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Hazelnut flower taken with the amazing APO 100/2.8 + ELPRO on a Nikon Z7ii. cropped by about 50%

 

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Leica APO-Telyt-R 3.4/180 @ f/3.4 on Sony A7R3, slightly cropped to straighten

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Am 6.3.2024 um 22:25 schrieb Aram Langhans:

Hazelnut flower taken with the amazing APO 100/2.8 + ELPRO on a Nikon Z7ii. cropped by about 50%

 

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Hello Aram, it’s really amazing. Can you provide some EXIF-Data? I have the same lens + ELPRO too.

Regards

Alex

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Focal length 1000mm, no donuts, but the bokeh is somewhat busy.

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fp with MR Telyt 500mm + Apo-Extender 2x, OOC

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APO-Elmarit-R 2.8/100, Sony A7r3, cropped a little for better composition

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EOS-RP + Leica Elmarit-R 180mm v2

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Beer & nibbles.

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60mm Macro Elmarit-R, M240

 

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APO Macro Elmarit-R 2.8/100, A7rIII, late afternoon light in my neighbor's garden

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Edited by rob70
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Mossy Giant, Summicron-R 2/35, A7r3

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Leica R7; Summicron 50mm, Portra 400

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Leica R7; Summicron 50mm, Portra 400

 

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Cheap beaten up Leicaflex SL with 50mm Summicron that has a jammed aperture control ring stuck on f4.

Copy of a darkroom print, Foma100, 250th f4.

Wherry Trust volunteers at work https://wherryalbion.com/

 

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Apo-Telyt 3.4/180 an M11-P

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100mm APO Macro Elmarit-R w/Elpro

Aspen buds in a snowstorm (seems to happen every year)

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On 3/22/2024 at 11:30 AM, Pyrogallol said:

Cheap beaten up Leicaflex SL with 50mm Summicron that has a jammed aperture control ring stuck on f4.

Copy of a darkroom print, Foma100, 250th f4.

Wherry Trust volunteers at work https://wherryalbion.com/

 

Beautiful photo!!

I think there's a hidden message here. 

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On 3/14/2024 at 1:33 PM, rob70 said:

APO-Elmarit-R 2.8/100, Sony A7r3, cropped a little for better composition

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Love the effect.  Soft yet sharp.  Isn't that am amazing lens? 

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Continuing with the theme of the 100/2.8 APO Macro, here are three versions of a star magnolia blossom I took yesterday with the lens mounted on my Nikon Z7ii.  I like all three and can't quite decide.

Straight shot.  This is actually a blend of 10 images to increase the depth of field at f-5.6 and still maintain the smooth background that would disappear if I stopped down to say f-16

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Edited by Aram Langhans
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A more or less straight B&W conversion of the above photo.

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