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No one admires Dimitris's work more than I, but that is a great shot: fantastic depth of field, color and composition, HighlandK. (We spent part of a magnificent summer in the Highlands two years ago.)

 

And ditto Dominique. Great colors and clarity and incredible depth of field.

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I obviously agree with Ken. I love the colours and the composition of the shot. People here shouldn't compare their photos to the ones I post first and foremost because the ones I post are essentially technically flawed. I am sure there are countless experienced macro photographers that would cringe with the shallow depth of field and the lack of use of proper light. Also as I said the photos I post here are cropped... a BIG taboo for many photographers. I see the site as a playground that everyone can post whatever makes him happy and as an amazing place that each of us can inspire each other!

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OMG That is a gorgeous shot. Wish we had a favorites button. This would be a very worthy afdition to that exclusive group. Congratulations!!!

 

 

It has an amazing rhythm. I can almost anthropomorphise the flowers. Starting young on the left looking up and then slowly bending a bit as they get older, till in the end the wise one blooms, releasing it's scent to... where?... somewhere... the tight frame and the placement of the flower at the edge, pointing out, triggers the imagination!

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It has an amazing rhythm. I can almost anthropomorphise the flowers. Starting young on the left looking up and then slowly bending a bit as they get older, till in the end the wise one blooms, releasing it's scent to... where?... somewhere... the tight frame and the placement of the flower at the edge, pointing out, triggers the imagination!

You and others are all far too kind, thank you. I am certainly at if not beyond the slowly bending a bit stage so perhaps there was an unconcious process at work with Lightroom!

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I am sure there are countless experienced macro photographers that would cringe with the shallow depth of field and the lack of use of proper light. Also as I said the photos I post here are cropped... a BIG taboo for many photographers.

 

 

I stopped listening to purists long time ago. What is important to me is when photos touch my heart, whatever their flaws or post-processing tweaks the author made. I don't care about this at all, the end results is what matters, anything else is just literature.

Edited by Voxen
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I stopped listening to purists long time ago. What is important to me is when photos touch my heart, whatever their flaws or post-processing tweaks the author made. I don't care about this at all, the end results is what matters, anything else is just literature.

I agree entirely. If the final image captures what you wanted it to convey that is what matters. If others appreciate it that is a bonus. We shouldn’t forget, too, that for the photographer there may be an unwritten story behind the image. In my case I value the plant and the images I take of it and its siblings. My parents, now long passed away, brought the original agapanthus bulb as a holidy gift from the Scilly Isles over 30 years ago. My current six plants are descendants of that one bulb and get cossetted in a frost free greenhouse over winter!

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I agree entirely. If the final image captures what you wanted it to convey that is what matters. If others appreciate it that is a bonus. We shouldn’t forget, too, that for the photographer there may be an unwritten story behind the image. In my case I value the plant and the images I take of it and its siblings. My parents, now long passed away, brought the original agapanthus bulb as a holidy gift from the Scilly Isles over 30 years ago. My current six plants are descendants of that one bulb and get cossetted in a frost free greenhouse over winter!

 

 

Because of the sentimental value of the plant, you definitely experience it in a different way than a person that doesn't know the story behind it. Playing with the Lightroom to make the colours look like the ones you are experiencing is a vital process in order to create something that will communicate your feeling to the rest of us.

 

I find it utterly pretentious for the film "purists", on one point to reject post editing techniques and on the other point to willingly use any type of film they like from their big arsenal in order to alter the colours to the way they like, depending on the occasion.

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That image would make a beautiful print about 4 ft. square.

 

 

I like the idea but it is quite a big crop (roughly 2400 pixels square) so I would have to get in closer to get the number of pixels needed for a big enlargement. The DoF is pretty good given it was f2.8 and so I might get a similar DoF by going in closer with a smaller aperture. Much needed rain here today and so it will have to wait!

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I like the idea but it is quite a big crop (roughly 2400 pixels square) so I would have to get in closer to get the number of pixels needed for a big enlargement. The DoF is pretty good given it was f2.8 and so I might get a similar DoF by going in closer with a smaller aperture. Much needed rain here today and so it will have to wait!

Maybe try the PhotoZoom Pro 7 trial? No cost to see what it would look like.

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I think Dimitris has charmed us all into trying to measure up to his stunning creations.

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And, Dan, you have nicely risen to the challenge! a beautiful photo.

 

It was the extraordinarily erotic Georgia O'Keeffe--from your neck of the woods--who showed us that paintings could be so alluring by focusing on the natural parts of things. And, of course, she was married to one of America's greatest photographers, Alfred Stieglitz.

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Thanks you. Yes, I’ve admired Georgia O’Keeffe’s paintings for many years. Ansel Adams can also thank Stieglitz for advancing his skills and career. There’s a great museum of her art in Santa Fe and of course her Ghost Ranch north west of Hernandez NM.

 

 

https://www.okeeffemuseum.org

Edited by Infiniumguy
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And, Dan, you have nicely risen to the challenge! a beautiful photo.

 

It was the extraordinarily erotic Georgia O'Keeffe--from your neck of the woods--who showed us that paintings could be so alluring by focusing on the natural parts of things. And, of course, she was married to one of America's greatest photographers, Alfred Stieglitz.

I agree on both counts. I didn’t know much about her work until I saw a stunning exhibition a couple of years ago in Tate Modern in London. It also included some Adams photographs. I think it was on a Europen tour - a great opportunity.

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One more using the Hoya 10X filter. I use a tripod and try my best to take the photos when the flower is still. I wish so much that the Q would stay in magnified mode when in manual focus. It would be much easier to capture sharp photos. It is the way my Canon 5D3 operates and a real positive feature.

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Astonishing shots Dan!!! Concerning the focus, have you tried to press the up arrow when in manual focus? It zooms the screen and it stays zoomed till you either press the shutter release button or turn the zoom ring. 

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