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Heya John, 

Winnie is straight, but why is Big Ben tilted? '-)

Actually, Winnie should be tilted as he was always at the brandy.

Seriously though, I saw that before posting but couldn't explain it optically. Some bright spark probably can.

Any amount of chimping would not have altered things from that perspective (no pun intended), but I think the composition could be better. Oh for an M240....

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x

Seriously though, I saw that before posting but couldn't explain it optically. Some bright spark probably can.

 

 

I think it happens when the film plane isn't properly true (perpendicular to the ground) or something like that. I encounter it not infrequently using my 35 and, of course, with an RF you can't see the effect in the viewfinder. :)

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I think it happens when the film plane isn't properly true (perpendicular to the ground) or something like that. I encounter it not infrequently using my 35 and, of course, with an RF you can't see the effect in the viewfinder. :)

Ian, you win the 'Bright Spark' award!

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I dont want to get back into this discussion but I have to ask.

 

Many of you MD M60 lovers, expressed early on in this thread, that the love for this cameras is only the simple way of working.... and has nothing to do with it feeling like a film camera.

 

Is  this still true, that the love has nothing to do with it feeling like a film camera?

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But it can't be confused with film camera - it produces no film and has different dimensions from a film M... It is just a very nice-looking digital camera that promotes a digital workflow that some prefer. If I were less stingy I would buy it for its looks alone.

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Is  this still true, that the love has nothing to do with it feeling like a film camera?

That would take some explaining as it does not feel like a film camera at all.

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I dont want to get back into this discussion but I have to ask.

 

Many of you MD M60 lovers, expressed early on in this thread, that the love for this cameras is only the simple way of working.... and has nothing to do with it feeling like a film camera.

 

Is  this still true, that the love has nothing to do with it feeling like a film camera?

 

 

I personally don't care whether it feels like a film camera or not, or brings back some "film camera nostalgia." (You know that the basis of the word "nostalgia" is from the Greek for "homecoming pain", the pain of memories... ;) I have no need for more pain, thank you.)

 

To me, it will feel like a good camera ... Much like the SL does. The M-P almost does but I'm always pressing buttons or LCD when I pick it up which is annoying. 

 

I like the M-D because there is more space for my fingers without the buttons and LCD. It is for use when the additional functionality supplied by the M-P is not needed, that's all, and provides more comfort and security when handling the camera. 

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I wish you happiness of a nice camera - but I really don't get the button pushing part - it has never happened to me, and I am known to have my clumsy moments.

Having said that, I do pull it out of its bag by its strap, always have done that, Maybe that is the key habit here.

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I don't see the point of the M-D.   Digital to me means the ability to review on the spot.   Having made many serious errors in exposure and composition in my time, I welcome the opportunity for correction.   However, I do understand that some people like the simplicity and from an aesthetic standpoint (I had a chance to handle one last week), it is a very handsome camera.  Maybe I would feel different about use were I to have one for a week or two, but for now I am happy with M240 and SL, which are pretty minimalistic for a camera nowadays.   In the end the differences are the degree of minimalism, as opposed to some other manufacturers where the objective sometimes appears to be to add many features and buttons and controls, most of which contribute little or nothing to image quality.   

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What does a film camera feel like ?

 

… lighter, thinner, less tall, more silent and with the addition of the rhythm of having to advance the frame

Also very nice is that my film M bodies don't have the thumb bump and wheel, making handling of the late digital M feel quite unnatural and bulky in comparison (which the M-D unfortunately shares).

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… lighter, thinner, less tall, more silent and with the addition of the rhythm of having to advance the frame

..............

 

 

Well that cleared that up...

 

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Simply register for free here – We are always happy to welcome new members!

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I wish you happiness of a nice camera - but I really don't get the button pushing part - it has never happened to me, and I am known to have my clumsy moments.

Having said that, I do pull it out of its bag by its strap, always have done that, Maybe that is the key habit here.

 

 

I'm forced to almost always pick up the M-P by its strap because there's so little surface area to grasp it by otherwise. I don't generally like picking cameras up by their straps... they get banged into stuff that way. With the SL or the M4-2, I grasp the camera by its body when I pull it out of my bag. Both provide a nice, large surface that one can grip them by. 

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I had just limited experience with the M60. However, for me I think the MD, as well as the M60, share one dimension with film cameras - there is no immediate way to check results. It does not matter if you do, or do not chimp, what counts is that you can. That ability, even if it is only hypothetical for some, influences, I suspect, many in how they shoot. In that sense, I would say the MD feels like film.  Another way it appears similar to film is less clutter on the body, less buttons to press accidentally, less stuff to configure. Minimalism can be very liberating. 

 

Personally, I like the idea of a digital camera that handles and feels more like a film one. Not in the sense of physical dimensions, or actual tactile experience. But because it is less cluttered, and because it forces me 'to check'  images only in my head.

Edited by Adam
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