Sub'erman Posted May 17, 2017 Share #1  Posted May 17, 2017 Advertisement (gone after registration) Here I go again  Recently I moved from Canon DSLR's and their Red-Ring collection to Leica.  So far I have a 35mm, but find it lacking when I shoot landscapes and objects at little away (30 ft and further)  I have used my 17-40, 24-105 and 24-70 Canon Red-Rings for these shoots before.  So here goes: Which wide angle lens do you prefer and why (chosing from the Leica M 21-24-28 line-up)? Link to post Share on other sites More sharing options...
Advertisement Posted May 17, 2017 Posted May 17, 2017 Hi Sub'erman, Take a look here Which would You choose: 21 mm, 24 mm or 28 mm???. I'm sure you'll find what you were looking for!
rpittal Posted May 17, 2017 Share #2 Â Posted May 17, 2017 conventional wisdom would have the 28 and 35 too close; 21 (and 18) maybe too wide for routine use; 24 elmar f/3.4 may be your sweet spot but you should select based on your prior use and your intentions (and conventional wisdom/rules are made to be broken) Regards, Bob 1 Link to post Share on other sites More sharing options...
mikemgb Posted May 17, 2017 Share #3  Posted May 17, 2017 conventional wisdom would have the 28 and 35 too close; 21 (and 18) maybe too wide for routine use; 24 elmar f/3.4 may be your sweet spot but you should select based on your prior use and your intentions (and conventional wisdom/rules are made to be broken) Regards, Bob  I would agree, 28mm is quite often not wide enough, 21mm produces a distortion I don't like, 24mm is ideal. 4 Link to post Share on other sites More sharing options...
jdlaing Posted May 17, 2017 Share #4 Â Posted May 17, 2017 24. 1 Link to post Share on other sites More sharing options...
Go Figure Posted May 18, 2017 Share #5  Posted May 18, 2017 28 is usually not a big enough step from 35 but 21 is roughly 2x vertical 35mm or 90º viewing angle it is very easy to compose with in landscape I'd go with the ZM21/4.5 as older Leica 21 have so much vignetting that you need to stop down anyway For shooting people I'd go with 24 instead ( unfortunately there is no Cron 24 and the lux is blocking too much of viewfinder ) given the conundrum  and depending what sensor you use I'd buy a VC 25/4.0 and dyoc 1 Link to post Share on other sites More sharing options...
Sub'erman Posted May 18, 2017 Author Share #6  Posted May 18, 2017 (edited) conventional wisdom would have the 28 and 35 too close; 21 (and 18) maybe too wide for routine use; 24 elmar f/3.4 may be your sweet spot but you should select based on your prior use and your intentions (and conventional wisdom/rules are made to be broken) Regards, Bob  Might just be me but searching for a 24mm elmar 3,4 has proven an Urias Post??? Is it the elmar 3,8 you're referring to?? Edited May 18, 2017 by Sub'erman Link to post Share on other sites More sharing options...
jdlaing Posted May 18, 2017 Share #7 Â Posted May 18, 2017 Advertisement (gone after registration) I'd go for a good used 24 f/2.8 2 Link to post Share on other sites More sharing options...
Sub'erman Posted May 18, 2017 Author Share #8  Posted May 18, 2017 I'd go for a good used 24 f/2.8  Just found a great looking one... 1 Link to post Share on other sites More sharing options...
oldwino Posted May 18, 2017 Share #9 Â Posted May 18, 2017 Don't count out the Zeiss ZM 25/2.8. Great lens. Link to post Share on other sites More sharing options...
Ko.Fe. Posted May 18, 2017 Share #10  Posted May 18, 2017 I also left Canon FF and L earlier this year. Just keeping old, trusty digital Rebel for AF.  I owned briefly ELC Elmarit 28 2.8 III, because I was trying to understand Garry Winogrand who used 28 most with Leica. I came to conclusion what for my photography with people doing something, somewhere I have to get too close with this focal length. Framelines were OK on M-E. Before 28, I briefly owned 25mm lens (Color Skopar) and it was interesting lens for indoor pictures. Much easier to fit in some people doing something. On the street it was exactly what Winogrand was saying about everything wider after 28. It is very hard to control. It is so wide, you have to check many elements to have solid picture. For static objects it was fine. Just take your time and eyeball every corner. But for some people doing something it was too slow. The main reason I sold it was the external VF. I have big nose and Leica with VF in the corner allows me to breath freely, which I like to do while I'm taking pictures of some people doing something. With 24 and wider it has to be external VF and for me it makes M-E just like Canon FF. My shnose on the camera screen...  I'm still thinking of trying 21mm. With 24 I was still inclining back to get pictures of people across the table. With 21mm I might just take it while seating strait.  And I want it to try for pictures of single trees. I want to be as close as possible to have as much of the tree as possible, yet, no DSLR fisheye effect.  But for now, my only lens on M-E is Summarit-M 35 2.5 And honestly, I don't really need anything else. After I left heavy L lenses it is easy to zoom with legs. 2 Link to post Share on other sites More sharing options...
rpittal Posted May 18, 2017 Share #11 Â Posted May 18, 2017 Might just be me but searching for a 24mm elmar 3,4 has proven an Urias Post??? Is it the elmar 3,8 you're referring to?? Â yes, the 3.8; sorry for the typo.... Link to post Share on other sites More sharing options...
keithlaban.co.uk Posted May 18, 2017 Share #12  Posted May 18, 2017 The longest focal length possible necessary to do the job. 2 Link to post Share on other sites More sharing options...
pgk Posted May 18, 2017 Share #13 Â Posted May 18, 2017 21. But that's just me - 21/35/75 (or 90) makes for a great kit. But its a very personal choice. You'll get advocates for all I'm afraid. 2 1 Link to post Share on other sites More sharing options...
michaelwj Posted May 18, 2017 Share #14 Â Posted May 18, 2017 Last year I'd have said 21mm without hesitation. But after a while having a dinky viewfinder sticking out of the top of my camera wore me down. It means that you have to change both the lens AND the viewfinder, and it no longer slips in and out of the bag. So if that doesn't bother you, go for a 21, but I'd prefer a 28 even though my primary lens is a 35mm. In any case, I find a 35 so versatile for my shooting that I don't need or want wider. (I'm a bit over the exaggerated perspective landscape thing anyway, I used a 21 mostly for people and events) Link to post Share on other sites More sharing options...
lct Posted May 18, 2017 Share #15 Â Posted May 18, 2017 21 would be too wide if i had only a 35 personally. The Elmar 24/3.8 is superb but too slow for me. The Elmarit 24/2.8 could be a good compromise but it is rather bulky and may show some color shifts on the M9 if memory serves me well. This is to be confirmed as i have no experience wth this lens though. I would prefer the Elmarit 28/2.8 asph which shows no color shifts and is super sharp, tiny and is affordable which does not spoil anything. The almost perfect lens if you like contrasty results. Only outperformed by the Summicron 28/2 which is more expensive and significantly bulkier. Matter of tastes anyway. 1 Link to post Share on other sites More sharing options...
Martin B Posted May 18, 2017 Share #16  Posted May 18, 2017 It depends on your personal shooting style, and I also come from the Canon side using the 17-40/4 L intensively. With Leica M, I decided to go the 21 and 35 mm route with CV 21/1.8 and Leica 35/2. I find 28 mm still quite close to the 35 mm FL, so I prefer to have something further apart. I also used my 17-40/4 L lens predominantly between 17 and 24 mm FL - so 21 mm was the best compromise in a prime lens for me. So far I have everything covered with 12/21/35/50/90 focal length range. Link to post Share on other sites More sharing options...
MarkP Posted May 18, 2017 Share #17  Posted May 18, 2017 I would prefer the Elmarit 28/2.8 asph which shows no color shifts and is super sharp, tiny and is affordable which does not spoil anything. The almost perfect lens if you like contrasty results. Only outperformed by the Summicron 28/2 which is more expensive and significantly bulkier.  Agreed! Link to post Share on other sites More sharing options...
newnew Posted May 18, 2017 Share #18 Â Posted May 18, 2017 If you shoot more landscapes the 21 SEM is really for you. You will be living a different experience with that lens. If you shoot more people in their surroundings than pick a 24 as you can also do good landscapes. 1 1 Link to post Share on other sites More sharing options...
Guest NEIL-D-WILLIAMS Posted May 18, 2017 Share #19 Â Posted May 18, 2017 If you shoot more landscapes the 21 SEM is really for you. You will be living a different experience with that lens. If you shoot more people in their surroundings than pick a 24 as you can also do good landscapes. Â +1 1 Link to post Share on other sites More sharing options...
Stein K S Posted May 18, 2017 Share #20 Â Posted May 18, 2017 (edited) As other has commented as well; if you have a good copy of the 24 2,8 at hand... go get it! Just the most brilliant lens/drawing in my eyes... and a perfect companion to your 35! Â And by the way... sold of a number of L lenses myself a few years ago and never regretted it Edited May 18, 2017 by Stein K S Link to post Share on other sites More sharing options...
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