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I think I 'need' a Monochrome, should I sell a lens or two ?


IWC Doppel

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You describe my personal photographic hell! The OP has so many wonderful lenses, I cannot imagine giving up all of those focal lengths for one 50mm f2 lens:eek:

 

I'd sell the whole bunch, acquire an APO Summicron 50 w/ MM and you're all set!

 

:D

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Really ! I have had two ASPH 35's and sold both !!

 

If I had to keep one lens only it's a decision Id make in 5 seconds and that's the 35 Aspherical. But the one lens only thought I have some sympathy for

 

Is that the original aspherical? Or double A so to say?

 

If so, I would sell all other 35's together with the 21 and buy the MM from that money.

Than post many examples with that 35 AA/ MM combo.

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Is that the original aspherical? Or double A so to say?

 

If so, I would sell all other 35's together with the 21 and buy the MM from that money.

Than post many examples with that 35 AA/ MM combo.

 

Yep, lucky enough for it to be the 'double A' which is the first 35mm Summilx Aspherical lens. This one is genuinely special, shame they are so rare

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Your 35 Aspherical alone would pay for your MM unless it is one you would never sell. Mint versions are $16,000 or at least that is what the asking price is. A very difficult decision. You probably have a good idea what you want to do and just seeing what the circus out here thinks. :D

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I wouldn't sell a lens like the 35 Aspherical for a Monochrom (or any other camera).

 

There are plenty of good used Monochroms on the market now – no doubt in anticipation of the new version expected this spring (in spite of the much claimed "camera for life" "prize it from cold dead hands" etc.). There are bound to be plenty more as time passes (which is more than can be said for the 35 double aspherical).

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Actually looking at your lens list I would comment that I regret selling the 50mm Summilux pre asph E46 despite have replaced it with the later aspherical version (which is better wide open) but I liked the smoothness of mid aperture detail and tonality) and I regret not buying a 75mm Summilux when I had the chance (silly money now) although the Summicron is a fabulous lens. And there is the problem that you face.....

 

Bodies come and go but thinking about it I would agree with other posters that lenses really should be hung onto.

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But bigger than the Summicron which is all you need! Seems to me that the OP has become a collector rather than a photographer.

 

The 35 AA is not big at all, slightly smaller than the ASPH Summilux from memory. I'm not a collector as already stated they all get used. This weekend I used my 35 AA, 21 Elmarit and 28 Summicron

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Not as good as the MM for black and white unless you like contrasty pictures. A lot of M240 owners are quite happy with the results from the M240 for black and white> Thorsten Overgaard wrote that he couldn't justify owning both the M240 and the MM, but he shoots a lot of color. The M240 is quite good, but if you want to upgrade from an M9 for black and white photography, the M240 is not the answer. The MM has more subtles mid-tone rendering than any other digital camera.

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