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A couple from me :)

 

Both taken by M2 with 35mm Summaron on Ilford HP5

 

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50mm f/3.5 Red Scale Elmar and red dial IIIf with Neopan Acros 100. (Taken at this year's 'Chap Olympiad'.)

 

 

Anyone for croquet?

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Another Summaron f2.8 (1968) on the M9, ISO 1600 so a bit noisy

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Summaron 35 (1961), Monochrome

Place du Tertre, Paris 2013.

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Since I recently crashed on my bike, I thought I should add two bicycle-related shots. The more I use the 50mm Summilux (III) LTM, the more impressed I get. It's a remarkably pleasant lens. Very solidly built, sharp and with excellent colour rendition. The fact that it doesn't focus closer than 1m is actually useful for portraits given the narrow DOF. I'll see if I can dig out a portrait shot and post.

 

Both on Portra 400 with the Leica II.

 

9531708693_33d67490f8_b.jpg

Passing Mandela | Flickr

 

9531711025_a380b68756_b.jpg

Excavator | Flickr

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Just started to experiment with my M 240 with a 50mm Summicron vintage 1970. This image in very low light at ISO 3200

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Hektor 7.3cm, f/1.9 on M9:

 

 

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hmm, early days but playing with my Micro-Nikkor 55mm lens on the M240- my Visoflex system is suddenly feeling thoroughly abandoned:

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35 summaron f3.5 /Monochrom

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Trying to get decent resolution on here but failing

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Canon 35 f/3.2 Serenar with M240

 

Brick Lane, London.

 

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I actually sold my 50 Lux ASPH for a 50 Lux PRE-ASPH V2 yesterday, I somehow really like it. Stopping it down to F2 makes it just as sharp and look like the modern lenses, but wide open at 1.4 I get a whole different rendering than the modern lenses. It's like having 2 lenses in one... interesting.

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A couple of examples with Summilux-M 50mm first version (1957), NEX-5N

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hmm, m240 and dual range summicron in close range-(I know another cat- with focused nose) then Nikkor N 24mm f2.8 (I know more flowers... with greenish hue...). The Nikkor 24mm works very nice on the M (zero red edge)- look forward to trying it out further- breathing life into the old glass:

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Edited by jaques
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Its fascinating what this lens does. Quite unlike anything I've used before.

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