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Leica M Film Photos -- Feel Free to Share Yours

RayD28

By RayD28
in Leica M-A / M7 / MP and Film M

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How to upload images: Prepare the image as follows: 1.   The image should be sRGB and 8-bits 2.   Reduce the size to 2480 pixels on the longest side. (smaller sizes can be set, but are not recommended) 3.   Sharpen properly for screen. 4.   Save as JPG to your desktop, reducing JPG quality to produce 1000 kB (2000 kB for sponsoring members). 5.   In Lightroom these parameters should be set in the Export dialog. 6.   In the Forum posting or editing box, click “c
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jakontil
jakontil

M2-R + 50 apo Kentmere 400  ILfotec HC 

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jakontil
jakontil

MP | 50 lux asph | kodak portra 400 | home souped

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jakontil

M6 | 50 noctilux | cinestill 800t home souped

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RayD28

RayD28

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I use Paterson reals and a changing back.  I have better a technique now but I used to struggle getting the film on the reel.  My hands would sweat and the inside of the bag was like a sauna.  I could feel the film getting softer and that made it even harder to get on the reel.  The softness may have resulted from the humidity in the bag.  I don't recall the film sticking together and/or effecting the film like in your short.  

Agree with otto, the effect is wonderful with your shot.  

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grahamc

grahamc

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23 minutes ago, RayD28 said:

I use Paterson reals and a changing back.  I have better a technique now but I used to struggle getting the film on the reel.  My hands would sweat and the inside of the bag was like a sauna.  I could feel the film getting softer and that made it even harder to get on the reel.  The softness may have resulted from the humidity in the bag.  I don't recall the film sticking together and/or effecting the film like in your short.  

Agree with otto, the effect is wonderful with your shot.  

Thanks Ray, yes I struggled and that's exactly what happened (was very sweaty and hot in the bag) .  I think unfortunately sometimes if you are struggling and the film gets creased etc then it makes it harder for subsequent attempts .

Glad I finally got the reel on and got this result but will be hoping for smoother sailing next time.  There are lots of remnants and defects on this roll as a whole, but the other one in the tank was fine so I don't 'think' it was agitation/fixing related 

 

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grahamc

grahamc

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50:1.4 v3 , M6 TTL and HP5+ 

D76 1:1, 10 minutes 

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Sailronin

Sailronin

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Another shot from Pike Place Market, the fish monger at his stall..

Leica MP with 50mm Summicron DR on Ilford HP5+ dev in HC110B and scanned on Plustek 8200

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Dr Cron

Dr Cron

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A new one from me, from just this weekend.  A new addition to my ongoing 'Traces of Botany' series.

MP/50DR/Portra 400
Bellini C41 dev

Negative Lab Pro / Photoshop edit

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bags27

bags27

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4 hours ago, grahamc said:

Thanks Ray, yes I struggled and that's exactly what happened (was very sweaty and hot in the bag) .  I think unfortunately sometimes if you are struggling and the film gets creased etc then it makes it harder for subsequent attempts .

Glad I finally got the reel on and got this result but will be hoping for smoother sailing next time.  There are lots of remnants and defects on this roll as a whole, but the other one in the tank was fine so I don't 'think' it was agitation/fixing related 

 

This changed my entire approach to developing 35mm film (I also use it for 120):

https://www.kpraslowicz.com/2009/04/11/the-secret-to-loading-35mm-film-for-development

Also, get rid of Patterson reels and get these (they have different names in various places):

https://www.bhphotovideo.com/c/product/122989-REG/Samigon_ESA325_Multi_Format_Autofeed_Reel.html

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RayD28

RayD28

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M3 & 50mm DR.  FP4 in DD-X.  I went to high school with his older brothers.  In case anyone wonders, he is not homeless.  

 

 

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RayD28

RayD28

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M3 & 21mm SEM.  HP5 in DD-X.  Shot outside a body shop so she's waiting for restoration.  

 

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RayD28

RayD28

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M3 50mm DR, FP4

 

 

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Pieter575

Pieter575

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The location for this week's video was indeed a windy trail, which is good for my channel's namesake, but the scenery was a bit repetitive.

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grahamc

grahamc

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50:1.4 v3 & Portra 400.  MP 

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grahamc

grahamc

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50:1.4 v3 & Portra 400.  MP 

 

 

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jakontil

jakontil

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18 hours ago, RayD28 said:

M3 & 21mm SEM.  HP5 in DD-X.  Shot outside a body shop so she's waiting for restoration.  

 

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Hmm.. the SEM… a lens i have been longing for but for now, color skopar it is..been missing DDX too, reminiscences my nostalgic first films, very versatile developer but not as economical as HC in a way

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jakontil

jakontil

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M2-R + 50 apo summicron

ilford HP5+

ilfotec HC 1:47

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RayD28

RayD28

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2 hours ago, jakontil said:

Hmm.. the SEM… a lens i have been longing for but for now, color skopar it is..been missing DDX too, reminiscences my nostalgic first films, very versatile developer but not as economical as HC in a way

I’m still learning the characteristics of a 21mm. The widest I’ve used before is 28mm.  I would have opted for a SA but I can use the SEM with my M240.  I’m still a newby developing film so I’m sticking with ddx for a while. 

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cesc

cesc

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3 hours ago, jakontil said:

M2-R + 50 apo summicron

ilford HP5+

ilfotec HC 1:47

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I was curious how a lens "prepared" for digital sensors would renders in film. I think the result is worth it!

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tuna

tuna

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MP, Voigtlander 35/1.7 Ultron, Reala

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