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What do we photograph on the streets?

colint544

By colint544
in Street Photography

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Posted by jaapv,

This thread is suffering from overposting by a few members; I have hidden some posts. It is a an unwritten convention that we leave space for other participants. The reason is twofold: Overposting drowns out the other posts and, as important, if one floods a thread, the viewers lose interest and won't even look at those posts any more. It is equivalent to hogging a conversation. So: Please don't make endless posts with a large number of images, they are deadly boring, and don't po
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Ken Abrahams

Ken Abrahams

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City Reflections Series

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colint544
colint544

I wander around my home city of Glasgow a fair bit. I always have either my Leica M Monochrom mk1, or an analogue M loaded with black and white film with me. I think that finding interesting photograp

colint544
colint544

A couple more. Cheers, guys.

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colint544
colint544

Glasgow - Leica M Monochrom mk1, 50mm Summilux ASPH

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tuna

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hillavoider

hillavoider

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Street Xmas 🎄 🎅😀

MP, 35 FLE, Rollei 200 

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looking down 

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ruskkyle

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Granary Square, London

CL + 23/2 TL

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Suuumm55

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Ken Abrahams

Ken Abrahams

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Man on a Bus  -  M10M + M 90 Apo

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cobbu2

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Downtown Indianapolis

M240, 90/2.5 Summarit-M

 

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TM1ka

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Treviso

CL/Snapshot VM

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colint544

colint544

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I took this last Sunday on my M2 with 28 Summicron. I've had a roll of Cinestill 800T in that camera for months, and wanted to finish it. It's a film that works OK-ish  in daylight, but it's very grainy, with weird colour shifts.

Not strictly a street photo, but it does have a person in it, candidly pictured - my mum, who is getting on a bit now, but still loves taking pictures on her phone.

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Guest

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(mono1+35cron/v4)

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farnz

farnz

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16 hours ago, colint544 said:

I took this last Sunday on my M2 with 28 Summicron. I've had a roll of Cinestill 800T in that camera for months, and wanted to finish it. It's a film that works OK-ish  in daylight, but it's very grainy, with weird colour shifts.

Not strictly a street photo, but it does have a person in it, candidly pictured - my mum, who is getting on a bit now, but still loves taking pictures on her phone.

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I'm curious where the other Kelpie is, Colin. Have you skilfully hidden it in behind or is this a new Andy Scott piece?

Whichever, it's a lovely picture and it looks to me like it should be an album cover.  Using your mum for scale worked really well too.

Pete.

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Sailronin

Sailronin

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The displaced/homeless have become such a common sight we begin to see them as part of the urban landscape. Here a man fades into the bench becoming a part of a bus stop in Seattle.

Leica M7 with 35mm Summicron on Ilford FP4+

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Sailronin

Sailronin

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Proselytizing at the Union Station bus stop in Seattle.

Leica MP with 35mm Summicron on Ilford FP4+ dev. in HC110B

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Ken Abrahams

Ken Abrahams

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City Conversations Series 

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colint544

colint544

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20 hours ago, farnz said:

I'm curious where the other Kelpie is, Colin. Have you skilfully hidden it in behind or is this a new Andy Scott piece?

Whichever, it's a lovely picture and it looks to me like it should be an album cover.  Using your mum for scale worked really well too.

Pete.

Thank you very much, Pete. I took a similar shot on my Ricoh GR3, which worked out a little better, but didn't have my mum in it. If I'm very picky, I'd rather my mum had a little more space above her, and that the black line on the horse wasn't coming straight down to meet her. 

The other kelpie is, as you guessed, hidden behind. You can see a tiny bit of it showing to the left of the 'spine'. Fortunately, we were there in the morning, and the light at that time strikes this sculpture in a way that shows the shadow relief. Later in the day, the sun moves round and hits this side view square on, making it look more two-dimensional. 

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farnz

farnz

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Incongruence.

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M3 and Rollei 40/2.8 Sonnar HFT with Bergger Pancro 400.

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