinchrom flash with a Deep Octa softbox)

 

L1010100.jpg

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pop

pop

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I got mine just before my fall holiday. Here's one of my first. The bright light in the sky is the moon. The landscape is Lake Maggiore. There's much to learn. :D

 

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wilfredo

wilfredo

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I bought my second hand Leica M8 one week ago. This is one of the first "serious" pictures I have taken with it.

 

Voigtländer Ultron 28mm f/2 (here at f/11, light is coming from a single Elinchrom flash with a Deep Octa softbox)

 

L1010100.jpg

 

 

Looks like you are on your way!

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Tom Johnston

Tom Johnston

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Elmarit 28 v.4; 125/2.8

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fotografr

fotografr

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Our state capitol dome at sunrise this morning. M8, 50/1.4 ASPH

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