Jump to content

Going for a Medium Format Look with a Nocti


Reds

Recommended Posts

Advertisement (gone after registration)

I did a 20s style shoot last weekend.

 

I wanted to get as close as poss to that old hollywood look, here were my thoughts on planning the shot.

 

Not having any suitable fresnels I could power up on location, I just took a single hard light source, which was an 18cm reflector with a grid in it. The other consideration was the format. Knowing that most of those Hurrell era pics were taken on large format - I took the biggest I have which is a 6x7 Mamiya and shot some Ilford Delta, with a 110mm f/2.8

 

I also took the M240 & Nocti - thinking that if I shot wide open, it might come close to the look of MF. I think it did pretty well! Maybe that's a small part of what the Leica 'look' is for 35mm? I don't know... thought I'd post it up here for you chaps to ponder!

 

So here's two shots. One from the Mamiya/110mm & the other on the M240/Nocti.

 

Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

 

Link to post
Share on other sites

I don't think it's too far off myself. Nocti is the first shot btw, and the Mamiya is the 2nd.

 

The detail & richness of tones in her coat in the 2nd shot are outstanding, even with my crappy old Epson 4490 scanner.

 

I would have like to have seen what the MM could do, but it's off in Solms for calibration at the moment. Mind you - critical focusing using live view would have been missed!

Link to post
Share on other sites

I'm impressed, I thought the first shot was the Mamiya and the second shot the 240...

 

The lighting and composition of the first shot seems more in tune with the era, maybe that was what fooled us... well, me. I can see now that the other commentators didn't actually specify their preference...

Link to post
Share on other sites

Thanks Bill. I cropped it to a 6x7 aspect ratio (obviously), to match that of the RZ67. Still wondering what a shot from the MM would have looked like :)

 

I had a 6-stop ND on the Leica to get anywhere near being able to shoot wide open in the day time, and a 3-stop on the RZ. The M made a very good 'polaroid' and light meter !

Link to post
Share on other sites

"Medium format look" is a bit of a misnomer of course. The smaller format can get the compression of the focal length of the larger but not the angle of view, or the angle of view but not the compression. Tones are another matter and are available to any format, within some constraints like grain or as long as you're not comparing, say 8x10 to Minox 16, enlarged to the same size print.

 

I guessed the second print to be MF but the angle on the columns had changed. The trees looked closer to me. But it was just a guess. Nice shots.

 

s-a

Link to post
Share on other sites

"Medium format look" is a bit of a misnomer of course. The smaller format can get the compression of the focal length of the larger but not the angle of view, or the angle of view but not the compression.

 

Yes, totally agree. The look of medium and large format IMO comes from using lenses of a certain focal length for a given angle of view (and the consequent spatial relationship of the various elements in the frame) than it does from depth of field. The latter will only take you so far using 35mm and it never really looks like a larger format. It's one of the reasons why I'm not entirely convinced by the look you get from the Leica S. It has gobs of resolution and sharpness but little of the "look" you get from a larger format like 6x7.

Link to post
Share on other sites

I'm impressed, I thought the first shot was the Mamiya and the second shot the 240...

 

The lighting and composition of the first shot seems more in tune with the era, maybe that was what fooled us... well, me. I can see now that the other commentators didn't actually specify their preference...

That's what I thought, too. I like the lower contrast of the first. The rich tones of the second are impressive.

I like the pose in the first, too. Phew, am I the only one who feels it's hot in here?

 

Pete

Link to post
Share on other sites

I do get your points about angle of view & compression etc. But I felt that some lenses.... well the Nocti specifically, can get close to the 'feel' of it. It's only an approximation, of both the MF & 1920s look - but I think they're in the ballpark. (not withstanding the lighting, where a fresnel would have been ideal).

Link to post
Share on other sites

Tonality-wise I had guessed the first image to be the Mamiya. In the second shot I find the harder/brighter light on the model's face to be a distraction, taking the eye away from the rich textures and tones of her coat etc.

Link to post
Share on other sites

you're supposed to be looking at her face though, which is why it's brighter :) but if your eye goes to other details and back again, to my mind - the picture is working ! ;-)

 

Here is a tip offered for free, old Hollywood photographs were not about looking at anything other than the person in the photograph, that was the point about black backgrounds or narrow depth of field.

 

Steve

Link to post
Share on other sites

Ha! I do actually have some Arri hotlights for those types of shots in the studio, but we were all working on location with a theme on Sat and it was nice to be able to experiment :) I do love shooting the Mamiya. If only there was a 'full frame' digital sensor for it. (And I win the lottery).

Link to post
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.
×
×
  • Create New...