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35 minutes ago, CGarrard said:

Great light. And if you post processed yourself,  great post moves too.

Thank You !

I think if You like the way a sensor renders,  nail or come close to exposure, very little Post processing is necessary. Just possibly a HINT of brilliance contrast, hi lights... and perhaps I'm a tad lazy about PP, wink,wink

Edited by Helenhill
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22 hours ago, Helenhill said:

 

I love that the Evening Darkness prevails with a hint of Colours and Light so boxy, so square... the voyeur peeking into windows
M262, 21 Super Angulon

 

 

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Always delightful to see your work, Helen! :D

G

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M262, 21 Super Angulon

 

 

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Edited by Helenhill
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12 hours ago, Helenhill said:

M262, 21 Super Angulon

 

 

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Your interior picture looks extremely dark on my calibrated monitor.  More than half of the picture is clipped black, that is, it contains on information at all. This is what it looks like in Lightroom to me:

The blue area shows clipping. Was that your intention? (Please ignore my typo, which should read 'interior')

Edited by wda
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1 hour ago, wda said:

Your interior picture looks extremely dark on my calibrated monitor.  More than half of the picture is clipped black, that is, it contains on information at all. This is what it looks like in Lightroom to me:

The blue area shows clipping. Was that your intention? (Please ignore my typo, which should read 'interior')

 

Oh Hello 'wda'

Yes, that was the point ...

Sometimes 'mistakes' can be fun, Atmospheric. and make One see things 'differently'. I understand the photo of mine is not everyone's cup of tea but that's  ok . 

most of the time, I play by the rules, nail exposure etc. With the 21 SA I love to push boundaries. It's a crazy kens, one of my favorites of Leica. I shot this mid day at 1250 f4.  I really loved the pull of darks to lights, the play of its  hard edge. Please do not take my playfulness in shooting seriously. Cheers & Thank You for your thoughts.

all in good fun.  ;)

 

 

 

 

 

 

Edited by Helenhill
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M 262

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Having spent so much time the last week in the M1-arena, I almost forgot how beautiful the M240 is ..

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M240. Summilux 50

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I should have shunted the composition slightly to the right, so frankly i think it's an image that is not fully satisfying (I will have to retake it one day!), but I think it's pretty nonetheless. 

Taken from top of Aiguille du Midi in Chamonix, so just under 4,000 meters above sea level.

M240 + M 50 APO. I printed it to 20" wide.

I have a similar image that I took via drum-scanned Provia 100 on large format 5x4.  I also printed that 5x4 film image to 20" wide, and I compared to the M240 one.  

The look / detail etc is ridiculously similar at that 20" print size - ie, you won't tell from the small jpeg here, but both prints are technical perfection (no surprise ....the 24mp off the M240 is native resolution - with no resampling needed - for a 20" print), and the 2 prints show no difference in rendering or feel (whatsoever) that I can detect. 

It perhaps re-emphasises to me the importance of deciding first how big the print sizes will be, and then reconciling it to how many megapixels one really needs! 

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Edited by Jon Warwick
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A good debating point, Jon.  Assuming you had little room for manoeuvring,  I agree with you. Alternatively, had you been using a zoom lens, slightly widening the angle of view might have made for more comfortable framing. Was there any scope for repositioning the camera, just a little further back?

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5 minutes ago, wda said:

A good debating point, Jon.  Assuming you had little room for manoeuvring,  I agree with you. Alternatively, had you been using a zoom lens, slightly widening the angle of view might have made for more comfortable framing. Was there any scope for repositioning the camera, just a little further back?

Yes, it was just clumsy composition I think.  It would have been possible to have made it better at the time of capture

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Another one from the mountains ....here, Mont Blanc from Le Brevent.  M240 + M 50 APO again.

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Edited by Jon Warwick
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3 minutes ago, Jon Warwick said:

Another one from the mountains ....here, Mont Blanc from Le Brevent.  M240 + M 50 APO again.

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I think this is possibly too tight in composition, with the three clouds blobs spoiling the diagonal lines of rock and snow. I like details in a landscape, but they need to be complete pictures in their own right. Just my opinion, of course.

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Leipzig Central Station from the train on a dull winter afternoon (M-P with Voigtländer Nokton 40 mm 1.2 at f/1.2)

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Fog and sun in the cross-country tracks. M240 and Summicron-M 1:2/50.

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