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Leica M5 +50mm Summilux ASPH + CineStill 800T

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M4 and Portra 160..

90mm f2 pre-APO..

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View north from the office 20 floors up using the 18mm f3.8 Super Elmar..

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21mm f3.4 Super Elmar..

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18mm f3.8 Super Elmar..

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Exposed for the shadows here with the 35mm f1.4 FLE, testing my ability to retain the highlight values using the dng-scanned negative file in Adobe Camera raw..

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Edited by Gregm61
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I was a fan of CineStill's rolls... But it has been emerged towards another direction: Initially, you have to be careful about the halo in capturing every single scene... later, you must know that the film has tons of issues such as colour shift in developing to yellow shading, whereas the tone of the film is stunning. I quitted from CineStill 800T, because I could not see any edge over Kodak Portra 800. On the other side, CineStill 50D is a true gem that everyone should experience it once.

 

Leica M-A

50'APO

Cinestill 50D in C41

Cunda Island, Turkey

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12 hours ago, odeon said:

I was a fan of CineStill's rolls... But it has been emerged towards another direction: Initially, you have to be careful about the halo in capturing every single scene... later, you must know that the film has tons of issues such as colour shift in developing to yellow shading, whereas the tone of the film is stunning. I quitted from CineStill 800T, because I could not see any edge over Kodak Portra 800. On the other side, CineStill 50D is a true gem that everyone should experience it once.

 

 

Leica M-A

50'APO

Cinestill 50D in C41

Cunda Island, Turkey

I really like this one! Nice colours too.  Is it a mirror in the street or someone else?

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12 hours ago, odeon said:

I was a fan of CineStill's rolls... But it has been emerged towards another direction: Initially, you have to be careful about the halo in capturing every single scene... later, you must know that the film has tons of issues such as colour shift in developing to yellow shading, whereas the tone of the film is stunning. I quitted from CineStill 800T, because I could not see any edge over Kodak Portra 800. On the other side, CineStill 50D is a true gem that everyone should experience it once.

 

 

Leica M-A

50'APO

Cinestill 50D in C41

Cunda Island, Turkey

I love this shot too! The colors are great, and the picture seems to have been taken in a very soft and appealing light. 

Edited by evikne
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Leica M5 + 50mm Summilux ASPH + CineStill 800T

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Leica M5 + 50mm Summilux ASPH + CineStill 800T

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4 hours ago, Aryel said:

I really like this one! Nice colours too.  Is it a mirror in the street or someone else?

I don't think of a mirror, the camera seems to be M10x and Summaron-M 28mm + hood,

not M-A +Apo 50

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nice image anyway,

he has sort of smartphone in his pant's left pocket

Edited by a.noctilux
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40 minutes ago, a.noctilux said:

I don't think of a mirror, the camera seems to be M10x and Summaron-M 28mm + hood,

not M-A +Apo 50

nice image anyway

Well said!

I had exchanged my camera for my friend’s Leica M10 equipped with the Summaron as well as trying the lens on Leica M-A. Seeing that the 50-ISO-rated film could not catch enough light at the wide open, f/5.6, the Summacron was performing better with Leica M10.

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Dalat, Vietnam 2017.

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M3, Summicron 50 Rigid, TriX, printed on mgfb classic

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13 minutes ago, odeon said:

Well said!

I had exchanged my camera for my friend’s Leica M10 equipped with the Summaron as well as trying the lens on Leica M-A. Seeing that the 50-ISO-rated film could not catch enough light at the wide open, f/5.6, the Summacron was performing better with Leica M10.

Missed this one :)

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...announcing summer,

beach of South Corsica, with only one "baigneuse"

 

 

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So many years ago, late afternoon light

M6, Summilux-M 35mm, Kodachrome 64

 

Edited by a.noctilux
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6 hours ago, Aryel said:

Yes, you are fully right. Would be nice to see the two photos side by side...

I may not be able to demonstrate both side by side, yet I can explain why one should not prefer a dimmed aperture in using CineStill 50D.

:)

 

Leica M-A

28'maron

Cinestill 50D in C41

Cunda Island, Turkey

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Since CineStill 50D is not a customary film, and it can be called as an exotic, people reading this topic may wonder about its look. In order to give an insight, I would like to share a sample possessing lots of colours in. In my humble opinion, CineStill 50D is the best roll which the green tones should be presented in.

 

Leica M-A

50'APO

Cinestill 50D in C41

Foca, Turkey

 

P.S. @a.noctilux Yes, I do use Lumu app to confirm the light... hence, I live in iPhone's pocket, whereas I don't have any social media or instant messaging accounts.

Edited by odeon
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Leica M5 + 50mm Summilux ASPH + CineStill 800T

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Leica M5 + 50mm Summilux ASPH + CineStill 800T

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Mp + 50lux | Kodak Gold 200 | C41kit home

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Mp + 50apo | Kentmere 400 | Ilfotec HC

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