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Leica M Film Photos -- Feel Free to Share Yours

RayD28

By RayD28
in Leica M-A / M7 / MP and Film M

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How to upload images: Prepare the image as follows: 1.   The image should be sRGB and 8-bits 2.   Reduce the size to 2480 pixels on the longest side. (smaller sizes can be set, but are not recommended) 3.   Sharpen properly for screen. 4.   Save as JPG to your desktop, reducing JPG quality to produce 1000 kB (2000 kB for sponsoring members). 5.   In Lightroom these parameters should be set in the Export dialog. 6.   In the Forum posting or editing box, click “c
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Sailronin

Sailronin

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Found still life, mask and wet leaves on pavement.

Leica MP with 90mm Summicron on Ilford HP5+ pushed to ISO 1600 dev (not souped) in Rodinal 1:25 for 10.5 minutes at 20C and scanned with Plustek 8200.

 

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jakontil
jakontil

M2-R + 50 apo Kentmere 400  ILfotec HC 

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jakontil
jakontil

MP | 50 lux asph | kodak portra 400 | home souped

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jakontil

M6 | 50 noctilux | cinestill 800t home souped

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Sailronin

Sailronin

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Art for sale. A photographer waits for customers at Pike Place Market.

Leica MP with 50mm Summicron DR on Ilford HP5+ pushed to ISO 1600 dev in Rodinal 1:25 for 10.5 min at 20 C and scanned with Plustek 8200.

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Sailronin

Sailronin

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Hello sailors!  Mannequins waving from the rooftop greet shoppers at Pike Place Market, Seattle.

Leica MP w/90mm Summicron on HP5+ at ISO 1600 dev Rodinal 1:25 for 10.5 min at 20C and scanned with Plustek 8200

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Aryel

Aryel

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11 hours ago, Steven said:

Leica MP 

Summilux 28

Portra 800 - F.14 - 1/30th or 1/60th (I guessed the light, without using the meter)

Hand held.  

No push process 

Not sure where I focused, but probably on the trottinette or on the trash. 

I find that the 28 Lux is the easiest lens for night film photography. It's very sharp. It's heavy and reduces hand movement. It lets a lot of light in, and the focal length is wide enough to reduce the impact of motion blur. 

This lens is probably one of my favourite on film, day and night, actually. 

Thanks a lot! I like the mood and the colours on this one a lot. Nicely done. Thanks for sharing. 

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a.noctilux

a.noctilux

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1984

kodachrome

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Gobert

Gobert

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Posted (edited)
On 7/1/2019 at 11:15 AM, a.noctilux said:

Luxembourg

1998 summer green

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Leica M5, Summicron (35 or 50 ? )

Kodachrome 64

Interesting. Where is this in Luxembourg?

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Shanil

Shanil

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Cornwall Portra 400, M6 TTL

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a.noctilux

a.noctilux

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M4, Summicron 35mm IV, Neopan 400

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a.noctilux

a.noctilux

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M4, Summicron 35mm IV, Kodachrome

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aesop

aesop

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On 5/13/2018 at 1:13 PM, Nowhereman said:

Taken in 1977 in Bukavu, Kivu Province of the Congo (Zaire at that time). The feeling of this picture reminds me of TwinPeaks.

Leica M3 with Summicron 50 lens on Kodachrome 64.

_______________

Alone in Bangkok essay on BURN Magazine

Nowhereman Instagram

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        ...this brings back many memories. Particularly the taste of (African) Fanta. Yes, it was different.

 

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Aryel

Aryel

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22 hours ago, Sailronin said:

Hi Aryel,

Not my photo but a couple of quick comments. I don't know your photography background, particularly with respect to manual focus lenses so please take this in a positive way.  

Depth of focus is roughly one third in front and two thirds behind the point of focus and of course varies greatly with the aperture.  Zone focusing is the method of focusing using the depth of field scale etched onto the lens (and sadly missing from most modern autofocus lenses).  On the lens barrel look at the depth of field indications for a given f-stop and set your focal point so that your intended area of focus is about 1/3 of the range shown, then you can see the nearest a furtherest areas which will be acceptably sharp in your image. Alternatively pick a point to focus on and then read where the focus will be acceptable from the lens barrel.

Hope this helps,

Dave

Hi Dave,

Thanks a lot. It does help. I’ll try to be more conservative on the front focus part. So far I was relying on the scale and just setting it so that it reaches infinity. I bracketed focus a bit so hopefully I’ll get some keepers. 

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ppkarppi

ppkarppi

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On 11/21/2021 at 1:54 PM, a.noctilux said:

Museo Africa

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M5, Summicron 50, Kodachrome

Beautiful photo Arnaud! And BTW, I think this photo proves very well that it does not need to be a razor sharp photo to be a great photo! As Ken Rockwell puts it "The more you know about photography, the more you know that lens sharpness doesn't matter." when talking about 90 Summicron here https://www.kenrockwell.com/leica/90mm-f2.htm

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Guest

Guest

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22 minutes ago, Steven said:

Many thanks, Peter.

You're welcome Steven, credit where credit is due...........I like too the look of the 35 Nokton in this snap. I'd suggest that you should try and see if you can find a 40mm 1.4 VC Nokton to try out too, that has a look I think you'd like as well. It's a flawed lens in some respects, but wide open the flaws can give a etherial look to the images. I really like the lens, I've owned it for years now, others have come and gone but this is a "keeper".......And by the way of all the colour films you have used and shown on these pages the Vision 3 stocks are by far the best in tone and texture to my eyes. It almost makes me want to spool off some of the 35mm short-ends I have here in the congélateur and forsake B&W for a while............Almost.

Edited by petermullett
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Sailronin

Sailronin

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Posted

Roof pattern and bottle, King Street Station, Seattle c. 1999

Leica M7 w/35mm Summicron on Ilford FP4+ dev in HC110B

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a.noctilux

a.noctilux

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Les Tuileries under snow

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M4 or 5, Summicron 35

Monochrom converted from Kodachrome

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